A couple weeks ago when I was roving I threw a giant die into my bag. I was going to play with a hat load to produce it. I’ve done hat loads in the past and familiar with many techniques to get the giant die into my hat. I didn’t have a plan for the load, I just used the appropriate technique at the right time and if that opportunity didn’t present itself.
Here’s a highlight reel of some close up and the giant die production is in it:
I don’t know if this is something that I’ll actually add to my show, but it was fun to play with for a few days!
The fair I’m performing at this week has me doing street shows. On the mornings of the slower days I’m doing some more close up style magic for people. Here’s a sample of what I’m doing:
You can see part of the Horizontal Ambitious Card that I recently started doing. It currently has three phases, ending with the card inside the card box. I’m really having a lot of fun with the routine, as it gives me a lot more room to play with the audience within the trick.
This is why it’s important to keep playing with a trick, even when you it’s a solid trick and your “A” material. If you keep playing you can find new bits or ways to do it. I’m of the mindset that a trick is never finished!
One of the things about doing virtual magic shows is that I think the audience has no idea of what is going on behind the scenes. Here’s what people see of the set of my virtual show:
Then there’s what’s really going on just below the camera’s view:
Normally my set up is what’s just below my working tabletop, however the show from a couple days ago I had to over prepare as I was told I wouldn’t be able to interact with the audience.
It’s crazy how quickly we all had to learn and figure out these virtual shows. Early on in March or April 2020 people were still trying to do their stage shows (unaltered) on Zoom and I think pretty much everyone has figured out there’s a better way to do it!
During the Pandemic, I did many virtual lectures for magic clubs. I stumbled across a review of one in the Linking Ring magazine:
I really enjoyed doing these lectures. I would like to continue doing them, however moving forward with in person shows opening back up, I honestly don’t think that it would be possible to do them for a donation to the IBM or SAM endowment funds due to my performing schedule. I will keep doing in person lectures at conventions or as I travel and am in an area for the local club. It was nice to be able to give back a little bit!
When I do virtual shows the format I’ve been using is fairly similar to the structure of my in person shows. I usually alternate a trick where I’m solo on stage, followed by a trick where I use someone from the audience onstage, then repeat that. It’s a nice break from a constant stream of people coming up from the audience.
Last night at a virtual show I started using more people on screen than I normally would. In the solo tricks, I just talking to the people and joking with them.
It played out really well and it made the show a lot more fun for me. For a virtual show it really helped bring up the energy and forced me to be more present in the show during my solo tricks.
Well I just had a realization that kinda sucks. It just hit me that the Coins to Glass that I’ve been working on and my CeeLotrick are essentially the same trick. Three objects disappear one at a time and reappear under a cup. Sure, both routines had different textures, one the objects visually appear and the other has the two jumbo loads, but they are the same trick.
Now here’s the choice I have to make. Do I try to separate them within the show, or use one as an “A” Show and the other as a “B” show routine.
I’m thinking about trying to put some time between them. If you think about it, I’ve seen several jugglers essentially do the same routine with different props. They do balls, then rings, then clubs, but it’s the same format. Three, then four, then five and maybe seven. It’s really the same trick with a different prop.
Honestly, if they are 10-15 mins apart in the show, I don’t think anyone will notice. However, it’s probably good for me to do one or the other and not both. I can replace one or them with something else I’m working on.
I feel like I’ve put a lot of work into the table I’m using for virtual shows. I think it’s really made a difference in the flow of the show. It’s soo much more efficient use of space than how I was previously doing it.
Here’s one view of the shelf:
And here’s the shelf rotated 180 degrees:
The nice thing with having holders is that I can look down and immediately know if something isn’t there as it’s holder will be empty. There are two wild cards as far as set up goes, the rest of the props can stay set up all the time. Those are the Gypsy Yarn and the silk in apple/peach. Both of those routines I set up on the day of the show.
You’ll also notice some redundancies, like each trick that uses a pen has it’s own pen. This is because I don’t want to be searching around for a pen, and it makes sure I have a back up pen if one dries out.
One of the things that’s been a challenge for me in virtual shows is using my space wisely. My virtual studio is in the office I share with my wife and I need to build the studio every show virtually from scratch. It’s much more work that driving to a venue and setting up.
About a week ago I did a post about adding a rotating shelf to below my working table top. I’m liking it and have gotten to use it in a couple of shows. I’m adding holders to the props, so that they can just stay set up. Here’s what I’ve 3d printed so far:
The goal is to hopefully cut down on my set up time. I just need to set up the studio, and not the studio plus all of my show props. The silver lining is that the holders also keep things from falling off the table when it’s moved or the shelf is rotated. I still need to make the holders for the rest of the table, but this is a start!
One of the things I’m always doing it trying to improve what I currently do. Right now in my virtual show I do a modified version of my Cee-Lo trick, which is a cup and dice routine. This ends with the production of two large dice. The large dice are 1 1/4 inches on each side. To give you some perspective, the picture below is one of the jumbo dice next to a regular die.
The reason that the trick uses 1 1/4 inch dice is that for a live, in person show, it makes the loading procedure work. The cup will hold two 1 1/2 inch dice, but the method where the spectator loads the cup for you doesn’t work well with a larger die.
I was cleaning up and found the old set of 1 1/2 inch dice I tried using for Cee-Lo. It hit me, since I’ve changed my loading procedure for virtual shows, and there are no spectators to handle the props, why not move to the larger size dice. To give you an idea of visually how much bigger they are, the pictures below are a 1 1/2 inch die next to a regular die and a 1 1/4 inch die.
That extra quarter inch makes it look massive! The nice thing about how I load the cups for live virtual shows is that the size of the die doesn’t really matter. I’m getting a little more visual impact for no extra work! I’m a fan of that.