Every show that I do, I write out a set list. This helps me with packing, set up and general planning, like not having similar effects back to back in the show.
Here’s a recent set list for a 60 min corporate holiday show:
I also have notes as to who to thank during the show. By the end of the show, I’ll probably won’t remember the names of anyone helping me out without a note.
I’m always amazed when I work with people that don’t use set lists. But those are usually people who don’t really have a set show and just go up and “wing it” every time. Personally I know my show, but the are many different configurations of the show, I’m not always doing 60 mins for adults, the show length and audience make up changes.
Last week in Seattle, he had an ice storm where the city got covered in a sheet of ice from freezing rain. That gave me a day off to play around, no shows or emails to return. I used this time to get to some ideas that have been in notebooks for awhile.
Here’s a close up dancing hank style magic trick that I had a while ago:
The ending with the smoke in the jar was an idea I had for another trick that didn’t work out, but added something to this trick.
Is this trick better than a standard floating bill? I don’t know, it’s potentially more workable as there’s less issues with the IT being visible. It could work in a parlor type setting. It would take away my biggest issue with using IT and that’s dealing with lighting or having to cut the bit because you can’t make it work with the existing lighting.
I may play with this a bit more, as the jumping action for me works better with my performing persona that the bill floating.
-Louie PS I’m aware that this is essentially a smaller version of Sean Bogunia’s Extreme Dancing Hank, but with a different, but similar gimmick and a slight variation in method.
A couple of weeks ago Duane Duvall passed. Duane was a huge part of the Portland, OR magic scene. I didn’t know Duane super well, but had plenty of conversations with him over the years. His magic business card collection was amazing!
Here’s bit of Duane:
Thanks Duane for all you’ve done for Northwest magicians! -Louie
Here’s a little mentalism trick that’s Christmas themed!
Effect: You show five pictures of Christmas things and someone thinks of one of them. You read their mind and tell them what they’re thinking of.
This is simply a progressive anagram. Using the chart below you say letters, one at a time, and if the letter is in what they are thinking of, you move down the list and if it isn’t you move to the right.
The nice think about this list is that you can only get one NO answer before you know the work they’re thinking of.
Personally if I was to do this, I would have an index of the different options, and have a physical prediction, or something like a modified Six Outs by Blake Vogt with only five outs.
A few years ago I had a giant production fish in my show. Shortly after I got the fish, I was recording an episode of the Odd and Offbeat Podcast which I cohost with Matt Baker. We did a story about a fish market that put googly eyes on their fish to make them look fresher (you can listen to it here) and that gave me the idea to put googly eyes on the production fish. It made it look a thousand times better.
Right now I’m working on my show for a school assembly tour and I have a smaller production fish in the show. Here’s what the fish looks like when you order it from the magic shop:
And here’s what the fish looks like after adding the googly eyes:
The eye adds a lot to making the fish look real. It also adds a bit of dimension to the fish. Sometimes its small things that make a huge difference!
I’ve always said the easiest way to create new things is to use a holiday. Yesterday was the winter solstice and I made a little trick, that’s based on the myth of balancing an egg on end.
I posted it to TikTok and you can follow me there at https://www.tiktok.com/@louiefoxx
One of the things that I really like is using confetti in my show. I think it’s something that makes a lot of tricks “pop”. It’s an interesting challenge to frequently use in a show. It’s not easy to steal as a pack, unless you’re using a snowstorm packet, which is a lot more than I want to use for most tricks.
It’s got some limitations, and I don’t like that the gimmick ends up on the floor after the trick. While it sorta blends in with the confetti, if it’s in the performing area, you will need to pick it up, or kick it out of the way.
Yesterday I hit another solution. A while ago I picked up one of Jay Scott Berry’s FS2 gimmicks from a junk magic bin. I just happened to see it the other day and realized that it would be a perfect confetti holder!
Here’s the trial run:
I don’t know if Jay Scott Berry has used confetti in it or not, but it’s looking like the solution I need for the confetti production I was trying to add to the end of my ball routine!
This discovery for me is a classic case of having routines never being finished AND having your vision of what the trick will look like and constantly trying to achieve that. Sometimes you won’t get there, other times you figure it out quickly and usually for me it’s a years long journey to hit the solution. The key is sticking with it!
One of the tricks that I’m planning on doing for the school assembly tour next month is the lasso card trick. Traditionally this trick is done with a force card and a duplicate card, however I’m doing it with a picture that someone from the audience will draw on a jumbo blank card.
I’m also adding a gag to it. The first time I put the rope into the bag, it’s going to bring out a fish! I have one of the small production fish, and I’m not using it’s collapsible properties for this trick, it’s just being used as a fish.
I made a rope that wraps around the fish and will connect to the magnet in the longer rope by the end of the rope. The length of rope that’s around the card has the magnet in the knot. I want to be able to untie the rope from the fish, to hopefully sell that it’s a legit knot for the card.
My seam where the two ropes meet isn’t the best, but when done from the stage it shouldn’t be seen.
The next challenge was to be able to magnet the fish and not the card. My solution was to have the fish upright in the corner of the bag. I simply made a little holder by using the handles of the paper bag and taping them in place.
So far this seems to work. We’ll see if it lasts for 75 shows. The good thing is that these loops will be easy to replace!
Sometimes during my morning writing I will explore ideas for tricks like What’s Next that uses the spot card. This is routine where the number of spots on each side keep changing, then there’s a sucker explanation followed by a series of surprises. The prop in that trick resembles a domino and Norm Nielsen made a version of it that has the correct color combination for a domino. Someone else had made a version of one that’s a cookie with the chocolate chips being the spots.
What’s next is a trick that is perfect for trying to theme, you just need to figure out what the spots are. They could be zits on a teenagers face, or my favorite idea I came up with, bullet holes on a road sign. If you’ve driven in the rural USA, seeing a road sign that’s been shot up is common.
It’d should be simple to make this. Just use bullet hole stickers for the spots on the what’s next card, and cover the white board with art that’s a street sign. I’m going to imagine that the gimmick’s black art to hide the magnets would still work with the bullet holes.
If you wanted to do some work, you could do a kicker ending by building a flap card gaff to one side of it to reveal something.
Honestly I’ll probably never use this, so feel free to make one up. Creating things you know aren’t for you is still a good creative excercise!
When I was at a booking conference last month, one of the acts that I saw was a magician. He did a sponge ball routine where most of the action happened on the table top.
What do you notice in the picture?
What I see is an audience that can’t see what’s happening. The back two rows are all leaning trying to see through gaps between the heads of people in the front two rows.
In theory, sponge balls can be done “high”, but in practice it’s a “low” effect. What I mean by that, is you can ask the person to hold the sponge balls at shoulder height, but in reality, that’s not a very natural position. They’re going to hold them at belly or waist height. That takes a lot of the visibility out of the trick.
How can you sponge balls play higher?
I have no idea, I don’t do the trick and when I used to, it was close up, not onstage. The challenge is when they open their hand and the balls are there, they will fall, and that makes if very difficult to the audience to know how many balls are there before they fall.
Another possible solution is to not do close up tricks onstage. I’ve been guilty of that, doing close up tricks that translate to a small parlor audience. The success the close up trick gives you for 20-30 people makes you think it will work for 75 or more, and it really doesn’t.
Watch other performers from the back of the audience and make note of what’s visible and what isn’t. It’ll really help you look at your own show and know what plays beyond the second row!
