The Shrinking Card…

When I was a teenager there was a trick that came out called Diminishing Returns by Mike Powers. This is a great trick where someone picks a card and the whole deck shrinks except for their card. Then the whole deck grows and their card shrinks. For the finale their card visually grows back to … Continue reading “The Shrinking Card…”

When I was a teenager there was a trick that came out called Diminishing Returns by Mike Powers. This is a great trick where someone picks a card and the whole deck shrinks except for their card. Then the whole deck grows and their card shrinks. For the finale their card visually grows back to full size. It’s a great action packed trick.

Here’s the video of the Diminishing Returns trick:

It’s a great trick and I did it for quite a while. Recently I was messing around with some cards and ended up playing with a similar gaff and here’s what I came up with:

This is a fun little sequence for the shrinking of a card. There’s not much to it, and I might write it up for Vanish Magazine in the future.

Make it Bigger!

One thing I’m trying to do is make things play larger, so it’s easier to see them from the back of the theater. I think this is something that’s really overlooked by many magicians. Sometimes you can’t make something larger, like when you are doing Miser’s dream, the coins size will max out to a … Continue reading “Make it Bigger!”

One thing I’m trying to do is make things play larger, so it’s easier to see them from the back of the theater. I think this is something that’s really overlooked by many magicians. Sometimes you can’t make something larger, like when you are doing Miser’s dream, the coins size will max out to a point when they are no longer believable as a coin.


One trick that I love is the Coin in Bottle, however it does play fairly small. The nice thing is that the trick has an audio component to it. The audience can hear it rattling around inside the bottle. I really liked the idea of creating an impossible object that I could give away. My idea was to do a tennis ball in bottle:

The use of the topit worked great in a live setting, but not so well in a video. The other method I used a sponge tennis ball that I had cut in half and hallowed out. I would just smash the bottle onto it, collapsing it under the bottle as the other real tennis ball popped into view. Both methods had advantages and disadvantages.


I no longer do this trick in the show as I’m lazy and putting the tennis balls into the bottles was a pain in the butt and not worth the pay off. For me the thing is to keep thinking bigger and actually trying to make it play bigger!



Not So Close Up…

The tend in magic is the choreographed sleight of hand to music, like what Shin Lim did on America’s Got Talent. It’s style that’s been around for a long time, it’s just popular right now. I think of it as something that was a “magic convention act” in the past, and now is a mainstream … Continue reading “Not So Close Up…”

The tend in magic is the choreographed sleight of hand to music, like what Shin Lim did on America’s Got Talent. It’s style that’s been around for a long time, it’s just popular right now. I think of it as something that was a “magic convention act” in the past, and now is a mainstream act.


A couple of nights ago I was lucky enough to see Shawn Farquhar do his “shape of my heart” card routine at a show. It was really great. It hit all the musical beats, it had good visual magic, and overall it’s a great routine.




This kinda proves the theory that I’ve written about before that this style of close up when put on camera is the new stage manipulation act. I think audiences are getting better with watching a live show on a screen. Personally I’d rather watch it without the screen, however to the general public this is an acceptable way to view a show.


Over the last few months I’ve started to think about what I could do for this style of performing. It’s really not what I do, so I don’t know if I’ll ever come up with anything.

Work It Out…

One of the things I do when I buy a magic book, is that I try to work through everything that’s reasonable to work through.  What I mean by that is that I I’m not going to build an illusion if it’s in the book, but I will build simpler project. I try work through … Continue reading “Work It Out…”

One of the things I do when I buy a magic book, is that I try to work through everything that’s reasonable to work through.  What I mean by that is that I I’m not going to build an illusion if it’s in the book, but I will build simpler project. I try work through every trick that doesn’t require a crazy gimmick I don’t have.


I think this makes me a better magic creator and performer.  It allows me to improvise much better as I’ve already done something a few times, it makes it easier to recreate when the moment occurs.  It also makes you look at props differently.

When I travel, I try to make little videos of magic tricks with things found in my hotel room, or in today’s case my state room as I’m performing on a cruise ship this week.  This morning when I was brushing my teeth, I noticed the cups in the bathroom were big enough to hold a deck of cards.  That then led me to thinking about the trick Everywhere and Nowhere by Hofzinser that uses a glass to isolate a deck of cards.  That led me to wondering if a “flap card” would work in a glass.  Turns out a flap card works great in a glass, and I like the isolation that the glass adds to the change of the card. 




