patter – MagicShow.Tips

Lightbulb Eating Routine

Recently I was in a show with sideshow performer who did glass eating, and that inspired me to write a routine for glass (lightbulb) eating. I should say that I’ve seen this act many times, so I may have accidentally written a line that’s existed before and a couple of the lines are pretty obvious, so might be used by other performers. With that in mind, as far as I know this is an original script for someone eating a light bulb.

To set the scene, let’s the the performer just did a dangerous stunt before this.

That was intense! Let’s do something lighter.
Bring out lightbulb
I’m going to eat this lightbulb and poop out a chandelier! This is a 40 watt bulb, I used to do 100 watt, but I’m on a diet!
Take out spray bottle of glass cleaner and give it a spray and wipe it off with a paper towel.
If anyone wants some after the show, I brought a doggie bag.
Take out paper bag and put the lightbulb into it.
Ladies and gentlepeople, it’s hammer time!
Take out hammer, and break the bulb through the bag.
Mozel Tov!
I remember the first time I did this, I was a kid in my friends basement, listening to ACDC.
What were you expecting me to say…the Electric Light Orchestra?
Take out piece of glass and show it to the audience. Put it into your mouth and dramatically eat it.
Squirt the glass cleaner into your mouth, pause and look at the bottle. Open the bottle of glass cleaner and chug it!
Show your mouth to show it empty!

**DO NOT DRINK REAL GLASS CLEANER** use a safe blue liquid in the spray bottle.
***DO NOT DO THIS ROUTINE, IT’S DANGEROUS*** This was written as a writing exercise for me.

So that’s the routine, it should have a few laughs. It was fun to write and something I’ll never do. I don’t know why, but things like these that aren’t my show are way easier to write for than my actual show.

-Louie

Look It Up!

This summer teenagers have been saying, “That’s soo sigma” or just “Sigma” when I perform close up magic for them. I had a feeling that “sigma” meant cool, based on the context it was used in. However, to be sure, I did a Google search to figure it out.

Nothing in life has made me feel older than researching slang on the Today Show’s website!

That confirmed what I thought, and now I can use it correctly. While I think that when a older magician uses kid slang it feels like they are trying to pander to the kids and never seems cool.

In my close up I now say, “that’s soo sigma” but I do it in a way where I’m almost making fun of saying it. Very tongue in cheek, and not using it like it’s something I would normally say.

It’s important to keep an eye or ear out for these trends that kids do and figure out how you can use them to your advantage. For example, there’s the trend of kids asking you to “do a backflip”. I came up with two version of this trick to do when they ask:

@louiefoxx Do a Back Flip! #doabackflip #backflipchallenge #backflip #louiefoxx #magic #magictrick, #surpriseending #old #magician #cardtrick ♬ original sound – Louie Foxx

The other version and the one that I use is published in Vanish Magazine about a year ago.

Simply knowing how to respond to these things will put you ahead of the game!

-Louie

Vintage Magic Trick: Nick Trost’s Geo-Metrick

Nick Trost’s Geo-Metrick interesting trick, it’s essentially a packet version of Paul Curry’s Out of This World, using ESP cards. The packet is only 20 cards, ten are of one ESP symbol and the other 10 are of another ESP symbol. You and the spectator each get five of each symbol, they are mixed and you deal out ten of them face down in a row. The spectator then deals their ten cards face up on top each of your face down cards. When you flip over the pairs of cards they all match!

Here’s what it looks like:

@louiefoxx The Bacon and Square Magic Trick! #magictrick #bacon #square #cardtrick #magic #mindreading #mentalism #outofthisworld #louiefoxx #nicktrost ♬ original sound – Louie Foxx

For me, this trick isn’t strong enough to justify carrying around a packet of 20 cards just for that trick. However this method would work with just red and black playing cards, so that would make it something you could do with any deck of cards. It’s a good thing to have in my head for an impromptu situation, but I’ll never do it with the ESP cards. I should say that if I came up with a great way to theme the trick for a gig, it’s something I would do.

