PADO Card Trick’s Ad Review

The ad for the trick PADO came across my social media feed, and I have some thoughts on just the ad. I want to be clear, I didn’t buy this, these are just my impressions of the ad for the trick.

First of all, the cover for the ad when it was served to me has the palmed card flashing. Here’s the screenshot of the ad for PADO:

This is a very minor thing, and could have been an auto generated cover that the magic company had no real control over. Alright, here’s the actual demo:

Whenever I see a demo where the table is so black that you can’t tell where it ends and the magician’s black clothes start, this is a trick that uses black art. More than that, it’s also probably (I could be wrong) manipulated with a filter to make the black colors blacker. This is fair game for online content, but not in person performing. Once again, I would love to be wrong about this.

Why is it important to know if it’s black art?

If it is, you can’t do this trick “walkaround” without carrying a special surface to do it on. That severely limits where you can do it. You can’t do it on any tabletop. I guess the term “walkaround” can mean a lot of things, but it’s going to be difficult to do on a picnic table in the park on a sunny day.

Another issue I have is that the website says it’s for “beginners”; however, in the trailer there is a control and mercury fold. To accomplish those, the magician in the video drops his hands below the table, then there’s a camera cut. If they can’t do the sleight of hand deceptively in front of the camera for the demo, then it’s not beginner level (in my opinion).

Personally, I think this would be great for magic that’s filtered through a camera where you can be in control of lighting and the black balance, and not when you’re performing to a group of people in front of you. The magic company is selling something that technically could be done in those scenarios, but it probably won’t be something you can do 100% of the time in those scenarios.

There is Brent Braun and Andy Glass’ Chattanooga Kickstand which looks very similar, but without the black art.

What’s written above is my opinion without seeing the PADO gimmick- just my commentary and opinion on how this is being sold. I would love to be wrong, and I could do this on any surface…and it’s not a recreation of the Brent Braun and Andy Glass gimmick.

– Louie

The Best Way to End a Card Trick

When doing a card trick, the ending is the most important thing. Here’s three options that I’m playing with:

Each has something going for it.

Option 1: quick and direct

Option 2: BIG

Option 3: a gag, then a bonus trick

I posted this video on my social media and everyone liked number three the best. One thing I didn’t mention was the conditions; this was a stage piece for large groups.

After trying all three of them, the one that played the best for me was number 2!

giant card trick onstage

The size of the reveal, I think, made a huge difference. Also, when the folded card comes out, you have a little bit of build as it’s being unfolded.

I think the problem with option #3, which is the 52 on 1 card that turns into the selection, is that the gag is too small to be seen from the stage, and everyone has to take my word for what’s on the card. Also, you have a gag and a magic trick that are pretty close together. The changing of the card, I think, doesn’t hit as it should. I think to the audience it feels like the card just has the 52 on 1 on one side and the selection on the other, and I just turn the card over. Yes, I do show the back of the card twice; however, I don’t think the audience processes that or remembers that.

I’m glad I tried all three and was surprised at the result.

-Louie

How To End a Card Trick…

The ending to a card trick is one of the most important things. Does the ending have punctuation, or is it just “meh”? A card trick routine that I’m working on ends with a prediction of the selected card. I’m not going to get into the routine in this post, but just the ending. Here are the three options:

Option 1: direct and clean

Option 2: has a little bit of suspense

Option 3: has a gag, then a trick

I think each has merit, but ultimately I’ll have to go out there and try all three to see which plays best.

-Louie

What is the Greatest Packet Trick of All Time?

Of the hundreds of packets tricks I’ve learned and tried, last week I took out an old one that I really haven’t done since I was a teenager, and was amazed at how much people loved it! That packet trick is COLOR MONTE!

While it’s not my style to do, I also can’t deny how great it is! It’s really the sponge balls of packet tricks!

There’s so much action in it; you get a lot of magic effects in a short amount of time. Plus it has a story that’s easy to follow and makes sense. Not some wacky story about bigfoot or splitting breakfast with a football team.

This post is just a shout out to an amazing routine!

-Louie

Magic Trick That Looks Like AI!

Modern magic, especially close up magic has moved to very visual effects. Things that look like AI or if you’re old school, then trick photography. Magicians rarely look to the past, there are some amazing tricks that look like a modern AI fake magic trick.

One example is the Joseph Silk Gun. Another is the Jumbo Card Restoration Frame which was invented by Theo Bamberg in 1909. I’m sharing a greenroom with a magician who has one of these and it looks amazing!

There’s ton’s of really cool stuff from the past that fits modern styles, you just got to search it out!

-Louie

A Simple Cell Phone Magic Trick

Personally, I don’t like using my cellphone for magic tricks. It’s too easy for an audience to say something is an app or AI. The other reason is that so many magic specific apps get abandoned by their creators, and they just stop working.

