As I’ve been showing magicians the trick I’ve been doing where I peel the face off of a signed card, one of the comments that I’m frequently getting is that it must be a lot of work making the cards.
Honestly it is work, but not that much work. I’m frequently in hotels or AirBnB’s and have plenty of downtime. I can make big batches of them while I watch movies on Netflix.
Also, it’s worth mentioning how lazy and cheap many magicians are. Soo many magicians are amazed that I spend about $5 per show in things that get used up, or that I have to roll up balls of yarn for my show. That little bit of effort is what sets people apart from the pack!
One of the reasons that I’m not a fan of stock lines is that 99% of the people who use them only use them because they have heard other people use them. Not because they fit their performing persona or move their show forward, but simply because other people use them.
Recently I saw a magician and he asked where I was from, and I said “Seattle” and he replied “I’m sorry”. This is a very old gag and not a good one. I replied with several reasons why Seattle is an amazing city and he had no follow up. Was I “heckling” him? NO. He asked me a question and opened up a dialogue by putting down where I live. Had he had a joke set about why he dislikes Seattle that wasn’t connected to asking me question, then I would have been heckling. However he asked the question to me, which opened a dialogue…and he didn’t have the point of view or comedy skills to follow up. I wasn’t even funny, just factual with my response.
My point is that if you ask a question only to have your “comedy” response, you might want to rethink why you ask. Especially if your comedy response potentially insults someone. That brings me back to why I dislike how most stock lines are used, the performer doesn’t think about them. So if you use stock lines, think about them…what they are really saying beyond the laugh (if there is a laugh).
I frequently leave my show gear and other things in my car at airports around the country while I fly home on my days off between gigs. I lock up my gear inside my car with a bicycle cable to the car, to make it inconvenient for someone to steal, but that’s no guarantee.
I recently bought some Apple AirTag‘s and put one in my car, one in my suitcase and one in my show’s case. It gives me some peace of mind to be able to check in on them and to see that they are all still at the airport!
If you travel and leave your gear in your car, I really recommend having an Apple AirTag or something similar with your gear to keep an eye on them while you’re away!
Recently I picked up the Card To Wallet from TCC’s Magic Wallet Universe. For my close up magic shows, I use the Real Man’s Wallet and love it. I’m not trying to replace it, but looking for something that’s more of an everyday wallet for me to have in my pocket when I’m not performing.
Here’s the video for the wallet:
Ok, so I watched the video before I bought and am aware that it’s a no palm method. Personally I prefer a palming for card to wallet as I think the physical separation of the deck and wallet makes the trick stronger. Also with something like the Real Man’s Wallet the card is in a sealed spot of the wallet, there’s no way you could slip it in there. The TCC wallet lacks both of those points, the strength for me is that it’s a minimalist wallet and something that I would have on me at all times (outside of a paid show where I would have the Real Man’s Wallet).
Just a note, the card can be loaded into the wallet from a palm, but it’s kinda clunky, but possible.
Overall for $20, it’s a decent Card to Wallet, and it’s nice that I’ll have that option on my all the time.
I’m working on an idea for a card trick that would be done on the stage…or at least not in a close up context. It uses two banks of cards that are duplicates, however in the course of the trick, they could get mixed up a little bit and I’ll need to sort them for reset.
The cards don’t need to be in a specific order other than the two banks being separate, so the simple solution to sorting them after the trick is marking one half. With these cards being used onstage and never handled by the audience, I can get pretty bold with the marks.
In the picture above I just took a red pen and colored in the face of the birds on half of the cards. After the trick it only takes a few seconds to sort them using the Green Angle Separation move to get the top and bottom halves separated.
Oh man, so yesterday I posted a routine for a card split routine. Part of the routine you expose a double envelope and it got me thinking about what is exposure. To me 99% of the magic that’s exposed doesn’t matter…well doesn’t matter in the context it’s exposed. I think magic that’s exposed in the moment it’s being done is the 1% that matters.
Ok, now for some of my general thoughts on exposure. I think magicians are the worst at exposure. They routinely give away “secrets” during their shows without realizing it. How they do it is when they cancel methods. For example, simply saying “no stooges” or “we haven’t prearranged anything” in a mentalism routine exposes a viable method.
Other ways things are exposed unintentionally through cancelling methods are things like, “check out the box, there’s no trap doors, mirrors, hidden assistants…” That tips three methods right there. Or at the end of a prediction when the magician/mentalist tears apart the envelope and says, “there’s nothing else in here” also exposes a method.
In the card split routine that I posted, I’m exposing a double envelope. I’d argue this method is exposed by soo many performers in the context of cancelling methods, it’s really not a secret. Also, it’s a logical method for any audience member to think of, to have an envelope with more than one prediction in it. That’s why it’s a common thing that magicians or mentalists expose to eliminate a method.
If your trick relies simply on an A/B prediction where the mystery hinges upon you simply opening one side or another of an envelope, your trick probably isn’t very magically sound. You need to add a lot more layers to your trick to make it a decent trick.
Yesterday I posted a video of a method for a “card split” effect. I mentioned I don’t think I’ll ever do it, however last night I thought of a routine for it, or at least a way to give it some context and it’s not just showing an 8 of hearts and turning it into two 4 of hearts.
Here we go:
You start with a prediction envelope on the table and a deck of cards. You drop cards onto the table and someone from the audience stops you at any point and you show the card they stopped at. It’s the eight of hearts.
You open the envelope and take out a card, it’s the four of hearts. You admit you messed up and that it’s a trick envelope and you opened the wrong side. You flip the envelope over and open the other side, but that side also has a four of hearts!
You admit you really screwed up the trick and put the same card in both sides of the envelope! You then realize that an 8 is actually two 4’s, so technically you got it right!
You then rip the eight of hearts in half and each half then turns into a four of hearts!
There’s not much to the routine, just a drop force and a double envelope…well that and the gaffed card for the card split. -Louie
I’m in a text chat group with some magicians and one shared a “card split” idea. What I’m calling a card split is where you take a card and it becomes two cards…but the two cards value equals the value of the original card. For example a two would become two aces. This idea was popularized (created?) by Paul Harris’s Las Vegas Split in his book Super Magic.
Magicians really love this premise, however I think for a general audience it lack connection (in most cases). Yes, there are times when a presentation can have it make sense, like in a Sam, The Bellhop style card routine. However in the majority of cases if you took a joker and turned it into two signed cards, that would hit much harder!
That said, here’s what I came up with after seeing by buddy’s trick:
I feel like this method has to have been done before, if you’ve seen it before, let me know!
These are a ton of fun in kid/family shows! The next batch that I’ll be starting next week are all spoken for and I’ve ordered parts for another batch, which will be ready to ship the first week of December (would arrive in time for Christmas…hint, hint).
Last week I was at an event an MC’d one of their shows. When I’m an MC, my goal is to keep the show moving and not do time myself…but to be memorable. This is different from the advice I frequently be hear which is, “an MC should be invisible.” I think the MC should be the host at the party, and you should know the host if you’re attending the party!
When I MC, I have an opening warm up bit, a few bits for emergencies, and notes, lots of notes. I have the introduction for the act and ideas for jokes based on watching video or my past experience with their act. Then during their act I will write jokes based on what I see.
As I use up a note or joke, I crumble it up and leave it on the table.
The reason I leave them on the table is sometimes I need to reference something I’ve written before. By leaving a messy table, it gives me access to everything I’ve written.
At the end of the show, I have a table of crumpled up papers. I really enjoy working as an MC, however it’s a lot of work compared to just being an act in the show.
I think the key is to not make the show about you, but at the same time it’s your show!