magic show tips – Page 145

RIP – Retire It Please

One thing that struck me was the amount of love for the Amazing Jonathan I’m seeing in FB posts.

It’s not the love for him that’s surprising, it’s the people who are doing it. There are a lot of people who I know have swiped gags from the Amazing Jonathan’s show and use them in their show, but are posting RIP’s on their social media. Are they really mourning his passing, or are they mourning the passing of their source free material.

These posts are like being sad when circuit city whet out of business, but not being sad because you were a customer, but because you used to shoplift laptops and it was easy to steal from. If you’re really sad he’s passed, you’d put the rest all of the gags stole from his show.

-Louie

Amazing Jonathan…

Last night I went to bed with the news that the Amazing Jonathan wasn’t doing well and woke up to the news that he had passed. I didn’t personally know him, but he had a huge influence on how I perform. His modern (for the 1990’s) style of performing didn’t use a lot of magic boxes, it was a lot of normal looking objects.

Unfortunately I never got to see him perform live, I just know his work from television. I did try to see him live once when I was about 19 at a local comedy club. The early show was an all ages show and the night I went it was sold out…the whole weekend was.

Jonathan has probably had more bits stolen than any other comedy magician. All of his gags are super strong and work as a stand alone bits. His work will live on as gags in other people’s show, I’m not sure how I feel about this. I guess after I’ve left this world, it’d be pretty cool if people doing my material, but while I’m alive I’d probably have a different view of this…
-Louie

Runner Up Twist

A while ago I wrote up the sequential twisting effect that uses what I think is an original count of mine that I’m calling the Runner Up Count. I finally made a quick video of it:

Here’s what I think the pros and cons are of it when compared to the original Twisting the Aces:

Pros:
– The sequential nature makes it easy to follow what has and has not flipped
-There’s no variation in the sequence, all the counts look the same.

Cons:
-starting with a double deal as the first count is difficult

Honestly I don’t know if every phase looking the same is a good or bad thing.
-Louie

Shell Game Collection…

We’re wrapping up our first move for the first time in 16 years, and it’s amazing what you accumulate over a decade and half. At our new place I set up my collection of three shell game sets, and I have more than I thought I had, and in the picture below there are no duplicates:

There are some interesting sets in the collection. For example I have three sets of Rivera Shells that are all made out of very different material. There are both sets of Karl Normal Shell Game which are bowls, the original run has a divot in the top, where the second run of them doesn’t.

The shell game set I own that’s not pictured is my main working set. I really should get a second set as a back up, and to have in the display.

-Louie

Area to Improve…

This morning I’m reflecting on the two senior shows I did over the last two days. Normally I wouldn’t put too much thought into them, however it’s been a while since I’ve done a full, in person show. I’ve been doing a lot of shorter bits lately, and that’s a different skill than 45-50 mins.

I think the areas I could improve would be to have a few more “non contact” tricks in this show. What I mean is have non contact options. There are a few spots where I needed to go into the audience, as I wasn’t allowed to bring people on stage. For procedural things, it’s not a huge deal. I’ve already added non contact options for things like “pick a card” an instead I have them name a card. It makes for some more interesting methods and makes me not be lazy.

There are some magic tricks that the person has do for the effect to really work. A good example is a I a Key R Rect / Seven Keys to Baldplate sort of trick and the impact is very much lessened when I turn the keys, versus having someone from the audience do that. The bigger problem is that the action happens in the audience, so it’s harder for people to see. The nice thing is that when it opens there’s a CLICK noise.

One solution I have though of for the Key R Rect trick is to have 3 people pick numbers from 1-4 and whoever picks the number I wrote down wins. I think it works, but in my head I feel it’s lacking something. It could just be that guessing a number doesn’t feel like a game to me. I do need to just go out and try it and see how it plays…

-Louie

Senior Gigs…

It’s been a while since I’ve done a show at a retirement center. The main reason has been due to COVID restrictions from many of the corporation that own these facilities impose. I’m not saying I’m against the restrictions, I’m all for protecting seniors and I wouldn’t want anyone to get severely sick or die because I was asymptomatic and brought COVID into the facility.

