comedy magic – MagicShow.Tips

Magic Collector Expo – Show

The last night of the Magic Collector Expo was their dinner and show. For hotel banquet food, the dinner was good!

The show was three acts, and opened with James Dimmare doing his solo act. This was his solo act, not the dove act he does with an assistant. Having seen the dove act several times over the years and it’s fantastic, the solo is just OK compared to the dove act.

There was a big challenge for Dimmare was that he couldn’t use fire and does candles in the act. When it came time for him to light the first candle, he took out the lighter, struck it and verbally said “fire”. He then did the portion of his act that uses candles without fire. The fire on the candles really makes the multiplying candle trick amazing, when they appear lit. Unfortunately it really fell flat without them lit. That said, it was probably a condition that was dropped on him at the last minute and sometimes you just have to do it as best you can.

Next up was John Carney. When I was a teenager in the mid 1990’s it was very difficult to see a magicians show. You had to catch them performing in your area. When I was a teenager I found a VHS tape of John Carney doing his show. I must have watched it hundreds of times.

He did a few routines that were on that VHS tape, they’re his work horse routines!

I got pulled up onstage to help him with a trick.

It was super fun, but also stressful. I knew the trick/routine really well from watching that VHS tape. I’m not a good actor, but I tried to act surprised at all the right spots!

Closing the show was Mac King.

Mac has been consistently working his show in Vegas for years and really shows. He comes out with a big smile and does great, even in a room full of people who have probably seen his show a dozen times!

It was a fun show and a nice slice of three very different styles of performing.
-Louie

This is the Spot!

If you do a remotely fun show for kids, you’ve have a kid pee during your show because they’re having too much fun and don’t want to get up, or you make them laugh too hard. The other night I had a kid helping me and she was laughing super hard, she stopped and said, “I just peed”!

This is always a hard thing to navigate, you need to deal with it, but in a way that causes the least amount of attention. In this instance the kid didn’t seem in distress and was remarkably calm, so I said, “we’ll pause this trick and you can take care of it”. She left and got a change of clothes and while she was gone I did another routine. Once she was back, we picked up the routine where we left off.

Oh, I had a paper towel in my case, so I put it on the spot. Not so much to clean it up, but to mark it for me so I knew where it was.

Every time this happens you need to instantly read the situation to know what the appropriate way to handle it is.

-Louie

Floating a Person

One of the classic magic tricks is making a person float. Aside from doing it as a stage illusion, there’s no practical way to do it for smaller shows that’s as good. Like anything you have to make tradeoffs when you change the method. In this case the method includes the stage.

One of the popular ones looks like this:

I’ve written about this before, but the picture above recently passed through my Instagram feed. I think one of the things that I don’t like about it wrapping up the person in the cloth. It just doesn’t look right. Look at the area circled in red below:

Is there a solution to keeping the cloth uniform below the floating person?

Maybe if the cloth with just draped over the person, and left dangling?

Nathan Burton has a decent solution and leaves the board in view:

I like this a little bit better, it’s like he’s making the board float with someone on it. That could lead to a presentation idea with the line, “your seat bottom wil act as a floatation device“. That could be a fun comedy angle for a levitation.

I don’t know the solution to a practical levitation that’s done with the audience closer. And like I mentioned earlier, there are always trade offs when you make a stage illusion smaller and add an untrained assistant from the audience.

-Louie

Showcases to book your show

Last week I went to a booking conference to work on filling up my summer schedule. One of the things that that happens besides a trade show where different acts have booths are showcases. The showcase is one of the best ways to schedule work as you can actually show potential bookers what you actually do!

This one had some awesome acts!

Depending on the rules where you’re showcasing, your showcase set can be between 10-20 minutes, with most being about 15 minutes.

My showcase at this conference was with my crank organ.

Honestly, I was super nervous. The organ is newer to me and I don’t know it inside and out like I do my show. With my magic show almost everything that could possibly go wrong has gone wrong. That means I know how to deal with problems if they occur in my magic show. With the organ I’m positive that there’s a lot that can go wrong that I haven’t encountered. And of course problems tend to appear when there’s a lot riding on that show. Luckily nothing went wrong and I had a good showcase set!

I personally think that going to showcases is one of the best ways to book work. You can book a lot of work in a short amount of time. Most industries have some sort of showcase.

-Louie

Justin Willman – The Illusionati Tour

Ove the weekend my wife and I went out to check out Justin Willman’s Illusionati show in Portland. I’ll start with saying that I think his live show is great! He probably has one of the best opening tricks that I’ve seen. It wins over the audience and sets up his personality perfectly!

