magic show – Page 21 – MagicShow.Tips

Carry the $10 Adapter

I was working at a fair and there was a local dance group that showed up without any audio equipment. I understand not bringing a PA, but they didn’t bring an adapter to get their phone’s music to the PA. That’s literally a $10 part that’s super tiny and easy to travel with. Because they didn’t have that, they had to do this for their music:

It sounded like garbage and when the dance group is trying to get new students as part of their show, it doesn’t look good.

Personally I travel with all the XLR cords and adapters I need to plug into a standard sound system. Sure there’s the odd time when I run into an unusual sound system that’s really a consumer (back yard) type of speaker and not intended for professional live sound. Those will typically run on 1/4 or 1/8 inch plugs, which I usually have as well.

I should mention that I did have the adapter that they needed, but didn’t let them use mine. I’m not mean, but the first and last time I let a dance group use mine, they took it! That then affected my ability to do my show by helping them do their show. I’ll never let anyone I don’t know borrow things that I need to do my show.

The moral of the story is that if a $10 part is why your show sounds like crap, buy that and carry it with you.

-Louie

Themed Magic Show

One thing I don’t really do are themed magic shows, I will do a show on a topic, but not really a themed show. The reason is that compared to some people like my friend Ace, the bar is really high!

The are so many shows where the performing wears a costume and that’s where the theming ends. Not for Ace, the who show is related to his character and theme. If you want a pirate magic show, you want Ace, not someone in a cheap Spirit Halloween costume.

If you’re going to do a themed show, do it fully!!!

-Louie

Mastering Comedy Magic by Ian Batterbury

On the plane the other day I read Mastering Comedy Magic by Ian Batterbury. This book goes through different techniques and objectives with using comedy in a magic show. The book says it’s intended for beginners at comedy magic. I would say it’s for beginning at adding unique comedy to their magic.

The difference is that there are a lot of comedy magicians out there who have never had an original thought in their life. They are doing Banana Bandana, or whatever using the jokes the trick came with, or worse using the jokes they’ve seen other people do without permission.

This book is a general “theory” of performing comedy magic, without much in the way of tools, like how a joke is structured. If you’ve never created your own original script for a routine, this book will give you some good guidelines to help you out. With it only being about $10 on Amazon, it’s worth looking into.

-Louie
PS Another good book to look into is Ryan Kane’s Out of Stock

Magic Show Script Writing…

Every year in my library show I try to have at least one trick that has a life larger than that show. Something that I’ll try to put into my main show. One of the new routines that I have been doing in my library shows uses a Cootie Catcher/Paper Fortune Teller.

This routine has been doing well, and it’s a great little solo routine that’s compact a trick that packs flat, but because it’s a three dimensional trick that moves, it has a bit more visual texture than a flat prop.

There’s not a ton to the routine that I’m working on. It’ll hopefully have 6 laughs in two minutes. I’m always looking for solo tricks that I can do without someone from the audience onstage.

-Louie

Both Sides of a Magic Trick

I was playing around with some ideas of tricks to record with my Ray Ban Meta Glasses. One of the neat things is that if I do a magic trick to a mirror, you can record both sides of the trick simultaneously.

Here’s my attempt at doing that:

@louiefoxx Backstage at the magic show #cardtrick #magic #mirrior ♬ original sound – Louie Foxx

I think it came out well and is a good choice of trick as both sides of the card change, so there’s a good reason to show both sides of the cards!

-Louie

Move The Monitors!

When I show up to set up my show on a stage, there’s normally monitors at the front of the stage. If I’m doing a solo show (not in a show with multiple performers), I will ask the sound tech to move the monitors. I think it’s important for the audience to see my whole body, but more than that, I do a couple of low things and with monitors, that stuff is invisible to the audience.

Recently on a travel day while I was looking for lunch in a town I stumbled up on a festival. One of the acts on their stage was an Irish Stepdance group.

Look at the picture above, you really can’t see their feet! I understand that’s unfortunate placement of the gray power box in the middle, but there’s no reason that the monitors couldn’t be moved to the sides of the stage and turned so they face the middle. That would not affect the dancer’s ability to hear the music.

