stage magic – MagicShow.Tips

Custom Vanishing Birdcage!

A couple of months ago I had my first custom made vanishing birdcage made. Then a recently the maker reached out to me and offered to tweak it as he found a better way to make part of it and if I sent it back, he’d send me an updated vanishing birdcage!

The new cage came in the mail a few days ago and it looks great! It’s always great when I can have props made to how I want them, not having to work around the “off the shelf” model of props.

Finding this maker was a lot of work! Someone mentioned his name a long time ago, then I made a trip to Canada to see a show and his name got mentioned by another magician. Then a few emails and I got the maker’s contact and arranged a meeting!

I think we get spoiled by how instant and easy things are on the internet, that we forget sometimes you gotta put time in to hunt down people. I’m glad I put in the time!

-Louie

Ring and Silk

A trick that I love, that you don’t see very often is the Ring and Silk. This is usually a sequence of a silk magically going on and off of a ring. I think this trick isn’t common is that it’s most common method makes it a better stage trick than a parlor trick and definitely not a close up trick.

If you do a search on this blog you can read about my version of a Silk and Ring routine that uses a coat hanger in place of the ring.

A couple of weeks ago when I was performing at the Moisture Festival I got to work with Steve Owen and he did the trick!

I got to watch it the first time on the TV in the green room, then the second time I got to watch it live. One of the cool things about Steve’s routine is that he uses multiple methods. This makes the trick a lot stronger. I think one of the drawbacks of the standard method is that you use it over and over and if someone catches it early on, the routine is no good for them. But mixing methods can cancel out methods.

-Louie

Generic Kid’s Show

Last week I did a library gig, it was my, first one since last summer and it was a lot of fun. They had me doing a show for kids on spring break and had me do a fun, non themed show.

The show has a very simple set up, just a case, banner and my sound system. The show is my generic kid show.

Here’s a peek into the show’s case. That’s a 45 minute show with about 10-12 minutes of additional emergency material. The emergency material is for when the audience is a lot younger than what the show is designed for. I’ll swap in the emergency material for things that aren’t for kids under 5 or 6 years old.

That material for younger kids is considered emergency as my show is sold as for being for school aged kids. If you’ve worked libraries at all, then you know the audience will frequently skew younger than the suggested age range and it’s important to be prepared for that.

-Louie

Cool Moments in the Show

One of the great things about performing at higher profile gigs is that there frequently great photographers there. That’s one of the cool things about performing at the Moisture Festival, they have photographers who are experienced in taking pictures of variety acts. More than just having experience with variety acts, they usually get to see an act multiple times, so they can figure out where the moments are in your show!

Louie Foxx at the Moisture Festival in seattle — Photo Credit: Sanderling Photography

The picture above was taken right after the guy in the middle guessed the girls card! This is a 6-8 minute routine that I do where someone from the audience guesses another person’s card. This used to be a longer routine with three people, but I’ve shortened it to just two and it’s a much tighter routine.

Another change that I made to the routine a few years ago was switching to jumbo cards.

That makes the end of the routine really pop for the entire audience when the card is finally shown!

-Louie

Poof Too!

A few weeks ago I performed in a show called Poof Too! in Hermosa Beach, CA. This is show with stage magicians and one close up magician. I was the MC in the show and had a performance spot in the show.

It was great performing with David Zirbel, Simone Turkington, Mark Furey, Shawn McMaster and Alexander Great & Pamela! Everyone was super professional and great to deal with as an MC and fun to hang out with! When I was approached to be in this show by Dennis Forel, the first thing I asked was “is it a fun show”, not how much does it pay. Personally a fun show is more important to me than money (don’t get me wrong, I still gotta pay the bills).

I’d been doing comedy gigs before this one and in a comedy club I have a lot of gear. However a show where the illusionist is packing up crates of huge illusions, and I just wheel my case out, I feel like I have nothing!

I love performing with other magic acts. One thing I did years ago (close to two decades ago) was to start to work on a show that I can do when I’m sharing the stage with other magicians and not have to really worry about duplication. Sure there will always be things that no matter how different they will seem the same to an audience. A rope trick will usually feel like almost any other rope trick no matter how different it is. For me, just trying to have unique or less common tricks in the show makes my show much more versatile.

-Louie

Magic show set up!

My show last week had a pretty simple set up, but I’m still packing a lot more stuff than I need.

I’m trying to have less “emergency” material. Sure having a trick or two in the case is a good idea, but having an extra 20-30 minutes of material is overkill for a show where I’m not really expected to do that much extra time as there are other acts on the bill and I wouldn’t be asked to fill their time if something happened to them. I may be asked to do a show in someone else’s time slot, but that doesn’t require me to have new or different material than my show would normally have.

The lighter I can travel, or the less cluttered my stage set up is, the better!

-Louie

Getting Paid to Work on my Show!

Last week I was working with a buddy and one of my creative partners at a fair in Arizona. It’s always great when I do a gig with him because we work on our shows while at the gig!

He hadn’t see me do my linking pin / thumb tie routine before and with his help the routine made a huge leap forward!

If you don’t have a brainstorm group or someone to bounce ideas off, you’re missing out of growing your show quickly. I highly recommend hanging out with other performers that you like or trust and getting their input on your show!

-Louie

Preshow’ing your show

One of the great things about performing at fairs is getting to see all of the other acts at the fairgrounds! You can learn a lot from watching other acts!

One of the huge lessons is watching everyone’s preshow audience build/warm up. The different act have different goals with their starting audience. Some want as many people as possible and some want to select their audience and try to get the people who aren’t into what they do to leave. Neither approach is right or wrong, but which ever way you do it, it should be intentional!

Tomorrow my week starts with performing at the Moisture Festival in Seattle. This is a variety arts festival and the shows are in a theater, so I don’t get to try to select my audience. I get to perform for whoever bought a ticket. This festival is a blast, so it’ll be fun!

-Louie

Uncle Otis

Last week I got to perform with Cousin Otis!

We’ve met and chatted in person before but never really hung out or worked together until now! His street show is great and it’s always a pleasant surprise when someone lives up to what you’ve hear about them! There are soo many acts I’ve heard about and the show is just OK. But Cousin Otis has a great show that the audiences loved!

You can learn a lot by watching his show. He does a good job of “billboarding” the big trick that’s the finale of the street show. AND all of the other tricks are good.

If you get the chance to check him out, do it!

-Louie

MC Notes When Hosting a Show

When I MC a show, I write out each act’s info on it’s own sheet of paper. That act’s paper and only that act’s is in my pocket when go out to introduce them. I do my best to memorize the introduction, however if I need the paper, it’s the only one in my pocket, so it’s easy to find.

Also on each act’s paper I write any notes, usually I’ll write their ending bit if I know it. That helps me prepare for when to walk out. The other thing I do is write joke ideas to say after their act. For example one of the acts I recently worked with ended his act by producing flags. The joke I wrote was, “That act has more flags than my neighbor’s pickup truck!” and that got a big laugh.

After each act, I crumple up their paper, but don’t throw it away. I leave it around in case I need to remember anything, like a joke was good and I can use it elsewhere.

This system may look messy, however I know a lot of other people that do MC work that use a similar system of crumbling up notes, but not throwing them away until after the show. If you’re not doing it this way, give it a try!

-Louie