sleight of hand – MagicShow.Tips

Nick Trost’s 7 Card Count: Rollins-Hamman-Longe Routine

Nick Trost was a BEAST! He was a pioneer of modern card magic. I’m rereading The Card Magic of Nick Trost. One of the things that I’m doing is learning the original routine and then trying to update or add something to each routine. I’m only four tricks into the book, which has 122 effects!!!

The second trick in the book is the 7 Card Count and after Nick’s original routine there’s a Rollins-Hamman-Longe variation of it. The first trick is good, but this version is better!

I did come up with a variation on the original, but also a variation on the variation! If you have the book, it’s the exact same set up and routine, except these are the card, and the final display is slightly different.

The card second to the left has a picture of a stop sign, but it could just be a blank card that says “stop”.

What this setup does is change it so each card that’s eliminated reappears in the packet. Also, I like the 1-2-3 of each color to sell the premise of only using three cards of each color.

Right before the final display, you’ll have three face up black cards, and you’d normally put them on the bottom, in this case put them face down on top. Next, pull the three red cards one at a time off the bottom and deal them face up on the table. Then deal the top three cards (black) face up onto the table, and that will leave you with the final (stop) card face down in your hand. Say, “This never works, we might as well stop now” and then reveal the final card!

The only downside is this trick is no longer impromptu.

The Stop Trick

I have a bunch of cards from a FA-KO deck, but I don’t have the booklet. One of the cards has a picture of a stop sign on it, and I started playing with it and this is what I came up with:

It’s pretty basic; the first is a second deal, and the second is the drop force.

I’m just “meh” at a second deal; if there’s no heat, it’s fine. One thing I noticed that’s a tell with most magicians that they’re not dealing the top card is when the hand holding the deck swings back and forth. I think that movement is magician’s thinking: “the big motion hides the smaller motion,” and I guess it does, but it doesn’t look right. I’ve noticed that when I try to keep my hand holding the deck static, my second deal flies by more magicians than when it moves.

I guess that’s a tip for the second deal?

-Louie

How Do I Do This?

Here’s a card revelation I found on a hard drive from a January 2024. I’m not sure how I did it.

Here’s what it looks like:

I guess I posted about it here:
https://www.magicshow.tips/magic-show-tips/card-production/

It’s kinda cool, I wonder why I stopped playing with it?

-Louie

3d Printed Shell Game!

A while ago, I made a set of natural shells and then made a silicone mold of them. I used that mold to make a bunch of resin shells for a shell game workshop. One of those resin shells recently got 3d scanned and I’ve started printing them!

These are a great beginner set or set to throw in your backpack to carry around and not beat up a nicer set.

You can find or more or order a set at:
https://www.magicshow.tips/shell-game/

-Louie

Old Stock Bicycle Playing Cards

My favorite playing cards are Old Stock Bicycle Playing Cards from Cincinnati. As I travel I find sealed decks in junk shops and always try to buy them. Sometimes people want way to much for them, but usually I get them for about $2 a deck, and never pay more than $3. Over the years I’ve filled a bin of them!

These decks faro beautifully out of the box! They also last longer than the Bicycle Cards that are currently sold. I don’t use these for shows, they are for practice / play for me. When I have a good deck, I’m more motivated to practice than with a deck that’s inferior.

For shows I use new decks, these are good for about an hour (or one set), which is fine because so many cards will get destroyed in that set that I replace the deck each set.

-Louie

That’s Magic!

I don’t think I wrote a post about seeing the That’s Magic at the White Rabbit Theater in Reno. This is an illusion show presented by Kaileigh and Chase Hasty. I saw the show with 17 magicians!

They do a great job with the magic show. It’s a fairly standard magic show, but they have some original “bits” with the effects they do. Chase does a great job of being in the moment during the show. With a seven day a week schedule, I’d imagine it’s easy fall into being robotic onstage.

The show is more than illusions, Chase shows he has some skill doing ball and card manipulation and Kaileigh does the aerial silks, so it’s not just “store bought” stuff, which I appreciate!

The show uses a lot of lighting cues, which really adds to the theatricality (Is that a word?) of their magic show. Lighting cues really make a show feel bigger. At some point, I should find someone to write some basic ones for me to use when I work in theaters. Just one or two, so it adds visual texture to the show.

I really enjoyed the show, and it’s worth checking out, there’s a lot you can learn by watching it.

-Louie

Trickanalysing: The Close Up Magic of David Copperfield

On a flight I read the book Trickanalysing The Magic of David Copperfield. This is a book from 1997 that goes through 20 of David Copperfield’s close up magic routines that he’s done on TV. This book is about the theatrical elements in the routines, not about specific methods.

The first 2/3’s of the book is the author going through and breaking down what’s theatrically happening in the routines. The final third of the book digs more into the author’s definitions of the theatrical devices used and how they could be applied to your magic. Then at the end, there are some worksheets for you to go through your magic and see what you’re using, or could be using.

Honestly, I don’t know how I feel about this book. I didn’t dislike it, however, I’m not in love with it. It was definitely interesting, but I’m not sure how much of the Trickanalysing system that I’ll personally be using. It is always neat to read about someone’s system.

-Louie

The Stop Trick

In my collection of old magic stuff, I had a pack of FAKO cards. This is a deck of gaffed cards and novelty cards.

The pack I had was just the cards without the booklet, so I’m not 100% positive as to what tricks the cards do. One of the cards has a big stop sign on it, and here’s what I’ve been doing with it:

It’s just a second deal until they say stop, and then a timing force for the second time. Every time I do it, the person has a great reaction when they see the card!

-Louie

The Hoop and Knots Trick

Yesterday, I posted about the Chefalo Knot and that I created a routine for it. Here’s the routine and a walkthrough of the knots you need to know:

It was fun to put this together and figure out how it all works!

-Louie

More Bar Magic in Reno

I made it to the White Rabbit Theater for a third time last week to check out close up magic by Phoenix Phenomenal in the bar. I went down with Mickey O and Bri to watch the show.

Phoenix does some great magic, and as a younger person doing 4 close up shows a night at the bar will get him a ton of real world flight time under his belt!

That’s one of the keys to performing, stage time. In comedy they say “Stage time is more precious that gold”. In magic, many people don’t see the value in stage time, and more advice you hear is “charge a lot of money” versus “get on stage and get good”.

Oh, I’m not saying Phoenix was bad, so please don’t read it that way. He’s great, he’s just younger. He doesn’t have the miles on him that someone who’s been doing it longer has. I wish I had a nightly bar gig when I was his age, I would have gotten way better sooner!

-Louie