Magic Lecture in Canada!

hidden wonders magic speakeasy
Screenshot

Yesterday and today I was performing up near the USA/Canadian border and I saw that Nathan Coe Marsh was doing a lecture at Hidden Wonders (Shawn Farquhar‘s magic theater) in New Westminster, BC. That was only about 40 minutes from my hotel, so I dusted off my NEXUS card and drove across the border to see the lecture.

The first surprise came when I was doing some work at a coffee shop before the lecture and I happened to look up right as Paul Romhany walked by!

paul romhany

That turned my working a little bit on my laptop into chatting with Paul, who is also the editor of Vanish Magazine, where I publish a monthly magic trick.

It was great to briefly say “hi” to all the Vancouver BC area magicians!

canadian magicians

Nathan’s lecture is great and I highly recommend it!

nathan coe marsh magic lecture

In the lecture Nathan did a great job of showing all the work that goes into creating a routine, not just how to do the routines. He talked about his vision for the pieces he shared and how many of his routines are collaborations with other performers. This is something that I think is important and most magicians don’t do, that’s work with other people.

If Nathan is doing a lecture in your area, go see it!

-Louie

Ditching the Invisible Deck!

The idea of using a Nest of Envelopes as a running gag with a magical payoff is taking shape. In the first version of the trick, the magic trick was going to be card prediction. Playing cards are uniquely grouped to allow several choices of groups to get to a single card that nothing else I could think of can. Ideally, this trick wouldn’t be a card trick, but it’s looking like it will.

When I first came up with the idea, as a placeholder for the trick, I used an invisible deck. The goal is to have something more original or less common than an invisible deck. Also, the invisible deck is less punchy of a reveal. It takes time and steps to get to the reveal.

What I want is a single card in the envelope. That’s it, the card is chosen (in 3-4 steps), the last envelope is opened, and that’s the card in the envelope! I didn’t have a method, but with the re-release of Phil Goldstein’s trick Shinkansen, that jogged my memory.

A few years ago I made a vintage magic trick video of that trick:

@louiefoxx Is a magic trick from 2002 vintage? #vintage #magictrick #cardtrick #shinkansen #magic #packettrick #cardsacross #maxmaven #wow #louiefoxx #philgoldstein ♬ original sound – Louie Foxx

I also made a jumbo version of the trick and did it onstage as a filler piece. Part of the method of the Shinkansen led me to the method I’m going to start to use to do the prediction in Nest of Envelopes!

If you’re a magic creator, this is why having a broad knowledge of magic tricks and methods is a huge help! Part of the method for cards across got me closer to my vision for a playing card prediction!

-Louie

The Nest of Envelopes Trick

nest of envelopes

For the Nest of Envelopes, I need to figure out what is going to end up inside the envelopes. I’m thinking that a choice will be made as each envelope is opened. And those choices will narrow it down to a single thing. Then that single thing or representation (i.e., picture of it) will be in the innermost envelope.

While I hate for this to end up being a card trick, it looks like it will be. A deck of cards lends itself to being a group of items that can be grouped in a lot of different ways that are easily remembered. You can give people choices like: color, suit, letter or number, odd or even, male or female, exact value (i.e., four). A performer friend and I sat down and tried to brainstorm different things that could be grouped in different ways, hopefully four or five groups. We didn’t come up with anything that was good or easy for a person to understand.

If the trick is going to end up being a playing card prediction, then the obvious choice is an invisible deck. I travel with Rough Stick, so I quickly made an invisible deck:

invisible deck with rough stick

I don’t know if this will be the final method, but it’s nice because it’s self-contained. The deck can go into the smallest envelope, and I don’t need to add or alter anything. Just open the envelopes, and when we get to the invisible deck, spread it to reveal the selection.

-Louie

BEKOS Smiley Face FTW!!

Right now, the only trick left in the school assembly that I didn’t really create is Jeff McBride’s BEKOS (Smiley Face Version). It’s the closing trick for the show, and it hasn’t been hitting all week, and I was going to cut it.

I rewrote the routine and took it from a different direction from the previous script, and it worked really well yesterday! The routine before was stuck with the theme and a loose “goodbye,” and I rewrote it as a heartfelt message. It isn’t a BS message that’s written to get a reaction; it’s something I truly believe in.

In one of the first shows that I did, the kids were seated in bleachers, and at the end of the trick, about 25 kids spontaneously stood up and cheered! It got an unprompted standing ovation from elementary school-aged kids!

I’m a fan of BEKOS (smiley face version)!

-Louie

Click here for more information about how you can learn this School Assembly Show check out the School Assembly Set!

