sleight of hand – MagicShow.Tips

Card Man Stuff by Al Leech

I picked up the booklet Card Man Stuff by Al Leech recently and I’m digging it!

The stuff in it is older school card magic, and the clunkiness, I think, can be easily fixed. For example, he used the cut deeper force to have a card selected, and that’s a move that I really dislike. I think the problem with that force is that when the cards aren’t in face up and face down clumps, it kinda gives it away. There are better forces that can be done in its place.

The first trick is the production of a four of a kind, and that naturally flows into the second trick, which is a transposition of the two four of a kind sets of cards. I like things in books that can be routines that flow from one to the next to eliminate set up in the second trick, but still work as stand alone magic tricks if needed.

Despite the clunkiness, the tricks are pretty direct, which I like!

-Louie

Chopped Weed Nugs

Yesterday I wrote a post about doing a Chop Cup with a film can and “weed nugs”. What I was using for fake weed looked really green. It’s probably been over two decades since I’ve seen what they look like in real life, so I had to consult a friend of mine who partakes in that marijuana. He agreed and sent me some pictures of what they should look like.

The one on the right is the bright green one, and the one on the left is one after I gave it a dusting of a couple of colors of paint.

I think the one on the left looks way better, not perfect, but good enough to sell the premise to an audience. Things like getting the color of a nugget of weed is one of the challenges of magic prop building that magicians don’t normally think about. I don’t want the chopped weed nugs to look so bad that it takes people mentally out of the presentation hook of the routine.

I’m not sure where I’ll ever do this routine. I have an idea for the presentation that I think works. I personally don’t smoke marijuana, and am not involved in that culture. When performing, my persona is more clean cut, so pretending this is mine doesn’t work. I needed to come up with a routine that doesn’t feel fake. I’ll probably write a blog post about how I intend to present this sometime in the future.

-Louie

Weed Chop Cup

Since I released my Film Can Dice Force, I have a ton of film cans kicking around and have been playing on a chop cup with a film can and “weed nugs”.

I’m trying to work out the most efficient way to arrange everything for what I want to do:
1: The magnet is in the film can, and the weed nug has a shim
2: The film can has a shim, and a magnet is in the weed nug
3: The film can and nug both have a magnet

These props are kinda unique, as the fake weed nugs have really no weight to them. So it’s hard to build inertia to dislodge them. The little bit of weight that a traditional ball has really makes a huge difference in how hard you have to set down the film can.

These little challenges make prop building much harder than people think.

-Louie

Magic Lecture in Canada!

hidden wonders magic speakeasy — Screenshot

Yesterday and today I was performing up near the USA/Canadian border and I saw that Nathan Coe Marsh was doing a lecture at Hidden Wonders (Shawn Farquhar‘s magic theater) in New Westminster, BC. That was only about 40 minutes from my hotel, so I dusted off my NEXUS card and drove across the border to see the lecture.

The first surprise came when I was doing some work at a coffee shop before the lecture and I happened to look up right as Paul Romhany walked by!

That turned my working a little bit on my laptop into chatting with Paul, who is also the editor of Vanish Magazine, where I publish a monthly magic trick.

It was great to briefly say “hi” to all the Vancouver BC area magicians!

Nathan’s lecture is great and I highly recommend it!

In the lecture Nathan did a great job of showing all the work that goes into creating a routine, not just how to do the routines. He talked about his vision for the pieces he shared and how many of his routines are collaborations with other performers. This is something that I think is important and most magicians don’t do, that’s work with other people.

If Nathan is doing a lecture in your area, go see it!

-Louie

Magic Show or Wrestling Match?

Last week I was performing at a fair, and a couple days into the run, I walked to my stage like I do everyday and this was my view from the stage!

The previous days I had rows of chairs, but this day I had a wrestling ring!

If I asked this on a social media magician’s group, people would say “put it in your contract that people are seated in rows” or something like that. That’s easy to say, but in reality, it’s not that simple. I’ve already got a couple of days of work into this gig and a couple more to go. That wrestling ring isn’t going to move for me. All the people who say it violates the contract (if written), what are they doing to do, walk away from the gig. If you do that, they’re not going to just hand you a check; you’re going to have to fight to get paid if you walk away.

What would you do in this situation?

