Masters of Illusion!

It’s official, I’ll be on The CW’s Masters of Illusion on Saturday July 16th! Here’s the teaser video of what I’ll be doing:

This is the cracker card trick that I starting doing in 2019 (I think). I was performing in Arizona at a fair and didn’t take any cards with me, thinking I could buy them in the town I was performing in. Unfortunately it was a smaller town and I couldn’t find anywhere that sold cards in town and the closest city was over an hour away!

At that time I did a card stab style trick, so I tried to figure out what other object I could substitute for cards and essentially the same jokes and routine structure. I decided on Ritz Crackers and worked out a routine for it. Over the course of the week I was performing the routine started to take shape. It’s different from the original routine enough, that they could be done in back to back shows, the only prop they share is the drop cloth.

I always love it when something created out of necessity becomes something bigger than what it was a placeholder for!

-Louie

My Fav Flower Trick!

This video of a magic trick came across my social media feed:

It’s not a deep mystery, but I’ve watched it maybe 6 or 7 times and it makes me smile every time!

I’m not sure how or why you’d use it in a show, but I love that someone came up with it, wrote it up in a book and many years later someone else made one!
-Louie

Horizontal Ambitious Card – 3rd Phase

A few weeks ago I posted about how I’ve started doing the ambitious card effect with the cards spread across the table (read it here). I’ve added a third phase:

The ending with it in the card box is a great third phase.

I have changed the second phase a little bit since I made the video above. I’m putting the selected card second from the top of the deck. What I noticed was happening most of the time was at the second phase, people would very quickly point to the top card. When they do that, I show it’s not there and remove that card. Then I proceed as in the video and it’s getting a great reaction. If the don’t immediately point to the top card, I do the reveal with a double lift and that sets me up for the third phase.

I’ve also made a change to the third phase. I’m setting the card on the table (after the switch) and having them put it into the deck.

-Louie

Ink Hole Coin Trick

I just stumbled across a video of the trick Ink Hole and I really like it!

Here’s what the trick has going for it:

  • it’s not a card trick. Yes, I know there are plenty of tricks similar to this with a card and hole. My thinking is the less tricks that I do that don’t use cards, the better. I’m not anti card trick, however for texture in the show, if I can avoid a card, I do!
  • It’s very visual and in a strange way!
  • it happens in front of your body and not on a table.

What I don’t like about it is that there is (as far as I can tell) a requirement that you wear a black shirt. This isn’t a deal breaker, but it is definitely a consideration.

I’m on the fence about getting it, it’s more the wardrobe condition that’s keeping me from ordering it.

Even if I don’t get it, I still think it’s a really cool effect!

-Louie

Fair and Festival Roving…

I think I was scrolling through facebook and I came across this video on the props that another magician uses for strolling at a fair:

There’s a lot of stuff in this that I disagree with, but the first thing is what he says he wears. He says his costume (whatever you wear while performing is a costume) is a t shirt and cargo shorts. I’m someone who is pretty dressed down compared to most magicians, but I don’t think I would perform in a Tshirt and shorts.

The other thing that I don’t agree with is how much material the he’s taking. I should say that I don’t agree with it “for me”. You really don’t need that many props, you’re doing roving, not a formal 22 minute magic castle close up set.

Here’s the props for my roving set:

That’s a 20 minute set if I wanted to do it as a long chunk, however I normally wouldn’t do it that way. Normally I’d do it as a 5-10 minute set. There’s a lot of variety in what you see there. Obviously there’s a lot that I can do with the deck of cards, then there’s the linking pins and finally the wallet. The wallet is a card to wallet, but inside it I have my Splitting Image trick, and a bunch of business cards that I can do mentalism with.

That’s the core set, then if I’m working on something new, I will add that to my those props. The whole works will fit into my two front pockets. Just because you have a ton of pocket space, it doesn’t mean you need to fill them with tricks!

-Louie

Chair to Suitcase…

For some reason I’ve always wanted a Chair To Suitcase. This is simply a chair that folds up into suitcase and was popularized in the USA by Horace Goldin in the 1930’s. I’m not sure why I want one, or what they heck I’d do with it. Recently I had a chance to buy one and now I own one.

