Dino Card Trick!

Sometimes things pop up on my Facebook Memories and I forget how long ago they happened. I just had this picture show up:

This was from the debut of a new trick. Essentially it’s a card sword, but instead of using a sword, it uses an inflatable dinosaur costume! This picture was taken 3 years ago, it doesn’t feel like I started doing it that long ago. I created this trick for a library tour and did it over a hundred times that summer. Then the trick made it into my school assembly show, and I’ve even done it on TV!

This particular trick is a great example of taking an existing trick and altering it soo much that it’s no longer recognizable. I could do this trick in the same show that someone does a tradition card sword in without a feeling of duplication.

That’s my end goal, to be able to be in any show with other magicians and not have to worry about duplication. Sure a vanish is a vanish, but they don’t have to be done the same way.

Dancing Hank…

Every summer I try to add a trick to my show that’s something I’ve always wanted to do. Usually whatever that trick is doesn’t make it into the show long term. It does scratch the itch for doing that trick and usually there’s a reason I hadn’t done it in my show.

One of the tricks I’ve always wanted to do is the dancing handkerchief. When I was a kid I did a Sid Fleishman‘s version when I street performed. Today while driving it hit me that a virtual show is the perfect venue for the dancing handkerchief. You can easily control the lighting and the audience’s viewpoint of the trick.

I bought John Calvert’s Casper The Friendly Ghost set a couple years ago when it popped up on a used magic website. I’ve always thought this was a great routine. I remember seeing him do it, if you haven’t seen it, here it is:

I think I’m going two play around with a version of this for virtual shows this summer!

Ditching the Cage

A couple of days ago I wrote about doing the vanishing birdcage for virtual shows. You can read the post here. The thought I had was that a virtual show is the ideal venue for doing the vanishing birdcage. The nature of the venue will allow you to ditch the cage in a manner that isn’t really possible in a live, in-person show.

I was just watching a streaming magic show and someone did the birdcage and used shifting of cameras to unhook and ditch the cage. It’s a great logical moment to get rid of the cage. I’m glad to see someone thinking along the same lines as me.

Personally I think a title card is a great way ditch the card over a camera shift, but both work great.

The Moisture Festival Podcast – John Cornicello

If you have seen a photo from the moisture festival, you have seen John Cornicello’s work. He is one of two official photographers of the Moisture Festival and the guys were excited to have him in Studio.

They chat about his early career in advertising, what brought him to the Northwest and his time playing in a band that introduced him to the Moisture Festival. A fun interview and great to hear the stories from the guy behind the iconic photos of the festival.

Podcast: Play in new window | Download

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Going Forward…

Lately I’ve been thinking about my stage show, and what it will look like when venues reopen. The obvious thing is that most bits that use someone from the audience are going to have to be cut, or completely reworked. With keeping a six foot gap between you and the person helping onstage, really limits interaction with them.

A bit I was thinking about doing was having props that they use at the front of the stage. For example there would be a pen and a pad of paper and you ask someone to draw a picture. However to keep it clean, you’d have a box of gloves on the front of the stage. Now someone from the audience can perform simple tasks and do it in a safe manner.

The bit is that when they go to put on the gloves, you ask every person to do it in a different way. You could have someone put on gloves like a cowboy, and other do it like a Spanish bullfighters. Of course you’d have music or audio to back up these suggestions. I think that makes someone putting on gloves a little more exciting and opens it up to a fun moment.

Vanishing Birdcage…

I’m fascinated by the Vanishing Birdcage trick. I remember hearing stories of Bert Allerton doing the vanishing birdcage close up at tables. The story I remember reading was that he took the sides off of his cage so that it would vanish quicker and have less bulk in his sleeve.

There have been many other people that have done the cage, and solved many problems. For example, using a Take Up Reel to allow you to do the cage later in your show.

The biggest challenge is how do you deal with the cage after the vanish (if it’s not your closer)? There are a lot of solutions ranging from using a small, flexible cage and just leaving it in your sleeve, to having a secret pocket in your pants your ditch it in.

Recently it hit me, that a virtual magic show is a great place to use the cage in the middle of the show. After the vanish you could have a title card that says “no rubber birds were hurt in this trick” or something like that. Then in the few seconds that plays, you ditch the cage. As long as you use title cards previously in your show, it won’t feel out of place.

Shell Game Ending…

When I perform and have tried doing the solid shell kicker, it never played how I’d like. I think there’s a disconnect between the shell game and when the solid shell is reveals, it’s a little out of left field. I was playing around with an ending as a topper to the kicker of the solid shells that I found in an old notebook of mine.

You can read this post about it from about a month ago.

I don’t think I ever posted video of it. Here’s the first version of it. I need to remake it, but you get the idea

I’ve done this a few times over a livestream and so far it’s playing really well. I can’t wait to try it out for real people, whenever that will be!

Live Variety show Tonight!

Once a month my buddy Matt Baker and I put on a variety show on Zoom. The show is at 5pm (pst) today! We host the show and bring in three amazing acts. This month we have:

Here’s what went down last month:

Tickets for tonight’s show are $7 and available at www.oddandoffbeat.com/tickets

Revising a Script…

Today is an extension of yesterday’s post. I’m working on a script for my Polaroids to Envelope trick. I’ve build upon the yesterday’s script and fleshed out the hook a little bit more. Here’s the script as of this morning:

This is some of the most important stuff in the world to my wife and I. These are Polaroids of our pets and our daughter.

We have Talia who is a dog. She’s a Lhasa Apso which is means food vaccum.  Talia’s favorite things are belly rubs, long walks and playing call of duty…and we don’t even own an xbox.

Then there’s Taco Tuesday who is a cat.  He’s loves cheese, milk and pineapple on pizza.  Which is how you know he’s a rescue.

And finally we have loucy who is a rat, she loves bossing around the dog and cat. We’ve got a reverse Tom and Jerry situation.

Here’s a common day at the home, when I’m home…I turn on the vacuum turn on and Talia disappears!

Of course you’ll always find her in Ella’s Room…Her extremely messy room.

Then when the UPS guy knocks on the door, Taco Tuesday will won’t be found.

You’ll find him hours later buried under the blankets on Ella’s bed.  A bed that I asked ella to make two years ago.

Later in the day when I go to feed loucy, she’s totally gone!

Of course she hasn’t been there for hours, she’s been hanging out on Ellas desk…distracting her from doing home work.  Ella calls it “proRATstinating”

And that’s a normal day at home!

I need to go back and make a lot of the punchlines stronger. I also need to start doing the trick while saying the lines. That will help me rewrite what doesn’t flow naturally from my mouth. Still more work to be done, but the trick is making progress!

Scripting Magic Book…

My current book that I’m reading is Scripting Magic by Pete McCabe. This book is interesting and I’m only about 145 pages into volume one and it’s pretty good. When I was younger I used to have a loose script, but nothing formally written down. As I’ve gotten older I’ve realized the huge advantages to writing down what you say in your show.

For me writing out a script makes it a lot easier to see where jokes should be. It also makes it easier to work on them. One thing I don’t like very much is the script format that this book uses when it’s showing scripts. I find them hard to read, however I’m 99% sure it’s simply because I’m not used to that format. I think the more I use it the easier it will get to read.

I’m working on my Polaroids to Envelope trick that I wrote about a week or so ago. I decided to write out the script using the format in Scripting Magic. What I did was simply use a practice video and wrote down what I said and added the actions.

Polaroids to EnvelopeDownload

In the version in the document above it’s pretty basic and narrative. It’s got a rough presentation hook, and a chuckle in it, but it needs more work.