The other thing that Justin does really well is his use of the “close up camera”. All of the stuff that he does with it are enhanced by the camera, and not reliant on the camera. It’s all sorta interactive, it’s not just a close up on his hands while he does tricks. It’s all part of larger things. If you’re thinking of using a camera in your show, you really should go see Justin’s show.

The other thing that he does really well is letting spontaneous things happen. He’s the star of the show, but he doesn’t mind sharing that spotlight. That’s a huge contrast from a lot of “comedy magicians” where the second someone from the audience does something funny or interesting, they shut them down. It’s these spontaneous things that make a live show fun!

If Justin Willman in your town, be sure to check him out!

-Louie

Get Your Stuff Together First!

The other night I was chatting with a magician that I had met at a zoom magic show. He was asking me about working comedy clubs.

There were a couple of things, first he didn’t know his Laughs Per Minute (LPM). That’s a huge thing to know if you want to work in comedy. It’s a good metric to how funny your show is. To calculate this, count all of the laughs in your show and divide that by the length of your show. So if you get 90 laughs in a 45 minute show your LPM’s are 2. A stand up comedian will get about 6 or more, however most magicians won’t get that high. Magic has information that needs to be conveyed for a trick to work. As Bob Sheets once told me there’s comedy time and magic time and they don’t overlap.

Then I asked this magician for his website and video and he said his “site sucked” and his video wasn’t good. I told him that you NEED the correct promo if you want to level up or move into another market. I guess the other option to move into the market is to be soo good that you get work, but that’s a much longer and harder road to take. You’d literally be doing garbage gigs to hope someone sees you that books better gigs and then keep stepping up. There’s nothing wrong with this way, but it’s a lot more legwork than just sending out video and having bookers visit your website.

In a nutshell, my advice for levelling up your show in your current market or to break into a new market is to look at what people who are already in that market have for promo and get your stuff to that level and then start selling! If you reach out to a booker and they ask for a 2-3 min sizzle reel and two 5-8 minute unedited full routines, can you immediately send that? No booker wants to wait a month for you to send them stuff. Sure there’s the odd exotic request for an unusual piece of promo that may take you a couple of days to make, but the booker will understand if it’s truly a strange request.

I know this isn’t a fun answer to how to get work, but it’s what most people need to hear. If you don’t like your promo, how do you expect anyone else to?

-Louie

My 2024 Summer Library Show

Each year I do a unique library show. Sometimes material gets cycled back into the show, but it must wait till the third year (two years off) to come back into the show.

Here’s this years set list:

If you look at the set list, there’s one spot where there’s three tricks. I could do: Dad jokes, mind reading or shell game. The variable there is if I can use a TV in the room, I do shell game. I there isn’t a TV that I can use, then I do either my Dad Jokes trick or Wayne Dobson’s Spectrumlist with the librarian doing the trick.

Here’s what this year’s case set up looks like:

This is a pretty quick set up for the show about 30 minutes right now, but it will be 15-20 minutes after a couple of shows. I have about 4 extra tricks that I’ve packed with this show to make sure I have enough material. After this week of library shows, the set list will be locked in and I’ll ditch the extra material…well, I’ll keep one extra bit.

-Louie

Familiar Feeling and Crushing It!

What a difference a day makes!

On Saturday and Sunday I was struggling with my show at a venue that was very different from what I perform at. Then on Monday, I was performing at a convention for 550 people and the whole show felt really natural and easy.

Honestly, there’s a lot to be said about performing in a venue you’re used to. By venue, I really mean that the audience was seated for a show, versus a transient, standing audience who weren’t planning on watching a show.

You should always challenge yourself and try venues and situations that you don’t normally perform in. It makes you a better performer, or at least a more knowledgeable one. Know why your show doesn’t work is as important as knowing why your show works.

-Louie

More Thumb Tie Work

I’m liking the thumb tie routine that I’ve been working on the last two weeks. There’s a lot of big laughs in the routine!

One of the challenges in writing for this routine is that a lot of the “comedy” comes from me and the guy onstage being stuck together. I want to make jokes, but the reason for the joke funny can’t be because it’s “gay”. What I mean by that is if the only reason the joke gets a laugh is because it implies one or both of use is gay, I don’t want it. I personally don’t think anyone’s sexual orientation should be the punchline of a joke. That and I don’t have any sexual content or inuendo in the show.

The jokes have to be about the situation that the guy and myself are in. Writing with rules can be harder, but ultimately I think it will make a better routine.

-Louie

Sharing the Stage With my Own Props!

The last ten days I was sharing the stage with another act that used a lot of magic tricks. One of the tricks that they used was my Snake Wand Surprise!

I always love seeing my props out there in other peoples shows! This is the first time I’ve shared the stage with one of my props used by someone else. It’s a good feeling knowing that people are out there using my stuff and making a living with them!

-Louie