card magic – MagicShow.Tips

THE ROCKET Card Fountain – Review

I’ve been using The Rocket Card Fountain for about 9 months now and I still like it.

I have learned recently that with it being 3d printed, it doesn’t handle sitting in the sun with no shade at 108 degrees during a 45 minute show very well. This is a very extreme situation for it to be in and knowing what I know now, I probably wouldn’t use it if I was in that situation again. What happened is that part that holds the cards warped in the heat and no longer holds the poker size playing cards.

I was able to get it to sort of work by putting it back in the sun and then trying to reshape it. However the fix was simply to cut a deck of cards narrow.

Worked like a charm and the cards shoot out just fine! I’m still happy with The Rocket Card Fountain, but it’s good to know it doesn’t handle extreme temperatures very well.

-Louie

Charlie Frye’s Sleightly Absurd – Review

I’m finally wrapping up reading Charlie Frye‘s magic book Sleightly Absurd. I picked this up at Hocus Pocus in Fresno way back in October when I was visiting their shop.

This book is a fun read and it has a lot of “non traditional” magic book feeling routines in it. The routines have endings to them, which is something that lacks in many magic books by magicians who aren’t out there working. The other thing is that Charlie isn’t a “I do easy stuff so I can concentrate on performing” type of person. He’s doing things with whatever level of difficulty that the trick requires to make the trick the best. Sometimes that’s means hard sleight of hand and sometimes it’s a math principle. I totally respect that approach!

One of the interesting things for me is towards the back of the book there’s Charlie’s approach to Any Card at Any Number. It’s a fairly standard approach where you use a memorized deck and a variety of techniques to get the card at the desired number. He does a great job of breaking down his thought process how determines the best way to go about it and describes many scenarios.

For me the best part is how he calculates the stack number backwards (from the face of the deck).

I had to read that part about half a dozen times for it to make sense for me and once I did, it made total sense! I also figured out a way to get rid of having to remember the pairs, they all all up to 3 or 13, so there’s no memorization of the five pairs, just remembering one rule. This is a game changer for me, it makes the doing the math from the face of the deck insanely easy! This one little thing is worth the price of the book if you use a memorized deck!

This is a great book and totally worth the $75 it sells for!

– Louie

Happy Birthday USA!

In the USA it’s Independence Day, which is the birthday of the United States. Way back in 1796, which is the country’s bicentennial, there was a trick put out called Happy Birthday USA: The Bi-Centennial Card Trick by Shigeo Futagawa.

This is a card trick where you have cards that all have red and white stripes on the back, and the numbers on the front. The numbers are 1976, and they change into 1776 and then the backs change to make a flag!

Here’s a demo of the trick:

@louiefoxx Fourth of July Vintage Magic Trick! #fourthofjuly #4thofjuly #america #1776 #usa #cardtrick #closeupmagic #vintagemagictrick #antique #louiefoxx #vintage #independenceday ♬ original sound – Louie Foxx

What I thought was interesting is that in a era of Emerson and West packet tricks with confusing instructions, this has very well laid out instructions that are easy to read!

This trick is a good example of capitalizing on an event in the future. I wonder how many of these that were sold, but I also wonder how many were unsold and thrown away on new years day in 1977!

-Louie

A Batch of Placeholder!

Yesterday I shipped out a batch of my new trick Placeholder to Hocus-Pocus.com!

Placeholder is a card trick where a selected card turns blank, you can watch a demo of it here:

I have a lot of fun with this trick! You can get it from Hocus-Pocus.com or from me at: https://www.magicshow.tips/placeholder/

-Louie

The Mobius Rising Card – Review

Last October I started working on a rising card routine for stage and it’s coming along. The routine is that two cards are selected, returned to the pack and the deck is put into a glass. The spectator holds the glass and the first card appears on the top of the deck in the glass, then the second card rises out of the deck.

One of the challenges is that when I’m out performing at fairs the traditional rising card weight method gimmicks doesn’t last long. I think the heat and dust are what make them less reliable after about a week. In my search for a better way to do it as I like the trick, I came across The Mobius Rising Card.

This is essentially the same as the weight gimmick, with a few improvements…but I think that’s what has fixed the gimmick for how I work it. First the weight is heavier, which will help the cards to keep rising after there’s a bit of gunk in it. Then the “string” which pulls the card has been replaced by something else, and I think this is a BIG improvement as it distributes the weight better and allows the gimmick to be thinner. They are selling the trick on the gimmick being only six cards thick, and for my routine that’s not something I need. I’m not complaining that the gimmick is thin, but since this isn’t a close up routine I’m working on, it’s not something that’s a huge factor for me.

I’ve only used The Mobius Rising Card for a handful of gigs so far and I really like it over the classic construction of the weight version of the rising cards. It’s actually an improvement, and not just another way to make the weight work.

If you do the rising cards, and are looking for a more reliable version of the weight, I like this one!

-Louie

New Magic Trick by Louie Foxx

I’m excited to release my first card trick in a long time, this is called Placeholder!

Effect: You show a deck of cards that’s in new deck order. A card is selected, but kept in place in the deck of cards, so the whole deck stays in order. Now the spectator spreads the cards and their card is now blank card in its place in the deck that’s in new deck order!