Now it’s got me thinking about how I can use this in a show. In a cabaret show, or a stage show where you have video projection, it would be a great reveal for a tossed out deck.  You start with one card in glass as your prediction.   The three cards are selected and the prediction changes to three different cards.  If they saw their card they sit down.  This moves the flap card from essentially a close up trick to something bigger. 

Maybe I’ll start to write a tossed out deck routine using the flap card as the premise/ending.

One of the tricks I’ve always loved is the Haunted Deck. It’s an amazing trick, the first one I ever bought as a kid was horrible, half the deck was gimmicked, and you were attached to it, so it wasn’t the most practical version of the trick. It worked, but it could be better. This … Continue reading “”

One of the tricks I’ve always loved is the Haunted Deck. It’s an amazing trick, the first one I ever bought as a kid was horrible, half the deck was gimmicked, and you were attached to it, so it wasn’t the most practical version of the trick. It worked, but it could be better.


This is where innovating comes through, there’s are better ways to do the Haunted Deck, and it’s a good thing we didn’t stop at the version I bought as a kid. A similar version is the one popularized by Eugene Burger, which while similar in method, allowed you to use the deck after the trick. This is a huge leap in the method.


Then you have a version using Loops, which allows you to use a borrowed deck, but can be unreliable as the gimmick is fragile. A few years ago I discovered Haunted 2.0, which fit the bill for me. 100% reliable, allowed me to use the deck before and after the trick, it’s great and the version of the trick that I do. However last week at a magic session a friend of mine showed me an impromptu version. It’s at about the 37 second mark of this video:


I think this version looks amazing and the only reason I haven’t switched to it is that in Haunted 2.0 you don’t have to touch the deck, which is one of the strong points of that version.


If we stopped innovating with “good enough” the Haunted Deck would be a trick that I wouldn’t be doing now. So go out there and make good tricks better!

Solve Problems…

Today I’m working to fix a couple of small things on props in my show. In my show I do shadowgraphy, which is commonly known as hand shadow puppets. This is where you use your hands to make shapes on a wall or a screen. If you’ve never seen it, here’s some historical footage of … Continue reading “Solve Problems…”

Today I’m working to fix a couple of small things on props in my show. In my show I do shadowgraphy, which is commonly known as hand shadow puppets. This is where you use your hands to make shapes on a wall or a screen. If you’ve never seen it, here’s some historical footage of it:

One of the issues that I’m having with my screen rig is that the bottom isn’t fixed to the stand. Sometimes if the air conditioning turns on and hits it just right, it will start to pivot a little bit on the stand. While not a huge problem technically from the performers standpoint, as I can easily adjust, it can make it hard for some people in the audience to watch.


My goal today is to make some sort of clip or clips that will hold it in place. Realistically what’s going to happen is I’ll probably create some sort of clamp with magnets, then 3D print a clip to hold it in place. It’s the little things that make big differences in the show and how the audience perceives the show!

Can’t Stop the Hustle, But Maybe You Should…

Oh man, so recently in an Facebook group for magicians someone posted a news report about them with a streaming TV deal. The problem with post it in a magicians group was mainly that it really served no purpose for that group. It was a “Look at how great I am” sort of post, but … Continue reading “Can’t Stop the Hustle, But Maybe You Should…”

Oh man, so recently in an Facebook group for magicians someone posted a news report about them with a streaming TV deal. The problem with post it in a magicians group was mainly that it really served no purpose for that group. It was a “Look at how great I am” sort of post, but more that, in my opinion it’s all smoke and no fire.


I’ll let you watch it and decide for yourself:

So, do you think it’s relevant in a magicians group? I personally don’t and it’s someone trying to inflate their ego and I’m not a fan.


Here’s the nuts and bolts of this. In my opinion he hired someone to do a news report, as there’s no news company’s logo on the video. So far that’s fine, it’s a promo video. Second the news stories is that he’s “shopping” a show to the major streaming sites, which really isn’t news, but still in some sort of promo that’s fine. Next he tagged all three streaming services on it, which is unusual. I’m not an expert in pitching TV shows, but I’ve heard that once you get to the actual pitch, usually things go on lock down so no one swipes your idea. Once it’s out there, someone with a higher profile, more money or connections can steal your idea and get it made.


The big one is that he’s saying he has almost 40K views, which I’m sure he does. This is what he’s selling hard, that he has 40K views in the post. However personally I’d guess he bought those views. Here’s why I think this, the post only has 70 likes/hearts/etc and 5 comments. His rate of engagement is insanely low for having 40K legit views. With my high school math the rate of engagement from the video is something like 0.0018%! That’s not a good rate.


