Keeping Busy on the Road…

Everyone things performing on the road is all fun and games. My current run is about 15 weeks long, sure there are some gaps in the schedule that I fly home, but 15 weeks is a long time on the road.

There are some things that I do to keep myself sane, like going for walks or to the gym. This particular trip I’m driving, so I was able to take some tools with me. Last night was a big night, I hunted down about 50 bottles for my Evaporation trick and then made them in my hotel room!

Later today I’ll be working on a couple of custom props in the hotel room after a full day of shows at the fair! The glamour of working on the road ever ends!

Back in the Virtual Saddle…

The virtual magic show that I did a couple days ago went well. It had been a while since I had done them, so the show wasn’t as tight as it could be. Also I didn’t really have time to run the show a few times, so I had forgotten a few bits. Overall it was a decent show.


With the COVID delta variant out there, I think there’s going to be a lot more people looking for virtual shows than there were a few months ago. I just booked another virtual show that will take place in October. I’m flying home for this show to do it from my virtual studio.

One of the things that initially was cool about virtual shows was that in theory you could do them from anywhere in the world for an audience anywhere in the world. The reality is that many hotels don’t have good internet, and the room isn’t necessarily a good background. That doesn’t mean it can’t be done, but it’s an additional challenge. You may need to book a room at a nicer hotel, or book a conference room. Sometimes those costs can make it cheaper to just fly home and do the gig.

What I need to do is put together a virtual show that can be done with basically just my laptop camera (or small webcam). All of the props would need to be hand held near my face, with no action taking place on the table. This would then work for most situations and could easily be packed.

This is a backburner project to work on for me…

Magic Lectures on the Road…

Right now I’m performing in Coeur d’Alene Idaho, and about 20 minutes away is Spokane, Washington. Spokane has a magic club and I know most of the people there. I swung by an did a mini lecture with Adam The Great and Cecil Lewis. We talked about working the fair circuit and taught some tricks.

One of the things that I taught for the first time is my silk and coathanger routine.

This is a three phase routine where the silk goes through a coat hanger. Each time the penetration is a little bit different. The first two phased are pretty standard silk and ring moves, but the third is a move that’s unique to using a coat hanger.

This was fun to finally teach! I’m glad I’ve now put it out there into the world. Honestly, I’m not sure how many people will ever do it, as it’s a pain to do and the reel is expensive!

Road Problems…

At the fair I was performing and at the end of the show I looked down and my giant spoon had broken in two pieces!

The spoon act was something that I had taken out of my show a while ago, but started doing for a gig this summer. It’s been in the show all summer since!

I do have more spoons at home, the issue is that the spoon is big and heavy. My car won’t be home until November, so if I want to grab another one, I’ll have to fly with it. Luckily, my friend Elliott Hunter understands metal and gave me some advice to try to get it through the summer. The simple crutch is some JW Weld and hopefully that will hold.

I’m going to have to be careful with it, but with a bit of luck, I won’t have try to fly with one of these!

A Class Act…

tony binarelli magic book

Before I headed out on the road, I was cleaning up and noticed a book that been kicking around my office forever. I’m not sure how I ended up with the book, but I’ve never read it, so I threw it in my car. The book is Class Act: The Magic of Tony Binarelli.

When I was a teenager I think I had seen Tony Binarelli lecture at the Desert Magic Seminar in Las Vegas. At that time he was lecturing on mentalism from his book My Way to Mentalism. Honestly, I don’t remember much of lecture, but I picked up a set of the lecture notes for a friend of mine.

Ok, back to the Class Act book. There’s a lot of hype in the introduction of the book about innovative moves. The first two card sleights are a top palm and second deal, both of which I think predate Tony. However it’s also entirely possible that they are his.

The top palm is a two handed top palm and it’s not very good as written. It’s something that I was doing as a teenager because I couldn’t quite do theone handed top palm. Essentially, it’s a two handed, one handed top palm. In my version I slightly slid the top card forward with the deck held in mechanics grip. Then my other hand pressed down on the outjogged part and the card pops into your palm. In Tony’s version, he slides a lot of the cards forward, it looks strange. The one advantage to Tony’s that they don’t really mention, but kinda hint at is that it makes it easier to palm off multiple cards. You pinkie count them with your ring finger as you push down and they pop up.

