MagicShow.Tips – A daily blog about magic by Louie Foxx

Projection in Library Shows

I’m really liking using “projection” in library shows. It gives my lower production show production value. Some people’s library shows have a lot of “curb appeal” with backdrops, banners, etc. My set up in fairly minimal for things like that. It’s a case on the table and if they have a TV or projected, then a second table with a camera.

There are a couple of schools of thought on this. You want the audience to walk in and go “wow” when they see the set up. Personally I don’t care about this as the moment the audience starts walking in my preshow starts. I’m talking to them, and doing things. For me the library show starts when the doors open. My personality is selling the show, not a back drop.

Would it be better if I had fancy backdrops? Yes it would. Honestly I should level up the curb appeal of my show. It’s hard to be motivated to do that when I’ve got as many libraries as my schedule can handle and I’m not a full time library performer who does 150 of them in the summer.

Don’t be lazy like me.

-Louie

Where’s the Magic Show?

This ad for a magic show came across my social media feed:

It’s got some information about the performer and the show, but what it’s missing is the DATE and LOCATION! When I clicked to buy a ticket, it also didn’t have that information, so why would I buy a ticket to a show that could literally be anywhere in the world, and have no idea when the show is?

It’s not that hard to put that information into the ad copy or at least on the ticket sales page. This was probably an expensive mistake on someone at the venue’s part where they’re paying for unqualified impressions of their ad and diluting the reach to people who may be in the area.

If you’re going to promote your show, put the WHERE and WHEN in the ad copy!

-Louie

Goldfish Cracker Puppet

I’m working on my library show for this summer. The show is going to have a trick for all of the colors of the rainbow. For orange I’m going to use a puppet that will do a card trick. I didn’t like the commercially made goldfish puppets, then I thought of the goldfish cracker. I liked that look and it’s funnier than a puppet that looks like a real goldfish.

Unfortunately no one make a goldfish cracker puppet, so I had to build one. I did find someone on TikTok that had made some, but isn’t currently making them. That meant I had to make my own:

This one is almost done, I need to put the eyes on it. I want to rig it so that one of the eyes will fall off, and I need to figure out how that’s going to happen.

This was my first time making a soft puppet, and it came out OK. It only needs to do about 30 shows this summer and not last for years. In the future I’d probably make it out of a different material that’s not felt. The felt will get fuzzy and “pill” with travel and use.

Overall the prop looks good enough and will get through the shows.

-Louie

Library Magic Show

This year I’m a bit late working on my library magic show. Normally I’d have it written out and have most of the props built. This year I’m just getting to the brainstorming stage. My show is going to have a trick for each color of the rainbow.

Here’s some of my initial brainstorming notes:

One thing I noticed once I started brainstorming was that a lot of things that I associated with colors were food. I don’t want the whole show to be about food, so I had to think harder and now only about half the show is about food!

The other challenge is to vary the magical effects in the show. I noticed that I had a lot of tricks that were productions, but the show can’t just be all things appearing. I added a card trick, a transformation (actually two) and a transposition. Hopefully that will provide enough variation of magic effect in the show.

-Louie

Summer (2025) Library Show

I’m a bit late, but starting to work on my 2025 summer library show. The national theme is Color Your World, so I’m working on things with colors. My wife had an idea of using a pinwheel and they’re colorful, and every kid knows what to do with them.

The idea is for them will use two kids. One blows on it and it spins, then when the other kid tries it doesn’t spin. I’ll need to design a simple brake for the pinwheel. I don’t have a plan for how that brake will work, but once I have them it’ll be easier to design.

-Louie

Coin to Key Chain!

I’ve been doing a coin to key chain for a while now and I love it! The effect is you show your lucky coin that’s permanently embedded in a fob. Then another coin is signed and reappears as your lucky coin that’s permanently embedded in your key chain!

The lucky coin could be given out in its holder as a souvenir!

What I love about this trick is that it lives on my keychain, all I need to do is borrow a marker! I’ll probably make a batch of these at some point and offer them for sale.

-Louie

The Original Jerry Benson Dancing Stick!

This just popped up in a magic sales group, it’s THE ORIGINAL JERRY BENSON DANCING STICK that was put out by Peter Pit.

The Original Jerry Benson lived in Seattle and I met him when I was a teenager. He was a barber that did magic! His legacy in magic is largely forgotten, but he’s the guy that turned the floating cane into the dancing cane!

He was a cool guy!

-Louie

Magic Show Pop Up Bins

Many magician use pop up bins for prop holders. These are basically fabric covered cardboard cubes that sit on your table and keep your props out of view. I’ve used a half size one, so only about six inches tall for many years. I needed to replace my old one and I learned that that don’t make the size I need anymore. The taller cube is too tall for me to sue, so I custom made myself one.

Here’s my old one, my new one is in the middle and a standard tall one:

Since I was making one, I could make one that is how I wanted it to be, not how they come from the store. Here’s a close up of the custom one that I made:

I wanted my bin to be slightly taller so my props don’t stick out above the front, so I made the front 8 inches tall. I also need to be able to easily get to things sitting on the bottom of the bin, so I made the back of it six inches tall.

I love the result of it! It’s exactly what I need, and I’m not compromising. The best thing is that it was really easy to make! My only regret is that I didn’t custom make one years ago!

-Louie

The Moisture Festival Podcast -Nick Harden

On this episode of the Moisture Festival Podcast we welcome in circus extraordinaire Nick Harden. We learn about where a kid from a small town in Illinois first discovered circus and how it became an obsession.

We learn about how the connections that he has made through the circus have opened up opportunities all over the United States. He also tells us about the difficulties in performing in different spaces and how that forced him to come up with different variations of his act. A great conversation with a very talented circus performer.

Podcast: Play in new window | Download

Subscribe: RSS

Playing, not Learning or Practicing

The last couple of months I’ve have a huge output of original (to me) magic effects. The shift is that I’m playing with magic more, and in a directed way. Playing is different than learning a new trick or practicing one that I already do.

When I play with magic, I put a prop on the table and have recess with it. I just start playing, and sometimes an idea will pop into my head and I’ll have to figure out how to make it happen. Other times I’ll just play and come up with nothing new. However that play where I come up with nothing new is still flexing the creative muscle in my brain. I’m also working through my vocabulary of sleights or techniques. The goal is to move past what I know. For example, if I have a packet of cards in front of me, I want to get past doing twisting the aces. However sometimes that means working through all the ways I know how to do it to come up with an different angle on it. Or to figure out what I don’t like about the effect and try to fix that.

It’s been a lot of fun dedicating time to play. I think more magicians should do this!

-Louie