In this episode of the Moisture Festival Podcast we triangulate locations over zoom and welcome in Just Felice. We learn about how she got started in magic, how she wrote her thesis on street performing and how that inspired her to start doing street shows herself.
We also learn about how she uses her comedy to turn stereotypes on it’s head and what inspired her to take that approach. She also teaches us what an Ethnographer is and how to pronounce it. A great conversation with a great mind in the performing world.
Normally when I perform on a stage, I have the monitors moved, so the front of the stage is clear. That gives me more real estate to perform on at the front of the stage and it also removes a physical barrier between the audience and me. Last week while performing at a fair I was watching the bands that I shared the stage with and realized how much better the stage looks without the monitors.
Here’s a band with the monitors on stage:
I think audiences are used to seeing monitors onstage. However once you remove them, it looks soo much cleaner!
The two bands without monitors were using “in ears” monitors. I don’t think they are right for most magic acts but using them to eliminate the monitors for a band looks great. It also gives the performer a more powerful position onstage with no physical barriers between them and the audience.
If your stage has monitors, you can ask to have them moved…if you don’t need them.
I’m cleaning out videos from my laptop and found a video from last year’s Abbott’s Magic Get Together. I was hanging out at “the Legion” and some teenagers weren’t familiar with Paul Harris, so I showed them one of my favorite Paul Harris tricks!
It’s such a great ace production, unfortunately I don’t remember the name of it. Here’s a video of Paul doing it on The Magic Palace:
There’s a lot of gold in the Paul Harris books and there’s a rumor of a new one coming out… -Louie
Performing as many shows as I do around the country at all sorts of different venues you encounter a lot of things. I just had a new one, it was a gorgeous sunny morning, but it was raining onstage!
What had happened was it was really dewey this morning and moisture had collected on the underside of the stage’s canopy. The top edge of the canopy wasn’t pulled very tight, so it had little valleys the water could pool on and form droplets that fell down on me during during my show.
It was the strangest thing because the audience really couldn’t see this, so it was something that I had to deal with. I did mention it to the audience, so that they were aware of it. That was it didn’t look strange when I pulled out wet props!
I did have to move things around to keep more water sensitive things dry. For example my notebooks (svenpads) I put another prop over to keep them dry.
This is a case of be ready for anything that can happen when performing. You never know what you’ll be walking into!
Last week while doing my sound check, I had the sound guy ask me to turn up the volume on my handheld mic.
This is a scenario where knowing your gear comes in handy. This was a Shure SM58, which is a very standard microphone and 99% of handheld mics don’t have volume knobs.
I asked the sound guy for clarity, that he was referring to the corded handheld I was holding. He said yes, and repeated that I should turn up the volume on it. I told him I was unaware corded handheld mics had a volume knob and didn’t know how to adjust it, and he’d have to show me. At that point, somehow he magically made the sound go up using only his soundboard.
The whole week ended up being a struggle with this sound company. From them wanting to sound check a band 10 minutes before my show after I had already starting to my “talk up” for crowd building, to them telling me my gear was bad when it ultimately was their snake that had bad inputs.
The moral of the story is to not let anyone push you around, and know your gear, so that you know how it works, why it works and that will usually give you a clue as to why it’s not working when it doesn’t.
One of the things I’ve started doing to “add value” for the fairs that book me is to make little sizzle reels of me performing at the fair.
Here’s this weeks video:
You’ll see me do my version of Sticker Kicker in this video. I’m still working out the flow of the trick. I like it and it’s such a strange visual when you peel the back off of the card. I really like it!
When I was at FISM, I didn’t buy much at the dealer room (compared to some people I know). One of the things I picked up from the FISM booth was Sticker Kicker by Jamie Williams.
This is a fun little trick where a sticker stuck to the back of a card becomes the card, and the back of the card becomes a sticker.
Here’s the promo video for it:
I have a slightly different idea for how I want to use it. It will be a later phase in a card routine. However this led me to another idea. I have a pack of Card Stickers. These are simply stickers that are the face of playing cards that are poker size. In theory I can put them onto the face of a blank face card. Then at the end of the routine, I could peel the face off the card and put it into a notebook full of other people’s card stickers.
I think that’d be a fun and strange ending to a routine with a signed card. Also as a bonus, I’m going to imagine it will act like a thick card as well.
I’ve finally had a chance to add my new Silk Parakeets to my vanishing bird cage. Sometimes when I’m on the road, I can find time to get things done! Here’s the old set up:
Here’s the new bird in the cage:
With the new bird, I don’t think I’ll need to attach it to a finger tip as it’s larger and easier to grab from my pocket at the end of the routine.
I made it to the last day, and despite a late night, I got up on time! FISM is the longest magic convention that I’ve ever attended. You can really push yourself with lack of sleep at a three or four day magic convention, but with FISM at a week long, it’s really a marathon!
The final day of the convention ended with Stuart McDonald’s act, which I’d seen last year at Abbott’s Magic Get Together. I thought he was going to be a strong contender, but it got a very different reaction to the act at FISM than he got at Abbott’s. You should follow him on Facebook and read his post about how he feels he act was received and why it was received that way. It’s very honest and I think correct in thinking that it was the wrong act for this specific contest.
After the contest, it was off for lunch. I’m amazed that this area of Quebec City after having around 1,500 magicians in town for a week, people still asked up to show them tricks when we were at restaurants or bars.
I think that’s a testament to how strong the magic is at FISM both on the stages and in the audiences. No one is doing bad magic here, and everyone even informally has brought their “A game”.
The contests ended with the Winner’s Gala and the Awards Gala, which were to separate events. The Winner’s Gala was first, where the first place acts of all the categories in stage and close up performed their acts. Unfortunately due to some really bad camera work, Markobi’s close up card act was unwatchable. It’s really disappointing for people who bought tickets to the show, to have an act that you couldn’t see because the camera was pointed in the wrong spot. After Markobi, was Luis Olmedo who won Micro Magic and should be given the “boss status” award after the camera work was bad or non existent, he simply stopped and said, “I’ll wait” and did just that until the tech team got their sh*t together.
Then the evening ended with the Awards Gala, which didn’t make sense as we already knew who the first place winners were. While I congratulate everyone who got second and third place in their categories, it was pretty anticlimactic. The only surprises were the Grand Prix and Special Awards, but that wasn’t enough to carry the Awards Gala.
On the official FISM schedule after the Awards Gala was a “party” in the banquet room. This party was moved to the back of the dealers room and was exactly what had been happening the previous few nights. For an amazing week that really could have ended on a HIGH, the last two events were a bit of a let down. While I should have hung out at the party, I had an early flight the next day and did my farewell tour saying goodbye and made it to my hotel for a solid five hours of sleep.
POST FISM
The day after FISM ended, when people were heading to the airport the texts started coming in. People were testing for COVID before returning home and they were testing positive for COVID.
Luckily I tested negative, but I still have a few more days before I’m officially in the clear.
Exposure to COVID aside, I had as much fun at FISM as I did when I was a teenager going to magic conventions. It rekindled my desire to attend more magic conventions and will probably carve out a week each summer to go to a magic convention. I left feeling inspired, and overall it’s good for my soul as an artist to be exposed to high level art!