The second deal is a turn over deal, you can’t deal face down from a face down pack. I was just chatting with Chris Beason about this second deal technique a few weeks ago. It looks good, but not a natural looking deal.

So far, I’m glad I’m reading the book instead of getting rid of it without reading it.
-Louie

Proper Introductions…

One thing I hate when performing is forgetting or mispronouncing an act’s name if I have to introduce them. Recently a show I was performing on had an performer whose stage name wasn’t the name I knew them by, and the stage name was unusual.

To make it easy, I put a cheat sheet on my table:

You’ll notice the name is spelled out phonetically. That helps me read it at a glance. It really makes a difference, rather than seeing how they spell it and trying to figure it out.

A Step Backwards…

This week I’m performing on a stage inside a tent. It’s a nice tent and it solves a lot of outdoor performing problems, it gives the audience shade and cuts down on wind.

The first couple of days of the week I was performing at the front edge of the stage. The shows were doing alright, but I realized I was losing people on the side bleachers. It was a consistent loss of people from specific positions in the audience, so it was something that probably wasn’t my show. To try to fix this I watched another performer’s show from one of those positions and figured out why I was losing them.

You’ll notice there are two poles at the front of the stage and when I was playing too far forward, they people couldn’t see the show. Then there was a smaller problem that when playing too far forward it was hard for some people to see my face as they were almost behind me.

The solution was simple, I just moved my show two steps backwards. Once I did that the change in the show was dramatic! I kept the audience in the spots where I was losing them AND the side were more enthusiastic about the show!

Tear-able Solution…

Restarting to do a trick that’s been almost two years since I used to do has some fun little challenges. One of the things that the trick needs is a double walled envelope. I went out and bought some envelopes and gimmicked them:

Double walled envelope

The first show I realized quickly that these particular envelopes were made differently than I was used to. They start loaded with and item behind the wall and I put something in front of the wall during the show. During the first show I used it in yesterday, I couldn’t get the front compartment open! It was too flush with the front side of the envelope.

The solution was pretty easy, a quick little tear and I was good to go! That little scallop I ripped out allowed me to access the front compartment easily.

Double walled envelope

The routine that I use this for the audience never sees that side of the envelope until it’s sealed, so it’s not issue having a tear that big.

I frequently tell people that creating and performing magic is 90% problem solving!

Crackers…

This week I’m performing at a 9 day fair and it’s been a little while since I’ve done my full stage show, so I’ve had a few little road bumps. The biggest one is that I’m not doing my cracker card trick. It’s a fun trick with some twists and turns and it’s an unusual trick.

The problem is the cracker packaging I need to do the trick doesn’t appear to be made anymore. I need to load a cracker into a cracker wrapper and seal it, and all of the packing that I’ve found recently don’t work for the resealing part, and are super tight making the loading really difficult without damaging the cracker.

After much searching, this cracker finally popped up. The packaging looks looser that what I’ve been able to get recently. While that solves one of the issues, it doesn’t solve the other. The placement of the seam on the packaging is in the middle, and that won’t work for the resealing of the cracker package.

I’ve got an idea of how to make it work, however you can’t just order one or two crackers to try out the idea. I need to order a box of 500 of them and after shipping I’m about $50 into crackers! The trick is worth the gamble, let’s hope it works when they show up on Thursday!



Magic Clubs!

One thing that I hope still sticks around are some magic clubs getting together on zoom. While I think that meeting in person is more valuable, the Zoom ones tend to be more beneficial to me.

I just happened to be passing through Minneapolis on their magic club night. I looked it up and it was on Zoom (not in person). While I would have loved to visit in person, doing it online was OK.

Whenever possible, I try to get to magic clubs. I think they are extremely valuable in growing as a magician. I hope they figure out (as a whole) how to fix sagging membership numbers as they’re something I’d rather not see go away.

Go out there and support your local club!