I simply converted my stage show into a hybrid street/close up magic show.

This worked great, and this is why I always think that if you do stage magic, you should be able to do close up magic as well. Sometimes it just works better to do some card tricks!

I’ve done many shows with stages and situations that varied a lot, I can adapt to pretty much any situation.

-Louie

Here’s how I handled another difficult stage.

Stage Show Props

These are the props that are in my hands or pockets when I walk onstage. This is for a 90 minute theater show.

The paper will have a person’s name under “congrats”, but that will be filled in right before showtime. The paper goes in the envelope, and that, along with the mic, goes in my hands. Everything else is in a pocket or under my coat.

I will say that switching from putting the ball in my back pocket to a ball dropper to steal the tennis ball is a game changer for me! I use it in my Stand Up Chop Cup routine (from my 2025 lecture notes). The steal is cleaner, with less motion and I don’t have a lumpy butt for half my show!

-Louie

What’s the Out?

Personally, I have a love/hate relationship with magic props that use electronics. There’s so much that can go wrong, and when it does, how do you still do the routine? For me, I usually run two different methods at the same time and can switch from the cleaner/easier electronic method to the analog method instantly.

I’ve got a bit in my new show that uses an electronic magic prop, and the easiest solution to it failing is to have a second one running at the same time!

I do have a third backup method that’s analog; however, the more efficient way is two of the electronic gimmicks.

With magic methods moving towards apps, and electronic gimmicks, I think it’s important to look at your show and figure out where the potential failure points are for tech and how you would deal with them when it happens.

It will happen!

-Louie

Magic Show Consumables

Last week, my magic show did 12 shows at a fair in California. When I was packing to go there, I took a picture of all the consumable stuff in my magic show. This is stuff that isn’t reusable and I have to replace each show or every few shows:

Here’s what’s in that picture:

Pad of paper
Dollar bills
decks of cards
Gift bags
wet naps
confetti
garbage bags
paper plates
throw coils
produce bags
evidence bags

It feels like a lot of stuff, and it kinda is when you’re seeing 12 shows worth of stuff, plus a couple of back ups. For a single show, it’s not a lot. The nice thing about having stuff that gets used up in the show is that my case going home is a little bit lighter!

-Louie
PS: I have written tons of posts about traveling with a magic show on this blog!

Wrapping Up the School Assembly Tour

The month long school assembly tour is finished! I learned a lot doing the same show 2-3 times a day.

1: Simplify the setup and take down. The fewer “parts” a show has to assemble, the better. This show traveled by car, so it was easy not to have a lot of things to put together, unlike a show that travels by plane.

2: Hold the final magic to display what has happened up high and for way longer than you think you need to.

3: Find ways to be present in your show, and not just a robot reciting lines. This can get hard after doing the show for the 40th time in three weeks. Try to look for real moments that are happening and play!

4: Be on top of prop maintenance. If you notice something wearing out, fix it! Don’t try to get two more shows out of it. It’ll break when it’s not convenient for you to fix.

5: When the school (really the teachers) seat the kids in a way that doesn’t make sense for a crowd, tell them to move them. I’ve had the weirdest crowd configurations, and teachers fight hard to not move kids. I push back, because the audience seated as a group and not a bunch of individual units will make the difference just a show and an amazing show.

It’s great to be back home!

-Louie
Click here for more information about how you can learn this School Assembly Show check out the School Assembly Set!

The Show I’ve Been Dreading!

Yesterday my itinerary had me doing my show that was written for an audience that’s kindergarten to 6th grade for an group of seventh to eight grade kids. No younger kids, just the middle school kids. When I noticed this show on my schedule, I was dreading it.

I’ve done shows for middle and high school kids on this tour, but they were mixed in with elementary school aged kids. You can read about that here.

The show went great!

What I did was start by mentioning that this show was written for younger kids, but if they stuck with me, they’d like the show. The show was rocking! I mostly did the show as written; I did cut a few things that I knew wouldn’t hit for this older group.

This is a good example of why I disagree with people who say, “it’s the journey, not the trick”. The trick needs to be good, and so does the journey. Just because one is great, doesn’t mean the other can’t also be great! Sure, it takes a bit more work, but it’s worth it!

-Louie
Click here for more information about how you can learn this School Assembly Show check out the School Assembly Set!