For example, if I was performing at a pet adoption event, instead of wavy lines and as square, I used pictures of families and pets. Each family was matched to a pet! That makes sense and it’d be an easy way to add a custom trick for the event.

-Louie

A Bad Laugh in the Show

One of the things that Charlie Frye mentions in his book Sleightly Absurd is that you should have no descriptive patter. Since reading it I’ve been looking for places to replace or remove patter that is simply descriptive.

There are reasons to leave in descriptive patter, like if you’re doing cards across and the audience has to know there are 10 cards in each packet.

In my kids show I do a blendo with three silks. In an attempt to remove descriptive patter, I changed to calling them tissues. I give them one at a time to the kid and say, “The yellow tissue if for you to blow you nose. The red tissue I used to blow my nose. The green tissue my dog used to blow her nose.”

All of those get a laugh from the kids, so that’s three reactions I didn’t have before when I simply told the kid to hold the “red, yellow and green handkerchiefs.“. HOWEVER the new laughs weren’t good laughs. I noticed what while the kids laugh, the adults pulled back and for them it was almost a cringy moment. I tried it at several shows and each time I got the same reaction from the adults. That led me to removing the line.

This is a good example of why you should remove a line that gets a reaction from the audience, but isn’t necessarily a line that moves your show forward.

-Louie

Trick from Ginosko

Here’s a trick from the book Ginosko. It’s called Blackjack for Brother John and it’s a packet trick that has a story that has a very 1980’s packet trick feel to it. That’s not a bad thing, but it feels like something Nick Trost or Emerson and West would have put out with novelty cards.

Here’s what it looks like:

@louiefoxx Blackjack for Brother John from the book Ginosko! #blackjack #cardtrick #magicbook #magic #magictrick #closeupmagic #gambling #louiefoxx #ginosko #idahomagic ♬ original sound – Louie Foxx

It’s a great story packet trick, and you only need four cards to do it with. That makes it impromptu, just pull the cards from the pack and you’re good to go. I would probably palm them out and remove the cards from my pocket, as you start by showing four of the same jack.

I recommend you pick up Ginosko, it’s only $25!

-Louie

Creating a Bit From Reality…

Last month I was at an AirBnB. I was sharing the house with a bunch of the other performers at the Ohio State Fair. Behind the painting on the walls we found strange “Alien Postcards” from October of 2016

The first one was behind the paint of an apple, then we started searching the AirBnb and found the second one inside of a picture of Groucho!

OK, so that’s what happened in real life, now how do I turn it into a bit for my show?

I started by telling the story.

I’m staying at an AirBnB with some amazing performing, acrobats, jugglers…and a mime. He’s not even performing here. But that guy never shuts up.

One night I was looking behind the paintings and found some “alien postcards”. When I mentioned it to my wife on the phone she said, “why were you looking behind the paintings”, not “what’s an alien postcard.

I was looking for my keys.

Here are the postcards. On the front they say, “Materials deployed for reflective and connective purposes”. On the back this one says, “Thank you for signaling that you are anticipating my transmission”.

The other says, “Thank you for sending the signal that you are invested in receiving this signal…You’re going to die…JK, LOL LOL…but seriously, we’re watching…no parties!”

So now I’m searching the AirBnB for cameras, and you know what I found?
My KEYS!

That’s the story. I’ve embellished it a little bit added some punchlines. The nice thing about being in a house with other performers is that we could workshop the story a little bit.

The next step is going to be figuring out what to do with this. Is it a little stand alone bit, or is it a segue to something else. Like a trick with a key and/or postcards?

One idea is to have borrow a key, cover it up with a handkerchief and have that held by someone in the audience. Then 5 postcards are shown, each has a place where I’ve found my keys. These could be funny places, like in pie, or whatever. One is selected, and the key disappears and ends up inside of the postcard.

I don’t know what will happen with this bit…

-Louie

Balls in Hat Routine!

The last couple of weeks I started working on a Balls In Hat routine that I learned from Jimmy Talksalot. It starts with two in the hand and one in the pocket and ends with a nine balls coming out of your hat! It’s a really solid routine!

