One of the challenges was figuring out how to do Daryl’s Triumph Display with the deck in the condition that the deck is in for my routine. It’s basically the same as Daryl’s except the final two blocks of cards are hand hand and you rotate your hands palm up to show the face up and face down blocks.
I’m glad I figured out how to do the final display, it just took sitting around and playing until I worked it out, and the solution was soo simple!
I woke up today to a great review of my Out For Beers trick!
I really love this trick, the play on words gag really works with my personality. I also think the trick works better than most of the Out to Lunch style tricks because it starts as a gag that is motivated. The trick sneaks up on the audience, which make it even more amazing!
This trick has been a huge hit at the booking confrences I’ve been at over the last few months and has driven a lot of traffic to my tradeshow booth and gotten me a lot of work. Get yours now!
This trick is kinda interesting with the shotglass production kicker. I used Black Fox’s Shot Glass Production, that I don’t think he ever really released, or maybe no one really bought. He gave me one 15-20 years ago and I found it while cleaning up. I used to use it sometimes when I used to do the egg bag.
It’s been sitting on my desk for a couple of weeks, and I finally had an idea for it, and that’s what I did for the Tik Tok video. It was fun to figure out something to do with it! -Louie
Every year I spend most of the summer out on the road performing around the united states. Like most people I use my cell phone as my GPS (my car doesn’t have a built in GPS) and because of that, I keep 15 year old Garmin GPS unit in the glove compartment of my car.
It’s been years since I needed to use it, however it can be a life saver if you’re in the middle of nowhere and have no cell signal. Sometimes where the gig is has no cell service or sometimes you’ve accidently done something with your phone and reset your maps apps.
You can get these used for about $20 on eBay, and it’s a handy thing to keep in the car. The few times I’ve needed it, really helped me out! Stay safe out there!
A couple of days ago a friend of mine sent me a video of the Infection color Changing Silk effect. I’m familiar with the instant color changes which I think are usually more suited to a manipulation act than the “poke and pull” style with a dye tube.
A long time ago when Norm Nielsen sold a color changing hank where you pulled it through your hand and the silk’s color changed. I always thought that would be a great first or last phase of a dye tube color changing silk routine.
I think Norm’s version would be a good beginning and Infection would be a better ending. I’m not sure if using both in the same routine would be better than using just one? Also there’s a lot that would need to be figured out, like how you’re going to transition from one gimmick to the other and ditches so you end semi/totally clean.
It’s an idea…and I don’t know why, but I don’t think I’ve seen anyone use one of the pull through gimmicks AND the push and pull gimmicks in the same routine. Maybe I’ll get one and give it a try…. -Louie
One thing I love is seeing people do unusual things. A couple days ago I got to see my friend Terry Godfrey do the Al Goshman’s Cards Thru Newspaper. It’s a great trick and it’s also a fun, special moment when he gets on the floor with the cards. It’s a break from what Terry normally does and when he does it, it feels like he’s showing you something special, and he is!
Seeing him do that trick in early 2020 is what inspired me to come up with this trick:
My trick is essentially Cards Thru Newspaper, however it’s changed a lot. Goshman’s trick used a simple gimmick, mine is a little more complex and of course I eliminated the big sheet of newspaper and changed all of the props!
I’m trying to be more proactive about performing when I don’t have shows on the schedule. The last couple of weeks I’ve popped into some virtual magic open mics. When I do these open mics my set up is a lot simpler than when I do a more formal show.
The nice thing about performing in my kitchen is that I can put Post It Notes on the fridge to remind me of lines or things to do.
When I do more formal shows with the virtual studio set up, I have notes taped to my lights and camera. This is a great way to remember new lines, or names of people to thank. For in-person shows I put notes behind monitor speakers or inside my case.
Trying new material is something I live for, so it’s nice to have little things I can do to make it easier! -Louie
Yesterday I was chatting with a couple of jugglers and it’s interesting how different magicians and jugglers think. We were talking about a specific trick one the jugglers used to do. I came up with an idea that built upon their idea. My idea was that you put a bottle of soda on the floor, and you stand on a rola bola while holding a Mentos candy in your mouth. You drop the mentos into the coke bottle while standing on the rola bola and it fizzes everywhere.
The jugglers mentioned how hard it would be, and I told them how I would gimmick it. I don’t know if it would work but I have a method. First I’d widen the mouth of the bottle a little bit. Then I’d cut a hole in the bottle and run a thread through it. If the thread was on a thread reel, so it kept the line tight, it would hopefully pull it into the mouth of the bottle.
That’s a method that should work…I don’t know if I’m going to spend the time to try to make it work It’d be a good social media video, now sure how good it’d be in a live show it’s messy as hell. Feel free to give it a try and send me the video!
Every now and then I end up with a trick that I like, but it doesn’t have a place in the show. These tricks end up in the preshow section of my show until I either come up with a routine for them, or give up on trying to figure out a way to fit them in show. The spoon and fork transposition is something that’s a great trick, but stayed in the preshow part of the show for years.
I finally fleshed out the routine a little bit, so it was more than a quick trick. It’ s a two phase routine, with an ending. Recently I tried it at a virtual magic open mic and it went well:
One thing I didn’t think about was the “hips gag”, I don’t think it played virtually. One of the problems was I was sitting, which I really should have realized before I started. Sometimes little things slip, that end up being a much larger problem that you’d think they would be. At least I now know for future gigs!
I’m thinking about updating my promo video and was watching some other magician’s promo videos this morning. One thing I noticed that I don’t like, however I’m not sure if anyone else notices or not are videos that don’t show the performer in front of a crowd. Here’s one I found from a magician named Alfred, who from the video has great technical skills, however there’s no audience:
What that says to me is the person doesn’t do many shows, I could be wrong. I honestly don’t know if that’s what a booker sees?
I also don’t know how I feel about “studio” shots in a promo video. I understand that a lot of the time it can be the only way to get a certain piece of video, like a close up that wouldn’t really be possible without really annoying the audience. I can usually tell when a studio shot is mixed in with live shots, the energy feels different.
I guess my feelings on promo videos that don’t show actual performances clips is that they aren’t for me. -Louie