Portland Magic Jam – Day 1

The first day of the Portland Magic Jam started with the registration and dealer room being open. Then, a bit later David Kaye did a pre-lecture about what to look for in the show he was going to do the next day, which then would be followed by a post show breakdown of what we just saw.

david kaye magic

I think that’s a great format if you’re going to do a show and then talk about it. One thing that I noticed is how much David knows about comedy. He’s a kid show guy, but all of the principles he talked about are for any age group!

Next was John Shyrock who also did a show/lecture. He did a 20 min close up show and then talked about it.

john shyrock magic

John does some really strong magic, and there’s a lot to learn from his use of music (even in a close up show). He brings a lot of bigger theatrical techniques to close up magic!

Then it was the evening show which was just three acts. I was the MC and did a spot along with Paul Draper and Richard Turner.

Portland magic Jam

It’s had to do an MC spot on a small stage with no curtain, where a lot of equipment is being moved around. The spot I did was kind of a hybrid MC filling time and a scheduled spot.

The closing spot was Richard Turner doing close up tabled card magic.

richard turner card magic

To be 100% honest, I’m not sure how I felt about Richard Turner’s show. The card magic is great, but to me (this is my opinion), he really came off as a dirty old man the way he interacted with the two people onstage. The card magic was amazing, but his patter is from a different era, that’s not a modern style, especially for a town like Portland.

After the show, it was hang out time!

The late-night stuff is where all of the fun, weird, amazing magic happens! Also with this convention taking place at an airport hotel, there were some people who missed a connection at the airport and ended seeing some crazy magic tricks! I think it made their delay much more fun!

-Louie

Chinese Laundry Ticket

I found a stack of Chinese Laundry Ticket papers in a box of old magic from the early 1960s. This is a torn and restored paper effect with a strip of paper. The theme of this trick is a ticket from a Chinese laundry that’s torn and restored, and this routine is typically filled with offensive (racist) patter lines. A better themed version would be Arnold Furst’s Fresh Fish paper tear.

Anyway, I have these Chinese laundry ticket papers, and I was curious what they actually said, so I ran them through Google Translate and here’s what they say:

This is one of the things that’s problematic with these older magic tricks, is that what’s actually written on them isn’t what it’s supposed to be in the trick. This trick, if it actually had numbers on it instead of talking about rice, would be slightly less offensive. The simple fact that the trick is taking something from another culture, but not taking the most basic step of making sure it’s correct, is just one of the reasons I dislike this trick.

Go out there and be a better human.

-Louie

Vintage Magic Trick from Glen!

My buddy Glen knows that I love old magic tricks. He brought one to show me in Reno, so here’s The Farmer’s Daughter:

It’s a great little packet trick with a story that’s consistent with the time it was created. Thanks Glen for sharing it with me!

-Louie

What’s Wrong With Magicians?

A magician posted these pictures of himself performing as a Chinese person.

Here’s my response to the picture, which I replied to in a private magician’s group, and not on his public, personal FB page:

magic

I really dislike that magicians still think this is an acceptable way to perform. Performing in “yellow face” has a long history in magic and one that needs to end.

Here’s Jack Chanin (I think, and if I’m wrong, let me know) performing in Yellowface (yellowmask?):

yellow face magician

These “characters” are outdated stereotypes. Part of the history of yellowface was to portray the Chinese as monsters and to give them frightening physical features. The long mustaches and fingernails, the bright yellow skin color were to make Chinese people look less human.

Why would any performer who knew its history want to continue doing that?

In my opinion, it’s lazy creativity. In both pictures above, the performer is using the Chinese sticks prop; however, that trick isn’t from China! Instead of putting the energy into creating a unique routine, the performer does something that they’ve seen done before. The thinking is that if someone else has done it, then that’s the way to do it.

I’ve personally walked out of several shows when a performer did stereotype material. There is an exception to this, does the performer have a point of view with what they are doing. Is it social commentary, relating an actual experience, or something like that? In all of the exceptions to this that I have seen, the person never put on a costume.

The moral of the story is don’t do stuff like this.

-Louie

Stock Magic Jokes and Gags

Social media has created lazy performers. They crowdsource their research without doing the most basic research first, or worst they crowdsource their show!

Here’s an example of a post recently in a magic group:

Magic show jokes

First of all…pulling a condom from the ear????? Without context that wouldn’t fly in the USA.

Now let’s get to the meat of what they are saying, they want to put together a list of bits that magicians use. Here’s what’s wrong with that, most of the bits magicians consider “stock” are simply lines that have been stolen over and over again and no one thought to look for the joke originator for permission.

Here’s a publicly posted video from the magician that made that post’s FB page:

Do you think he wrote that joke?

No, he heard someone else say it and he put it into his act. I know the defense is that “it’s so old, no one knows who came up with it“. That’s not true, with a little bit of research the history of that specific joke can be found, it’s a little murky as it has evolved, but some of the history is out there.

Magic show jokes

That’s all for today, I’ll get off my soapbox.

-Louie