This is my final post about the Harlem Globetrotters…but seriously, if you’re a family, comedy magician, you can learn a lot from watching this show. Like how many of the players have defined characters, and how the “game” is structured.
They have a lot of audience participation bits, but they aren’t done in a row. They’re separated by bits without audience participation.
In your show, is it a constant stream of people coming up and down from the stage. Are you only interesting when you’re interreacting with people from the audience?
One thing is that my show and everything in it are always a work in progress. While I do have A material, I still am looking for ways to improve them.
The other day I was thinking about my Straight Suit routine which is a comedy escape. You can watch it below:
I had an idea to simplify the wiring which would eliminate about 4 feet of cords inside of the suit! While this isn’t a huge thing, it definitely is an small improvement. Usually the simpler solution the better!
I just made a new straight suit with the new wiring and am going to take it out on the road to see if it works!
The routine I’m working on for The (W)hole Thing by Emerson and West is intended for for family/adult audiences. The other day I threw it in my case when I went out to do some summer camp shows:
I thought the concept of the whole/hole wouldn’t hit with kids. Much to my surprise the kids liked the trick and got the idea of the verbal concept behind the routine. For the trick to work, the kids need to be able to read, so I probably wouldn’t do it for kids much younger than second grade.
Now I’m just waiting for my custom cards to arrive from the printer, so that I have a fancier set that what I made for myself.
It’s a lot of work putting out a magic trick for sale! A lot of little things go into it that aren’t trick related. Things like writing ad copy and titles are things that I personally really don’t like doing.
After some brainstorming with friends we settled on Applause Please 2: The Encore. Personally I dislike tricks that use the 2.0 in the title, and really didn’t want to use the 2 in the title, but in this case it really made sense and it’s a HUGE upgrade from the original one.
I’m still doing the video editing of the instructions and the trailer for the props. There’s a lot more here than just the liquid in lightbulb, there will be two routines and possibly a third routine if I can find useable video of it from years ago.
Keep an eye out at Hocus-Pocus.com as the first batch is only 5 units and they’re getting all 5 of them, I’ll have none.
Today is the first day of the school assembly tour and the first full performances of my new show called Incredible Idioms. This show is themed about the language we use and it’s been a lot of fun to work on.
The whole show fits inside one case and here’s what it looks like:
Unfortunately it doesn’t really travel set up. It’d be nice to just open the case and go, but there’s a lot of crushable things in there AND that picture doesn’t show things like my mics and audio cables which need to travel in the case.
The show is going to probably go through a lot of changes over the month of performing it on this tour. This is where the work comes in. I need to record, at least audio record and hopefully video record as many shows as possible and review them as often as possible. This is how a show gets good in a short amount of time.
Here’s the sizzle from my show at the theater the other day:
I was messing around with more “epic” music. I’m not sure I like it, but it sure gives the video a different tone from what I normally use. It’s crazy how much the music can change the feel of the video!
Think about that when using music in your show, song selection can dramatically change the feel of the trick you’re doing.
When I made a remote control alarm clock a few weeks ago, my intent was to use it with my Vanishing Alarm Clock stand. This summer for the kid shows I’m doing, I put in the remote control alarm clock in the place of my Remote Control Chattering teeth as a running gag in the show.
At the beginning of the show I take out the alarm clock and say “It’s time to start the show” and the alarm clock rings. Then throughout the show whenever I say the word “time” the alarm clock rings. I don’t call attention to the connection of the word time and the ringing of the alarm clock. I let the audience discover that, and the do fairly quickly.
This gag definitely has it’s roots in Pee Wee’s Playhouse with their use of a secret word and when it’s said everyone screams. I like the gag because it’s not exactly a look don’t see as it’s an action that’s triggered by something else happening, so it’s funny, but the kids don’t feel a need to explain anything to you after the connection of the word and action are established.
I have a feeling this is going to be a great lead into the vanishing alarm clock once I have finished making the couple of extra props that I need for it.
I’m still working on a redesign for my Applause Please trick.
This is my take on the liquid in light bulb effect, but instead of using a lamp, it uses an applause sign. This has been unavailable for a while as the Tim Rose who built them for me passed away about 2 years ago. I’m working with a new builder and should have it available in the near-ish future.
One of the changes that I’m working on is having it all battery operated. I’ve fought thing as I don’t like to rely on batteries, but I frequently get that suggestion. I think LED technology is catching up for the lumens that I need for the trick that can be run off of a 9 volt battery.
I should mention one of the reasons that I’m not using a rechargeable lithium battery is that you can’t fly with them. If the battery was built into the prop, you’d have to hand carry it onto a plane. Another thing is that I don’t trust myself to always charge it. With a built in battery, if you forget to charge it or don’t plug it in fully, you can’t do the trick. With a 9 volt battery, you just throw a fresh one in there and you’re good to go.
Another change I’m testing now is that I’ve rewired it so that the foot switch and hidden remote work together to so there is less secret pushing of the button on the remote control than in the current version of the trick that I’m using.
Hopefully these will be available by the end of the summer!
One of the big changes in my career happened when I learned the difference from a Kid Show and a Family Show. A kid show is when the audience is a large majority of children, so something like a school assembly or birthday party. A family show is when kids are about less than half … Continue reading “Kid Show vs. Family Show”
One of the big changes in my career happened when I learned the difference from a Kid Show and a Family Show. A kid show is when the audience is a large majority of children, so something like a school assembly or birthday party. A family show is when kids are about less than half of the audience. This is an important distinction.
Yesterday I did a show at a community center and the audience:
The audience was mostly adults. For a show to be successful you need to be able to engage the whole audience. In family shows there really aren’t any “kid magic tricks” that have low magical effect. Every trick is a good trick.
The humor is aimed at the adults, I make the kids step up, instead of making the adults step down for laughs. I don’t do any “turn it around” type gags, I have to dig a bit deeper for the laughs. For me this is the secret to my success on a local level.