Here’s a little magic trick that I came up with that uses a cell phone:

The video above was the test of the trick, I’ve tightened it up and removed all the double lifts from it.

Honestly Evaluating The Magic Trick

What I like about this is that it doesn’t use any magic apps, so I’m not relying on some magician in their basement in Alabama to keep it updated!

What I don’t like about it, is that the effect is fairly slow. Removing the double lifts speeds it up a lot and takes out a lot of unnecessary process.

One last thing, I found the trick is stronger when it’s repeated a second time!

When creating magic tricks, I think it’s important to evaluate what’s going one. Figure out what you like and don’t like and what makes it hit harder for the audience. Try things, take risks. .

-Louie

Jimothy and How To Create a Card Trick

A couple of days ago I saw a video of a unique looking racoon that that internet has named Jimothy. Here’s the video:

He’s popping up everywhere, and that got me thinking, what magic trick could I do with him.

A Simple First Step To Creating Magic Tricks

The easiest way to create a magic trick quickly is to find the theme, in this case Jimothy and figure out what to do with it. I’m travelling right now, so I’m limited with props, which can be a good thing when trying to create something new. I did have some blank face playing cards, so that gave me a start, it’ll be a card trick, with a picture of Jimothy.

My idea was to do an ace assembly type trick, with Jimothy and things raccoons eat. The challenge was that I didn’t have enough blank face cards to do it in the traditional way with 16 cards. I think this was a good thing, because most ace assemblies are too long and redundant, but you kinda need to have three “traveler” piles because there are four aces. I didn’t have that restraint for this trick.

I’m a huge belivier in creating magic tricks with rules or restraints. It definately makes it easier. You can read about how this applied to a full show that I wrote here!

Here’s what I came up with:

What I like about the format of this card routine is that it can be used for other themed tricks. It’s an easily adaptable format, customizing!

-Louie
PS: You can learn more about how I create magic here!

A Good Card Trick for Emergencies!

Last week I finished reading Card Man Stuff by Al Leech and this week I started reading another card magic book by Al Leech called Super Card Man Stuff. This book is pretty good. I’m about halfway through it, and while I don’t think it’s as good as Card Man Stuff, it’s still pretty good and a worthwhile read.

Here’s a Card Trick I Love!

In the book, there’s a gag that’s essentially an impromptu novelty card, like the ones that came in a FAKO deck. Here’s what it looks like:

I think this is a great trick (gag) to have in your brain for emergencies. I can see many opportunities where knowing this and having it in your mental toolbox, ready to be used, would be helpful!

Many times knowing little bits like these have bailed me out of situations or enhanced them!

-Louie

The Nest of Envelopes – More Work!!

I’m wrapping up two weeks of performing at the San Diego County Fair and I’m learning a lot about the Nest of Envelopes routine. This is a trick that I started working on a little bit ago. It started as an routine idea as a running gag in the show, with not specific trick attached to it.

You can read about it’s journey in these posts:
https://www.magicshow.tips/magic-show-tips/magic-show-running-gag/

https://www.magicshow.tips/magic-show-tips/the-nest-of-envelopes-trick/

https://www.magicshow.tips/magic-show-tips/nest-of-envelopes-as-a-running-gag/

https://www.magicshow.tips/uncategorized/the-nest-of-envelopes-update/

https://www.magicshow.tips/magic-show-tips/ditching-the-invisible-deck/

https://www.magicshow.tips/magic-show-tips/nest-of-envelopes-single-spot/

I think I’ve finally figured out what I don’t like about the routine, and that’s the use of physical props aside from the envelopes. The challenge is coming up with a method that allows me to do that in a manner that I like.

One of the bonuses of trying different methods is that each has things that are positive and could be used in different situations. For example, the method that I was using for most of the two week run of shows I did in San Diego would be great if I were in a situation where access to the audience was challenging. Like stairs to the stage that are behind the stage.

The current method I’m really liking because it’s visually cleaner, it just uses the envelopes, and I like that! I think an important thing to do when creating magic is to try your best not to settle for what just works if it doesn’t align with your vision. Keep trying new things!

-Louie

Discount Transposition!

I’m really enjoying going through Al Leech’s card magic. His card magic is really direct, which I like. One of the tricks in his book Card Man Stuff is called A Quick Theft. It’s a transposition of a card in your pocket and a card in your hand.

Here’s what the original version looks like:

And here’s my version of the trick:

What I did was give the trick a bit of a premise with the coupon card. I also added the force of the coupon card to get the card into my pocket before the actual card was selected. Finally, I changed the card control, to something a bit more direct to get the selection in position for the trick.

I think it’s a better trick now!

-Louie