sleight of hand – MagicShow.Tips

A Good Card Trick for Emergencies!

Last week I finished reading Card Man Stuff by Al Leech and this week I started reading another card magic book by Al Leech called Super Card Man Stuff. This book is pretty good. I’m about halfway through it, and while I don’t think it’s as good as Card Man Stuff, it’s still pretty good and a worthwhile read.

Here’s a Card Trick I Love!

In the book, there’s a gag that’s essentially an impromptu novelty card, like the ones that came in a FAKO deck. Here’s what it looks like:

I think this is a great trick (gag) to have in your brain for emergencies. I can see many opportunities where knowing this and having it in your mental toolbox, ready to be used, would be helpful!

Many times knowing little bits like these have bailed me out of situations or enhanced them!

-Louie

The Best Card Magic Book for $10

A few weeks ago, I started reading the booklet Card Man Stuff by Al Leech. This booklet is full of card tricks that feel modern. In fact, I’d have no problem doing all of them (except for one) at a close-up magic gig! The effects are direct and have solid methods. It was written in the 1950’s so if you update a few methods to techniques that didn’t exist then, you have even better tricks!

One of the tricks, I updated by giving a theme and changing a couple of moves and the sequence, and ended up with a new trick that I call Discount Transposition.

Want to Watch the Card Tricks?

On my Facebook and Instagram, I’ve documented the whole book with the original techniques. Here are some of the videos:

Where Can I Get the Book Card Man Stuff?

This book is still available from Magic Inc in Chicago for $10! It’s totally worth the ten bucks, and you’re supporting a brick and mortar magic shop! I don’t make anything if you buy from them, I just think this is a really cool “forgotten” book and a hell of a deal at $10!

-Louie

Discount Transposition!

I’m really enjoying going through Al Leech’s card magic. His card magic is really direct, which I like. One of the tricks in his book Card Man Stuff is called A Quick Theft. It’s a transposition of a card in your pocket and a card in your hand.

Here’s what the original version looks like:

And here’s my version of the trick:

What I did was give the trick a bit of a premise with the coupon card. I also added the force of the coupon card to get the card into my pocket before the actual card was selected. Finally, I changed the card control, to something a bit more direct to get the selection in position for the trick.

I think it’s a better trick now!

-Louie

A Card Trick You Can See Thru!

In a box of old magic, I found a couple of card that were see through, but had the numbers and pips printed on them. I think they were from a trick by Astor, but they had no instructions.

Here’s what I came up with:

There’s not much to it. Force the 9 of diamonds, then steal it out of the deck. Simple and direct.

This was the obvious choice for a real world trick. What I really want to do is a snap change so a normal card visually turns clear! I’m working on it, but it doesn’t quite look right yet. This would be a trick for video.

-Louie
You can read a post about creativity and trick development here!

Close Up Pads as a Disposable Item

Close up pads used to last me for years, now not so much. The difference is that I use them frequently for roving magic, not just practicing at home. That means they have to look clean or at least not gross.

Between replacing these for my close up/roving magic and my stage magic show’s consumables, my show generates a lot of trash. I wish it was less, but that’s how it is.

I’m really liking the economy close up pads. They’re not the best, but for an item that I replace sometimes after a single gig, I’m willing to compromise for the price. Also they’re slightly lighter than the nice close up magic pads, so that’s handy if I’m flying to a gig.

If you use a close up pad in your work, really look at it closely and see how clean it is. Sometimes comparing it next to a new one will show you how beat up your old one really is!

-Louie

Card Man Stuff by Al Leech

I picked up the booklet Card Man Stuff by Al Leech recently and I’m digging it!

The stuff in it is older school card magic, and the clunkiness, I think, can be easily fixed. For example, he used the cut deeper force to have a card selected, and that’s a move that I really dislike. I think the problem with that force is that when the cards aren’t in face up and face down clumps, it kinda gives it away. There are better forces that can be done in its place.