OK, with all of that said, I did a senior show yesterday and it was a blast! Everyone was out to have a good time, and they were into the show! One thing that I added to my show that I never really did in my senior show was the vanishing birdcage. I closed my show with it and they couldn’t stop talking about it. One resident wouldn’t shut up about the trick (I’m not complaining!), he went to everyone after the show in the halls and would say, “That was a great show, but that bird trick was amazing!” I think I’m going to keep the birdcage in the senior show!

If you want more info on performing at senior facilities, I wrote a book about it called How To Perform For Seniors. This book takes you through booking, material selection, and full of tips and advice for actually doing the gig! If the senior market is something that interests you, you should check out the book!

– Louie

Think An Ink…

This morning I was doing my daily writing and came up with cool idea for a trick…one that I have no method for. Here’s the idea:

You have a pen, you unscrew is and take out the ink cartridge, which is see thru and it’s full of black ink. The pen is reassembled. Then someone says a color and the pen writes in that color. This is done several times.

This is essentially Think a Drink where a tea kettle pours various drinks that the audience calls out, but done with a pen. I think the problem with the trick would be that the it’s a trick that would easily be explained by the audience as “color changing ink”. Even if that wasn’t your method, you’d have a hard time convincing an audience it’s that, or paper that changes the ink’s color.

A method could be a borrowed pen and using a stack of business cards set up for the out to lunch principle. The borrowed pen eliminates the possibility of color changing ink. Letting them keep the card and where they could write on it with the same pen and have it not change color would also eliminate or at least reduce the explanation of special paper.

If using the out to lunch principle, you’d need a way to make the colors called feel random. This could be a force, multiple outs or a combination of the two.

Feel free to play with this idea and if you come up with a cool method, let me know!
-Louie

Run Away With the Sideshow…

I just saw that World of Wonders is starting to take applications from performers to work with them this summer:

I had a blast performing with them last summer for 10 days. The people are cool and the show format is a lot of fun! You do a 3ish minute act twice in the show and you do the show three times a day.

For the 10 days I performed with World of Wonders I took a something I hadn’t done in a few years to relearn to do it and something from my current show. When doing just two acts instead of a whole show, I was really able to focus on making those two tricks better. I ended having a lot of callbacks from the first act in the second act.

If this sort of thing interests you, you should definitely email them!
-Louie

Giant Venues!

For the last few years I’ve been thinking about how to make my show play bigger. It’s a good thing to have in the back of your head when you’re working on your show. A good example was last week I saw my friend Matt Baker perform at a gig for about 80 people. Normally that’s not a huge show…however the gig was in a 15,000 seat venue!

It’s easy for a solo act to get lost on a stage like that. Matt did a great job at that show, and managed to make it work in the venue.

It comes down to how can you make what you do play bigger. This particular stage wasn’t any bigger than many stages I’ve performed on, but visually it made the performer look small. There were a couple reasons for that, the big one was that they wouldn’t turn off the venue’s lights and use the lights on the stage for the show. That meant he had the 5,000 empty chairs behind him which broadens what people are looking at, making him look tiny.

Honestly, I think most illusions shows would have looked small on that stage with the conditions he was working in. With that in mind, something like a normal card trick would be virtually invisible on the state. Little things like trying to make your card tricks work with a jumbo deck won’t hurt for smaller venues, but will really help when you find yourself in situations like this!
-Louie

Russian Shell Game – Tutorial…

I’m trying to get ahead of orders and have a few more things in stock. Yesterday I needed to make a new mold for my Russian Shell Game trick. I figured I show you what goes into it. I had already made the bottom part of the mold, so here’s how the second half was made.

I put left the shells in the mold and gave it a coat of mold release, otherwise the silicone would stick, and I’d just have a block of silicone with some shells inside that I couldn’t get out.

Then I measured out the silicone and mixed it up:

That gets poured into the existing mold:

Once it poured, I need to wait until it’s fully cured:

And violia! I’ve got the second part of my mold!

Now I take the resin, color it and mix it up, and that goes into the mold:

I put the top on the mold and let that cure until it’s finished hardening:

Once it’s done, I pop that out and I have the almost finished shells. They still need to be sanded. This is a quick way to produce the sets of these shells.

And here’s what the finished product does:

I hope this little walk through of what it takes to make some of my magic props will give you a little insight into the work that goes into prop building!
-Louie