The Third Row and Beyond

When I was at a booking conference last month, one of the acts that I saw was a magician. He did a sponge ball routine where most of the action happened on the table top.

Sponge ball magic trick

What do you notice in the picture?

What I see is an audience that can’t see what’s happening. The back two rows are all leaning trying to see through gaps between the heads of people in the front two rows.

In theory, sponge balls can be done “high”, but in practice it’s a “low” effect. What I mean by that, is you can ask the person to hold the sponge balls at shoulder height, but in reality, that’s not a very natural position. They’re going to hold them at belly or waist height. That takes a lot of the visibility out of the trick.

How can you sponge balls play higher?

I have no idea, I don’t do the trick and when I used to, it was close up, not onstage. The challenge is when they open their hand and the balls are there, they will fall, and that makes if very difficult to the audience to know how many balls are there before they fall.

Another possible solution is to not do close up tricks onstage. I’ve been guilty of that, doing close up tricks that translate to a small parlor audience. The success the close up trick gives you for 20-30 people makes you think it will work for 75 or more, and it really doesn’t.

Watch other performers from the back of the audience and make note of what’s visible and what isn’t. It’ll really help you look at your own show and know what plays beyond the second row!

-Louie

Holiday Magic Shows…

Recently I did a holiday party for a company that was in a situation that I normally would have declined the show as the conditions weren’t right for a successful show. Sometimes what I talk about with the client and the reality of what the show is when I get there are completely different. I’m not saying that the client was trying to deceive me, but sometimes we speak different technical languages, or they assume things like a table is movable when it isn’t.

Here’s the view from the back of the audience looking towards the performing area.

magic show audience

There are big tables with people only on one side. This puts huge gaps between the groups of people, which makes having them come together as an audience much harder. The other challenge was that most of the guests showed up late, and they were still eating when it was my showtime. We pushed it back 15 mins, but that’s all I could do. If I didn’t have another show after this one, I would have pushed the show back 30 mins or more.

Some performers really lose their crap about corporate holiday shows starting late. The reality of these shows is that 95% of them start late. If you have another engagement, be clear with the client the situation. Personally if I had a choice of starting the show late, or performing while people are eating, I’d pick starting the show late every time. Obviously there are things reasons to not start the show late, like having another engagement, personal plans with your family, or it’s going to start hours late!

Sometimes you just need to make the best of situations. The audience was great, and had a good time!

-Louie

School Assembly Show…

In less than a month I’ll be debuting a new school/library show. I’ll be on a school assembly tour for five weeks. The show is called “Incredible Idioms” and is themed on idioms.

incredible idioms show

The great thing about breaking in shows by doing three a day for over a month is that the show gets really good, really quick…Or you realize by the end of the 5 weeks you don’t like the show and never do it again.

The key to these is actually putting in the work. I’ll be doing a lot of reviewing video and writing every night and the first week or two the show will be rough, but then it’ll be super tight for the rest of the tour. Oh, by rough, I mean just good, and not great. I’ve done school shows for a long time, and have a good general sense of what kids like (but the do surprise me sometimes).

Right now I have a ton of half built props and half written routines. It feels like the show won’t be ready in less than a month, but once one routine gets completed, they’ll all domino into being built.

-Louie

Ambient Entertainment

Recently an aerialist that I’ve worked with posted a picture of themself working at a corporate gig.

aerialist

It’s a great picture and she’s an amazing act.

However the picture also highlights what’s wrong with many corporate gigs. They pay a lot of money to the acts, then they just waste them. I cropped the picture above, below is the uncropped picture:

corporate ambient entertainment

They have her performing while no one is watching. Everyone is chatting with other people at the table, virtually no one is facing her. Whoever booked it is really throwing away money on an amazing act.

YES, I do understand that it’s ambient entertainment. However, if she wasn’t there the event wouldn’t be diminished, or if they had he do a formal act it’d be much more memorable.

I’m writing this as we get into the corporate holiday party season where pretty much every magician has work. When you book that gig, are they booking your stage show during the meal? If so, then you’re ambient entertainment.

Personally, I won’t take these holiday parties if I’m performing when food is being served or there’s still food on the tables. This is because my show doesn’t work as ambient entertainment, the audience needs to pay attention to my show for it to work. Sure, I’ve taken shows where I’m performing during the meal, but usually not during December when there’s soo much work that I can decline them and something will fill the spot.

Think about what your show needs to succeed, and ask for it!

-Louie

Making Props…

As I’ve been showing magicians the trick I’ve been doing where I peel the face off of a signed card, one of the comments that I’m frequently getting is that it must be a lot of work making the cards.