Maybe in May 2019 when this is on Netflix I’ll be eating my words, and I hope I do.


How is this relevant to being a magician? Pretty simple, if we are supposed to be good at the art of deception, at least think about what you are doing. Look at it from all angles. Don’t just buy views, buy likes and comments. Now look at your tricks from all angles, what do you need to cover? Is there a bad angle to that palm? Can you fix it?


Make your magic better than just “good enough”!

Four Dollar Routine…

This week I was on the road performing for a few days. Earlier in the week Barry Mitchell in his Facebook group posted a picture of some kids magic tricks that Target was selling for dollar each. At one point I was at a Target so I picked them up. Two of the tricks that … Continue reading “Four Dollar Routine…”

This week I was on the road performing for a few days. Earlier in the week Barry Mitchell in his Facebook group posted a picture of some kids magic tricks that Target was selling for dollar each. At one point I was at a Target so I picked them up.


Two of the tricks that Target sells are the Ball and Vase and the Burglar Box. The Burglar Box is a clear box that a ball penetrates the bottom of to end up inside. Unlike the Ball and Vase, the Burglar box isn’t the best first trick for a kid as it will take a fair amount of practice to do well.


My initial idea was to buy three of the Burglar Boxes and do some sort of shell game with them. I bought three of them and three Ball and Vases. Here’s the little routine I came up with:


It’s a decent little routine for $4, and a fun little exercise to try to make more out of a beginner’s trick.



Ripping a Deck of Cards…

A few days ago I wrote a post about figuring out trying out my little routine for ripping a deck of cards in half. Now that I’ve done it once and confirmed that people like the bare bones of the trick, I can start to expand up it and work on a routine. Here’s the … Continue reading “Ripping a Deck of Cards…”

A few days ago I wrote a post about figuring out trying out my little routine for ripping a deck of cards in half. Now that I’ve done it once and confirmed that people like the bare bones of the trick, I can start to expand up it and work on a routine.

Here’s the bare bones (the deck ripping trick starts about halfway through):

First thing with a routine is what is it going to reveal about “me”. I used the word me in quotes, because it doesn’t have to be the literal me, it can be what I want to portray on stage as “me”. It’s going to reveal that I hang out with some unusual people. My idea for the opening/hook is:

“When I was younger one of my roomates was a circus strongman. He could do things like rip a phone book in half, take a cast iron frying pan and roll it up like a burrito, open a pickle jar on the first try.

While I lived with him, he helped train me to rip a deck of cards in half”

Another idea for an opening/hook would be:

“I’m always amazed at how many people come up to me to show me a trick they can do. What other profession does this happen in? Imagine after open heart surgery, you wake up and ask the doctor if you can borrow his scalpel to show him that you do a mean amateur appendectomy.”

Both are decent approaches to the presentation of the trick. I think I prefer the first one. I think learning stuff from an old roommate is more relatable than people wanting to show you a card trick. If working at a magic convention, then the second one is probably good.

Ok, so we’ve got the hook, now where to go from there? Tomorrow we’ll start to build the meat of the routine.

Another Day, Another Shell Game Move

A while ago I posted a picture of some newly acquired three shell games sets for my collection of them. Michael of Wack-O-Magic offered me a set of clear walnut shells he had made, but never figured out a use for. He sent me the only two sets he had made. This isn’t the first … Continue reading “Another Day, Another Shell Game Move”

A while ago I posted a picture of some newly acquired three shell games sets for my collection of them. Michael of Wack-O-Magic offered me a set of clear walnut shells he had made, but never figured out a use for. He sent me the only two sets he had made.




This isn’t the first set of clear shells, I also have a set of La Maggiore Cristallina shells, which are beautiful! I never really used them much as they don’t fit into the routine that I do.


With Michael sending me two sets, one set went into the collection and the other set sat on my desk for me to play with. Here’s what I came up with:



Staring at the shells led me to some out of the box thinking that gave me another unique shell game move! I think Terry Seabrooke mentioned how he creates with a prop on an old VHS tape. He said, he puts the prop somewhere where he’ll see it all the time, a place where he’ll basically trip over it every day. That makes him think about the prop in short chunks all day.


I think Terry’s method is a good one, it makes you think about the prop, but you aren’t sitting at a desk having a staring contest with it. I know I’ve come up with many tricks simply using stuff that’s within eyesight of my desk.