You can see parts of it in this reel from the fair I was performing at:

@louiefoxx Magic at the @sanmateocountyfair! #magic #sanmateocountyfair #sanmateo #closeupmagic #magician #bayarea #countyfair #louiefoxx #magictricks #cardtrick ♬ original sound – Louie Foxx

There’s a ton of great info and routines on Jimmy’s Substack. There’s free info as well as stuff for subscribers. It’s $8 a month to subscribe and totally worth it to read and watch all the content he has up there. The magic and essays are focused on street magic, but there’s a lot to be learned there if you don’t do street magic.

-Louie

Linking Pins and Thumb Tie

I’m still working on the Linking Pin and Thumb Tie routine and it’s slowly making progress. I started this in mid-February, however I’ve only done it about 30 times. For me that’s a pretty fresh routine. I haven’t figured out where all the moments are.

I wrote a couple of new jokes and changed it so there were three magic effects in the routine instead of three and took it out to an open mic the other night. It can be challenging at a bar open mic when it’s in a big room and there are 13 people there and only two of them are actual audience members, the rest are comics waiting to do there time onstage. In my opinion most bar open mics are to figure out how to do something onstage and just work that part out, you’re not there to try to have your set crush. Yes, you should try and ideally it’ll crush, but you should be bringing things that need work, not polished material.

Here’s bad video with bad audio of the trick:

The trick went well, but more importantly the new jokes worked and I added another penetration, so there are four instead of three in the in the routine. There’s actually normally one more at the end that I didn’t do because I “got the light” and had to wrap up.

The intro to the trick I think needs to be tightened up and be a bit more clear. That comes with time and rewriting and reworking. I think by the end of the summer this will be a strong piece in the show!

-Louie
PS If you want to learn more about how I work on my shows, check out my download The 6 R’s To Working On Your Show!

Poof Too!

A few weeks ago I performed in a show called Poof Too! in Hermosa Beach, CA. This is show with stage magicians and one close up magician. I was the MC in the show and had a performance spot in the show.

It was great performing with David Zirbel, Simone Turkington, Mark Furey, Shawn McMaster and Alexander Great & Pamela! Everyone was super professional and great to deal with as an MC and fun to hang out with! When I was approached to be in this show by Dennis Forel, the first thing I asked was “is it a fun show”, not how much does it pay. Personally a fun show is more important to me than money (don’t get me wrong, I still gotta pay the bills).

I’d been doing comedy gigs before this one and in a comedy club I have a lot of gear. However a show where the illusionist is packing up crates of huge illusions, and I just wheel my case out, I feel like I have nothing!

I love performing with other magic acts. One thing I did years ago (close to two decades ago) was to start to work on a show that I can do when I’m sharing the stage with other magicians and not have to really worry about duplication. Sure there will always be things that no matter how different they will seem the same to an audience. A rope trick will usually feel like almost any other rope trick no matter how different it is. For me, just trying to have unique or less common tricks in the show makes my show much more versatile.

-Louie

Strange Magic Prop in Real Life!

I was browsing through reddit and came across a post with an picture of an old bread slicer:

I immediately made a connection to a prop that I assumed was simply a strange magic prop. The bread slicer resembles Lester Lake’s Disceto that was put out by Abbott’s Magic!

A quick internet search shows that bread slicing machines were invented in the 1910’s and Disecto was put out in 1942. It’s entirely possibly that the Disecto was trying to mimic a common object.

Crazy.

It’s also interesting that if it’s supposed to be a bread slicer, that people still use a prop that mimics something that used to be something people were familiar with, but hasn’t been common in my lifetime.

This is why it’s important to look at our props or lines and take out things that people aren’t familiar with. A good example of this is when I hear a comedy magician use a line about someone’s picture in the post office. That’s something that really hasn’t existed in my lifetime. I’ve encountered it once in my life about 10 years ago in a small town. I do know the reference from Bugs Bunny cartoons, but those were made decades before I was born. Because of this I don’t find the “post office joke” funny or something I can relate to. Look at your show and remove old references whether they are verbal or physical objects.

-Louie