One of the the things that this routine solves when using a special deck is how to get that deck in play without. In this routine the deck of cards is in order and stays in order throughout the trick, so you can openly take out the deck and there’s a reason why it’s not used for everything else and that it’s in order and you need to keep it that way.

Here’s a demo of the Placeholder routine:

Right now I’m having an introductory sale on Placeholder. It will retail for $20, however now through May 31, 2024 you can get it for only $15 with USA shipping included!

For more information or to order Placeholder visit:
https://www.magicshow.tips/placeholder/

-Louie

How I Got Hurt At A Hypnosis Show

Last night I drove an hour to see a magic and hypnotism show. I love seeing magic shows, and supporting people who are out there performing. I never ask for a free ticket, I always buy one. Before I get into what I think of the show, let me tell you how it ended. I walked out of the show and asked for my money back.

Was the show that bad?

The quality of the show isn’t why I left, I love all magic shows, good, bad. I walked out because I got physically injured by a hypnotist during his show and he didn’t seem to give a crap about it. That’s why I left, the performer intentionally hurt me and didn’t seem to care.

OK, so let’s get into the what happened:

The second half of the show is a hypnosis show. He does the some of the standard full audience stuff, like pretend you have a balloon tied to your hand and feel it lift up with your eyes closed. As this is happening, he taps people in the audience on the shoulder and if he tapped you, you’re invited to come onstage. After the audience qualifying bit he askes people who got tapped to come onstage. I didn’t want to go onstage, and since the tapping on the should bit is discreet, no one would know that I’m declining. Four people come up, but one has a cane, so he sends her back to her seat. Then he looks right at me, gestures towards me and says that he tapped me and verbally invites me to the stage. Being a good sport I go up to the stage after I was specifically singled out.

He does his induction, I’m not hypnotized (as far as I know), but following his directions. So I’m doing what I think he’s asking me to do. Then he gets to the bit where people play imaginary instruments and I guess I didn’t start soon enough and he walks over and has me look at him and he starts shaking my arm. Apparently I wasn’t doing it right, so after a few times of me trying to do what he wants and not doing it correctly, he grabs my arm and violently yanks it towards him and says, “sleep”. It was the opposite of making want to sleep, it hurt and I heard my shoulder make a noise.

I told him that it hurt and that I was done onstage. I walked off the stage, grabbed my coat, asked for a refund and left the venue. I really wanted to yell at him on stage about how inappropriate what he did to me was.

The hypnotist was recording the show that night, so he has this on video. I’d love to see this video and to see that I’m over reacting, however my shoulder still being sore this morning almost 12 hours later tells me I’m not.

In my heart, I hope that the hypnotist reviews the video of this show and my interaction with him and realizes how forcefully yanking on someone’s arm with no warning is a horrible idea and a great way to injure someone, someone that paid for a ticket AND drove an hour to see his show.

This should also serve as a reminder that people in the audience are actual people and not props. What you do with them on stage can have lasting effects and can skew how their opinion of future shows like yours. For example if I was the holiday party booker for a company, I’d probably never book a hypnotist in the future based only on this one experience. I used to think it was unfair when people has a bad experience with a magician and won’t book any magician, now I totally understand that position!

-Louie

Getting Them Talking About My Show!

When I was at an industry tradeshow on Wednesday pitching my show, one of the things I did at my booth was my card routine. This is the meat of the close up magic that I perform. It’s basically a multiple revelation of a signed card. It ends with the signed card as a sticker.

People at trade shows will usually put these on their shirt of badge and wear them all day. They end up being a walking billboard for me. people will ask them about the sticker and they’ll talk about me. I think I originally got the idea for having something visual that sticks around long after the trick from Michael Close. He talked about it in his lecture 20ish years ago and I think did a thing with a bill that turned to a bunny and left that with people.

When I’m at a booking trade show, especially when I’m new to the market, my goal is to get people talking about me. My sticker card trick is a great way to do that!

-Louie

Cool Moments in the Show

One of the great things about performing at higher profile gigs is that there frequently great photographers there. That’s one of the cool things about performing at the Moisture Festival, they have photographers who are experienced in taking pictures of variety acts. More than just having experience with variety acts, they usually get to see an act multiple times, so they can figure out where the moments are in your show!

Louie Foxx at the Moisture Festival in seattle — Photo Credit: Sanderling Photography

The picture above was taken right after the guy in the middle guessed the girls card! This is a 6-8 minute routine that I do where someone from the audience guesses another person’s card. This used to be a longer routine with three people, but I’ve shortened it to just two and it’s a much tighter routine.

Another change that I made to the routine a few years ago was switching to jumbo cards.

That makes the end of the routine really pop for the entire audience when the card is finally shown!

-Louie

News Spot

Here’s a news spot I did earlier this week:

It’s an OK media spot, not the best. They wanted 90 seconds, and I ran the card trick for the camera guy and producer and they wanted the whole routine, just done in 90-120 seconds. That made the spot rushed, I should have let most of the effects linger longer for displays of the card.

Then the camera work during the card trick missed a lot of things because it was tightening up when it should have been wider. All in all, it wasn’t a bad TV spot, but it wasn’t great.

-Louie