Full Face Peel Off Magic Trick

Honestly it is work, but not that much work. I’m frequently in hotels or AirBnB’s and have plenty of downtime. I can make big batches of them while I watch movies on Netflix.

Also, it’s worth mentioning how lazy and cheap many magicians are. Soo many magicians are amazed that I spend about $5 per show in things that get used up, or that I have to roll up balls of yarn for my show. That little bit of effort is what sets people apart from the pack!

-Louie

I’m Not Sorry…

One of the reasons that I’m not a fan of stock lines is that 99% of the people who use them only use them because they have heard other people use them. Not because they fit their performing persona or move their show forward, but simply because other people use them.

Recently I saw a magician and he asked where I was from, and I said “Seattle” and he replied “I’m sorry”. This is a very old gag and not a good one. I replied with several reasons why Seattle is an amazing city and he had no follow up. Was I “heckling” him? NO. He asked me a question and opened up a dialogue by putting down where I live. Had he had a joke set about why he dislikes Seattle that wasn’t connected to asking me question, then I would have been heckling. However he asked the question to me, which opened a dialogue…and he didn’t have the point of view or comedy skills to follow up. I wasn’t even funny, just factual with my response.

My point is that if you ask a question only to have your “comedy” response, you might want to rethink why you ask. Especially if your comedy response potentially insults someone. That brings me back to why I dislike how most stock lines are used, the performer doesn’t think about them. So if you use stock lines, think about them…what they are really saying beyond the laugh (if there is a laugh).

-Louie

Keep Track of Your Gear!

I frequently leave my show gear and other things in my car at airports around the country while I fly home on my days off between gigs. I lock up my gear inside my car with a bicycle cable to the car, to make it inconvenient for someone to steal, but that’s no guarantee.

I recently bought some Apple AirTag‘s and put one in my car, one in my suitcase and one in my show’s case. It gives me some peace of mind to be able to check in on them and to see that they are all still at the airport!

apple airtag to keep track of magic show props

If you travel and leave your gear in your car, I really recommend having an Apple AirTag or something similar with your gear to keep an eye on them while you’re away!

-Louie

Card Split Routine

Yesterday I posted a video of a method for a “card split” effect. I mentioned I don’t think I’ll ever do it, however last night I thought of a routine for it, or at least a way to give it some context and it’s not just showing an 8 of hearts and turning it into two 4 of hearts.

Here we go:

You start with a prediction envelope on the table and a deck of cards. You drop cards onto the table and someone from the audience stops you at any point and you show the card they stopped at. It’s the eight of hearts.

You open the envelope and take out a card, it’s the four of hearts. You admit you messed up and that it’s a trick envelope and you opened the wrong side. You flip the envelope over and open the other side, but that side also has a four of hearts!

You admit you really screwed up the trick and put the same card in both sides of the envelope! You then realize that an 8 is actually two 4’s, so technically you got it right!

You then rip the eight of hearts in half and each half then turns into a four of hearts!

There’s not much to the routine, just a drop force and a double envelope…well that and the gaffed card for the card split.
-Louie

Simplifying Show Set Up

I’m trying to carry less stuff with me when I’m on the road with my show. I used to carry a powerbank, USB micro cord, lightning cord and a USB wall adapter. I use this to plug in the show’s iphone that I run my music off of.

Recently someone showed me a powerbank that has the wall adapter and cords built in!

The nice thing is everything folds into the power bank, so I’ve eliminated carrying two cord and a wall adapter. I’m a fan of this, simplifying what I carry to it’s more direct to set up and strike the show. Sure eliminating two cords and a wall adapter isn’t much…but it’s less to haul.

-Louie

Match Magic…

A long time ago I wrote an idea in a notebook, and it’s something I’ll never do, but even those ideas are important to write down. It needs a gimmick that I don’t have and have fallen out of fashion. A few weeks ago I was digging through the bins of broken and incomplete magic at Hocus-Pocus and found the needed gimmick to make the gimmick for my idea!

Here’s the trick (my idea is at the end):

I don’t think anyone has really used a match pull for a reproduction of the match after the vanish in a thumb tip. Usually they are used simply for the production of a lit match, then used to light flash paper/string in a stage manipulation act.

Unfortunately I think this trick is 50 years too late as magic with matches is really out of fashion with there being virtually no venues that allow smoking and with fire getting more and more difficult to insure. Had I thought of this in the 1970’s I would have a sure fire hit!

-Louie