In a magic show, we don’t normally need monitors like a band does, so don’t let the sound tech set up your show like a band! It’s OK to ask the sound tech to move monitors, they’re easy to move and it’s not a big deal.

Here’s a post I wrote almost a year ago with some good comparison pictures:
http://www.magicshow.tips/magic-show-tips/move-the-monitors/

Now be assertive and visually clean up your stage!

-Louie

Evaporation – Milk!

In my show the Evaporation gimmick that I use in a milk bottle. Really it’s a Sunny D bottle that has a milk label that I printed out on it. Recently while I was performing in Wyoming I found this milk bottle:

This is my dream bottle for a milk bottle for my Evaporation trick. The only problem is that it’s a unicorn. What makes this bottle perfect for milk is that it’s smooth, which makes it easy to clean and it’s clear, so the liquid is very visible. Unfortunately I’ve spend too much time trying to track down more of these bottles and all the ones I can find are frosted and not clear. With a frosted bottle it’s hard to see the liquid inside.

Normally milk is in a frosted or opaque bottle as light isn’t good for milk. That convinces me that these were an error at the place that makes the bottles. Unfortunately I won’t be able to offer these for sale to magicians as there’s only two and I’m going to be using them. However if you want my standard Evaporation that’s gimmicked for milk, shoot me a note and I can make you one.

-Louie

It’s a Wrap on Library Shows for 2025

Well, I’m doing doing library shows for the summer. When I was putting together the show, one of the goals was that it was one trip in and one trip out of the library. I also wanted that to be only one thing in each hand. Here’s what the show looked liked when packed up.

What’s pictured above is everything for the show. The show was was expandable from it’s most basic form which was the prop box on the table to set up that filled a larger space.

The other goal was for the show was that is played big. It didn’t feel like a suitcase magic show where everything is flat. The show had a lot of textures and I really liked doing this show.

I’m proud of this show and I think I may keep it to cycle back into the rotation for kid shows in the future. The more important thing was that I used this show to learn to do things that will have a life outside of this show. I learned to use and get confident with the iQpro app to run video for my show and I using ankle switches for my show.

One of the goals for my summer library show is that I work on something that I can use outside of that specific show. Whether it’s a routine that I can use in another show or in this case, production stuff.

Always look for a second life for things!

-Louie

Recording My Show

When Ray Ban first put out their Ray Ban Stories glasses with a video camera in it, I thought about getting them. The current version is the Ray Ban Meta, which does more than just record. They’re also voice assistants, and does a few other things.

I had been on the fence about getting them for years and I finally picked up a pair.

The current version of them when the record, there’s a LED that flashes. Obviously I don’t like that it’s distracting. It’s purpose is so that you can’t secretly record people, and that makes sense. However to use them to record another angle of my show that’s already being recorded by a camera or two I personally have no issue using them without the LED flashing.

The challenge is disabling the LED. You can’t simply cover it, if you do, you’ll get an error. What I did was read a bunch on Reddit and found a few solutions and picked the one that I thought was best and fit my level of how much I wanted to alter the glasses.

If you’re thinking of getting a pair of these, read up on what they do and don’t do to decide if they’re right for you. Also if you want to disable the LED, be sure to read up on different ways to do it to make sure you are comfortable with the level of risk of damage to the glasses that can happen.

-Louie

A Simple Trick to Not Forget Anything

One of the challenges of doing your show is packing up. Specifically not forgetting anything. One thing I do is the “Dummy Check” where after you’re packed out, you visually look where your stuff was one more time to look for anything you forgot.

One of the challenges with this summers library show is that the show used a lot of power and I tried to charge the batteries while I was packing up a show. For a normal day of two to three libraries, it’s not a big deal. However there were many days where I had four or five shows in a day. That meant that if I could charge the batteries for 10 or 15 mins while I packed up, it made a huge difference for that last show.

The technique I would use to not forget to the batteries was to put my keys near where they were charging as the plug wasn’t always near the performing area. Without my car key, I couldn’t load out. For me this was a fool proof system to make sure I left with the batteries!

If you’re worried about not packing something, put your keys near it!

-Louie