Finished Ginosko!

I finally finished reading Ginosko. This is a fantastic magic book, what I like about it is that it’s not just tricks. The whole back half is advice from other magicians and people in David’s life.

Ginosko magic book

For me the routine from the book that’s worth the price of the book is “Asking the 8 Ball”. It’s a transposition of a selected card with the 8 of the same suit. One of the things that makes this great is how the end of the trick where the actual transposition happens, the audience kinda figures it out on their own. What I mean by that is when we get to the point where I reveal the selected card isn’t where it should be, the audience member automatically reaches down and reveals the transposition with any guidance from me.

It’s really a great moment.

There’s tons of other great material and advice in it. There’s a fun vanishing bottle routine in it, I won’t do the routine, but got me thinking about an idea for the vanishing bottle. The book helping me make a connection to something else is always valuable to me!

Another trick that hits really hard is “Post-it Crane”. This is a cool trick, but I don’t think it’ll really ever end up in my main close up magic set because I don’t have the pocket space for a post it pad and the “gimmick”. When I have done it, it’s been for small groups of about 4 people and it absolutely amazes!

This book is cheap at like $25 and totally worth picking up! I got mine at Misdirections Magic Shop.

-Louie

Ginóskó by David Kuraya – Partial Review

Way back in early June when I was performing in San Francisco I visited Misdirections Magic Shop. Joe mentioned the book Ginóskó to me and said it was really good. I picked it up and finally started going through the book.

Ginóskó

I’m only on the third trick in the book and so far I like all three!

The first trick is called Check Yo’ Self and is a production of a deck of card, which I think is fun, but I don’t really have the pocket space for it.

Blackjack For Brother John is the second trick is a packet trick that I’m having fun learning, but it’s not the style. I love learning packet tricks, but I don’t do them. The trick uses four cards, has a fun little blackjack theme and is pretty easy to do. If you’re into packet tricks, you’ll like this one.

The third trick is High Five and a Handshake is one that I really like and while it probably won’t make it into my main close up set, it’s something that I’ve been doing since I read it and it fits my style and gets great reactions! The effect is really simple, the two jokers are put in the middle of the deck and they jump to the top and bottom. It’s got a clear cut effect and David’s routine for it is fun!

Based on the first three tricks in the book, I would highly recommend this book! And at $25, if the rest of the book is junk, it’s still worth it!

-Louie

Charlie Frye’s Sleightly Absurd – Review

I’m finally wrapping up reading Charlie Frye‘s magic book Sleightly Absurd. I picked this up at Hocus Pocus in Fresno way back in October when I was visiting their shop.

Charlie Frye's magic book Sleightly Absurd

This book is a fun read and it has a lot of “non traditional” magic book feeling routines in it. The routines have endings to them, which is something that lacks in many magic books by magicians who aren’t out there working. The other thing is that Charlie isn’t a “I do easy stuff so I can concentrate on performing” type of person. He’s doing things with whatever level of difficulty that the trick requires to make the trick the best. Sometimes that’s means hard sleight of hand and sometimes it’s a math principle. I totally respect that approach!

One of the interesting things for me is towards the back of the book there’s Charlie’s approach to Any Card at Any Number. It’s a fairly standard approach where you use a memorized deck and a variety of techniques to get the card at the desired number. He does a great job of breaking down his thought process how determines the best way to go about it and describes many scenarios.

For me the best part is how he calculates the stack number backwards (from the face of the deck).

any card at any number

I had to read that part about half a dozen times for it to make sense for me and once I did, it made total sense! I also figured out a way to get rid of having to remember the pairs, they all all up to 3 or 13, so there’s no memorization of the five pairs, just remembering one rule. This is a game changer for me, it makes the doing the math from the face of the deck insanely easy! This one little thing is worth the price of the book if you use a memorized deck!

This is a great book and totally worth the $75 it sells for!

– Louie

Wayne Dobson’s Legacy

The new addition to my library is Wayne Dobson’s Legacy. I’ve been a fan of Wayne’s ever since I saw him at the Desert Magic Seminar (It may have changed the name to the World Magic Summit at that point) in Las Vegas.

A while ago I got the book Wayne Dobson – The Definitive Collection. This was most of the stuff that Wayne had put out, plus a few interviews and unpublished things. It’s a great book, but then Wayne Dobson’s Legacy came out, so I figured I should get it.

Wayne Dobson's Legacy

I suspected when I ordered the new book was that the tricks included were going to be what was in the Definitive Collection book and based on a quick flip through the book, it appears that’s correct. There may be an additional bit here or there or a trick could be completely rewritten, but at a glance the material looks the same. I didn’t buy the book for the descriptions of the tricks, I got it for the biography which is book one of the set.