Here it is as a chair:

And here it is as a suitcase:

This particular one will hold my weight if I sit on it, but I really don’t think it necessary. I think if I used it, it’s be something that held my props, like a makeshift table. For something like a cabaret show or when doing a short set it may be useable. I have a feeling it’s something that will just kick around for a while and I’ll either figure out a use for it, or eventually sell it.

-Louie

Horizontal Ambitious Card

A long time ago I was chatting with Nick Lewin and we were talking about the Ambitious Card. He said it was the “greatest card trick ever” and I agree with him! With the base effect, you put a card in the middle and it’s instantly on top. Very easy to follow. I do think that most modern versions are really multiple revelations of a selected card, as it’s more than the card simply jumping to the top.

A couple of weeks ago I started doing the ambitious card from a spread. Here’s what it looks like:

When I do it there are two phases, the first I push the card in and in the second they do. That gives it a sense of build. I like getting to play a little bit with having them move their finger along the spread of cards.

I’m liking doing it this way when I have a table. It doesn’t play the same with the cards spread in my hand. I think it’s because with the cards in my hand, it feels less impossible.

Give it a try!
-Louie

Rubber Canary!

A couple of days ago I wrote about there being two kinds of Nielson Latex Canaries and that I prefer the lighter color as it’s thinner. The reason is that it’s a thinner latex. If it happens to stick out of the cage during the vanish it doesn’t really hang up on your sleeve. Here’s what the cage looked like after I pulled it out of my sleeve yesterday:

baby lindy vanishing birdcage

When I noticed that I made a quick video to explain the difference:

While the difference in the firmness of the latex isn’t much, one thing I’ve learned about the cage is that a lot of small things that end up making a huge difference!
-Louie
Click here to learn more about the vanishing birdcage!

Still My Favorite Magic Trick…

The Linking Safety Pins has been one of my favorite tricks for years. One of things that I do are two phases where the pins are totally out of my hands and someone from the audience links or unlinks them. However my favorite part is the final unlink where I pull the pin through the pin that they are holding.

What draws me to this trick is the simplicity of it. It uses two large safety pins. Everyone knows what they are, they can be examined before and after the trick. Also they take up virtually no space in my pocket.

The downside is that the good oversized linking pins haven’t been made for a long time, so they have to be found on the used magic market. There were soo many sold, they frequently pop up and I’m always buying them whenever I find them. If you’ve never done the linking pins, the trick Shrapnel which is currently available is a good routine and it uses more standard size safety pins and worth looking into.

-Louie

Bubba Bear and the Bad Land Band…

Sometimes I see things on fairgrounds that make no sense to me in the moment. Recently I saw Bubba Bear and the Bad Land Band.

Bubba Bear and the Bad Land Band

This is a trailer stage that had an animatronic animal band and Mark Twain. If I was betting, these are older robots from a Chuck E Cheese that have been repurposed for this show.

Here’s a peek at the show:

The show runs every 10 minutes, I didn’t watch more than one show, so I don’t know if they are all different.

The show is (in my opinion) not good, however I do think it serves several important purposes. First of all the trailer stage and graphics look great and it looks like something you want on your fairgrounds. Next, it runs all day, and it has benches, so it’s a chance for people to sit down for a few minutes, however no one is going to sit on those benches for hours chatting. Also, it doesn’t really take man power (unless it breaks down), so it’s an easy to fill a blank spot on a fairgrounds. Oh, it’s owned by the carnival, so I’m going to imagine that if they have a ride that’s supposed to be at the fair, they can easily substitute this in. Finally, it’s free for the people attending the fair, so it’s something that’s not a money grab.

That illustrates something that you need to know if you want to perform at fairs, what is your purpose on the fairgrounds? A fair may book you because they want an awesome show, they may book you because they need to move guests a certain direction on the fairgrounds, or any number of reasons. The sooner you understand why you’re there, you’ll be much more successful!

With all of that considered, I’d still not watch the show again…but if I ran a fair, I’d probably book it and be happy with having it on my fairgrounds.

-Louie