The first trick is the production of a four of a kind, and that naturally flows into the second trick, which is a transposition of the two four of a kind sets of cards. I like things in books that can be routines that flow from one to the next to eliminate set up in the second trick, but still work as stand alone magic tricks if needed.

Despite the clunkiness, the tricks are pretty direct, which I like!

-Louie

Chopped Weed Nugs

Yesterday I wrote a post about doing a Chop Cup with a film can and “weed nugs”. What I was using for fake weed looked really green. It’s probably been over two decades since I’ve seen what they look like in real life, so I had to consult a friend of mine who partakes in that marijuana. He agreed and sent me some pictures of what they should look like.

The one on the right is the bright green one, and the one on the left is one after I gave it a dusting of a couple of colors of paint.

I think the one on the left looks way better, not perfect, but good enough to sell the premise to an audience. Things like getting the color of a nugget of weed is one of the challenges of magic prop building that magicians don’t normally think about. I don’t want the chopped weed nugs to look so bad that it takes people mentally out of the presentation hook of the routine.

I’m not sure where I’ll ever do this routine. I have an idea for the presentation that I think works. I personally don’t smoke marijuana, and am not involved in that culture. When performing, my persona is more clean cut, so pretending this is mine doesn’t work. I needed to come up with a routine that doesn’t feel fake. I’ll probably write a blog post about how I intend to present this sometime in the future.

-Louie

Weed Chop Cup

Since I released my Film Can Dice Force, I have a ton of film cans kicking around and have been playing on a chop cup with a film can and “weed nugs”.

I’m trying to work out the most efficient way to arrange everything for what I want to do:
1: The magnet is in the film can, and the weed nug has a shim
2: The film can has a shim, and a magnet is in the weed nug
3: The film can and nug both have a magnet

These props are kinda unique, as the fake weed nugs have really no weight to them. So it’s hard to build inertia to dislodge them. The little bit of weight that a traditional ball has really makes a huge difference in how hard you have to set down the film can.

These little challenges make prop building much harder than people think.

-Louie

Magic Lecture in Canada!

hidden wonders magic speakeasy — Screenshot

Yesterday and today I was performing up near the USA/Canadian border and I saw that Nathan Coe Marsh was doing a lecture at Hidden Wonders (Shawn Farquhar‘s magic theater) in New Westminster, BC. That was only about 40 minutes from my hotel, so I dusted off my NEXUS card and drove across the border to see the lecture.

The first surprise came when I was doing some work at a coffee shop before the lecture and I happened to look up right as Paul Romhany walked by!

That turned my working a little bit on my laptop into chatting with Paul, who is also the editor of Vanish Magazine, where I publish a monthly magic trick.

It was great to briefly say “hi” to all the Vancouver BC area magicians!

Nathan’s lecture is great and I highly recommend it!

In the lecture Nathan did a great job of showing all the work that goes into creating a routine, not just how to do the routines. He talked about his vision for the pieces he shared and how many of his routines are collaborations with other performers. This is something that I think is important and most magicians don’t do, that’s work with other people.

If Nathan is doing a lecture in your area, go see it!

-Louie

Magic Show or Wrestling Match?

Last week I was performing at a fair, and a couple days into the run, I walked to my stage like I do everyday and this was my view from the stage!

The previous days I had rows of chairs, but this day I had a wrestling ring!

If I asked this on a social media magician’s group, people would say “put it in your contract that people are seated in rows” or something like that. That’s easy to say, but in reality, it’s not that simple. I’ve already got a couple of days of work into this gig and a couple more to go. That wrestling ring isn’t going to move for me. All the people who say it violates the contract (if written), what are they doing to do, walk away from the gig. If you do that, they’re not going to just hand you a check; you’re going to have to fight to get paid if you walk away.

What would you do in this situation?

I simply converted my stage show into a hybrid street/close up magic show.

This worked great, and this is why I always think that if you do stage magic, you should be able to do close up magic as well. Sometimes it just works better to do some card tricks!

I’ve done many shows with stages and situations that varied a lot, I can adapt to pretty much any situation.

-Louie

Here’s how I handled another difficult stage.