I’m only about 40 pages into the book so far and enjoying it, and if you’re a fan of Wayne’s I think you will too! If you’re just looking for the tricks, it looks like you can get Wayne Dobson – The Definitive Collection for about $25 as an ebook and I’d suggest you go that route. Either way, Wayne’s material is solid!

-Louie

The Case Against Classics

If you know me, you know I don’t believe the theory that you should do classic magic tricks because, “classics are classics for a reason“. You should do classic tricks like linking rings or whatever because they have a purpose in your show.

I do believe that as a beginner, learning and doing those trick has a purpose. However as you grow, you should grow out of them, or create a reason why they’re in your show.

When I was reading Psychology of Magic: From Lab To Stage, this paragraph stuck out to me:

Audiences are smart, and contrary to a lot of “advice” many have seen a lot of magic on TV and social media. With shows like Fool Us and America’s Got Talent, your typical audience has seen stuff and you just banging out the linking rings because “it gets a reaction” doesn’t cut it anymore.

If you’re doing a classic, figure out how to give it purpose in your show to move the story of you further and not because it fills time.

-Louie

The Psychology of Magic

My recent airplane reading was that I started the book The Psychology of Magic. I originally heard of this book from my buddy Chris Beason, and I picked up this copy back in June at Misdirection Magic Shop in San Francisco.

The Psychology of magic from lab to stage

I’m not too far into the book, but so far it’s really interesting. In this book they’re using lab style testing for magic. The beginning of the book they’re using lab study type groups to learn more about card forces. It’s really interesting what results they came up with.

The other eye opening thing was a prediction that’s 1-4 or 1-100 has basically the same impact!

So far I recommend this book!

-Louie

Trying to Read More

I’m trying to do a lot more reading in my free time. I have a huge stack of things to go through and I just started reading From Witchcraft to Card Tricks by Stephen Minch.

This is a short paper backed book follows the history of card and close up magic and it’s very interesting! Lots of things that became popular 200 years after they were first invented. It’s a real eye opener, ever you wonder who invented the double lift or at least the first place it appeared in print? This book answers that!

I totally recommend it if you’re a magic nerd like me!

-Louie

The Fog Machine of War by Matt Disero

On a recent flight I read The Fog Machine of War by Matt Disero. This a great book full of short essays / stories by Matt about his career and experience as a full time comedy magician.

The Fog Machine of War

There’s a ton of great stories in the book, but the value of the book is the advice. It goes from everything from working with agents, to using production elements, to trying out new material onstage.

There’s tons to learn from Matt’s failures, which he openly shares. Failures are things that magicians don’t talk about enough, especially in print. With magicians and their egos, most put out the facade that they always crush every show and have never bombed. Matt opens up about bad shows and that’s were the learning happens.

I highly recommend The Fog Machine of War if you’re a comedy magician of any level!

-Louie

Packing Small and Playing Big…

Right now I’m reading Doc Dixon’s book The Show is the Mother of Invention. It’s about having a show that you can take as carry on luggage onto a plane and making that stuff play big. I’m about 2/3’s of the way through it right now and I really like it!

The show is the mother of invention by doc dixon

For me this is a very interesting read as I do travel a lot, both by car and by plane. Even when travelling by car, it’s important to try to pack small, or at least efficiently!

I used to be a “Pack as small as your artistic vision will allow you to…” sort of person. That led me to travelling around the country with a four foot metal spoon that required it’s own case! And that prop was used only for a 15 second gag! I’m no longer that person, I still have that spoon and case, and can do the routine whenever I want, but the it’s not currently in my show.

Doc’s book has a lot of strategies for getting more time out of what you already have, and how to make small things play larger. There are many techniques that I already do, that I didn’t know were techniques, like telling stories about what’s happened when you did the trick at another show.

Making a show that I can hand carry onto a plane is something that I’ve been playing with for a while now and you can see my current version at:
https://www.magicshow.tips/tag/carry-on-magic-show/

One thing that’s important to me is texture. I don’t want the show to feel like it was designed to fit into a case…even though it was. For example one of the things that’s in my show is my Applause Please trick, which is an applause sign that’s part of a larger routine. This is technically an “illusionette” in that it’s bigger than a hand held item, yet smaller than a zig zag. This prop has a lot of negative space that I can use to fill with other things when it’s packed up.

carry on luggage magic show

In addition to confirming what I was already doing, I’ve learned several new things that make Doc Dixon’s book totally worth buying for me! If packing smaller and getting more mileage out of what you already are doing is something that interests you, I highly recommend getting this book!

Louie

Notes From a Fellow Traveller by Derren Brown

A while ago I ordered Derren Brown‘s book Notes From a Fellow Traveller and its finally shipped!

derren brown notes from a fellow traveller

I’m super excited to get this book, I’m a huge fan of Derren’s and from what I’ve heard from people who have already gotten their books, it that it’s a great book.

-Louie