In my collection of old magic stuff, I had a pack of FAKO cards. This is a deck of gaffed cards and novelty cards.
The pack I had was just the cards without the booklet, so I’m not 100% positive as to what tricks the cards do. One of the cards has a big stop sign on it, and here’s what I’ve been doing with it:
It’s just a second deal until they say stop, and then a timing force for the second time. Every time I do it, the person has a great reaction when they see the card!
One of the tricks in The Bat magic magazine was a description of the Chefalo Knot. This is a series of three knots that are tied into a piece of rope, then dissolve when the ends are pulled. In The Bat it’s mentioned that there are no descriptions of it that are correct. Well, even the description in The Bat wasn’t correct (at least how I read it).
If you ever tried to learn it from Tarbell, the illustrations are incorrect. Here’s the pictures from Tarbell:
In the last picture (fig.51) where the red are is pointing is incorrect. What it should look like is the picture below where the green arrow is pointing:
If you layout the rope with my updated illustration, the trick will actually work.
I put about 90 minutes into figuring out this dissolving knot trick one night and that made me committed to it. I wanted to figure out something to do with it. Since it’s a vanish of three knots, the first logical step was to make them reappear. Then I wanted to add something more, so I added a ring that penetrates onto the middle knot.
A magician posted these pictures of himself performing as a Chinese person.
Here’s my response to the picture, which I replied to in a private magician’s group, and not on his public, personal FB page:
I really dislike that magicians still think this is an acceptable way to perform. Performing in “yellow face” has a long history in magic and one that needs to end.
Here’s Jack Chanin (I think, and if I’m wrong, let me know) performing in Yellowface (yellowmask?):
These “characters” are outdated stereotypes. Part of the history of yellowface was to portray the Chinese as monsters and to give them frightening physical features. The long mustaches and fingernails, the bright yellow skin color were to make Chinese people look less human.
Why would any performer who knew its history want to continue doing that?
In my opinion, it’s lazy creativity. In both pictures above, the performer is using the Chinese sticks prop; however, that trick isn’t from China! Instead of putting the energy into creating a unique routine, the performer does something that they’ve seen done before. The thinking is that if someone else has done it, then that’s the way to do it.
I’ve personally walked out of several shows when a performer did stereotype material. There is an exception to this, does the performer have a point of view with what they are doing. Is it social commentary, relating an actual experience, or something like that? In all of the exceptions to this that I have seen, the person never put on a costume.
The moral of the story is don’t do stuff like this.
In a couple of months, the Portland Magic Jam is happening. I’m not able to go to many magic conventions due to my performing schedule, but this one I’m currently available for! I just registered for it!
They’ve got a great mix of performers/lecturers for this convention. If you’re in the Portland OR area, or looking for a reason to visit, this is a convention worth checking out!
There’s a great little card trick that I think is a George Sands thing and more recently popularized by David Williamson. You and the audience have four cards each. They follow along with you, turning cards over, and you always end up with all your cards facing the same way, and theirs don’t.
The instructions that I learned from said to give them the cards to do the last phase. The problem I had with this is that you’re handing them a packet that secretly has a card reversed. Most of the time, the spectator would expose that reversed card. My solution to this was for me to hold the cards in one hand and they perform the action. That keeps the cards squared, and the secretly reversed card a secret!
Here’s what it looks like:
This is a trick that isn’t part of my normal work, but it’s a fun thing you can do for a group that they all get to do. What I don’t like about it is that the spectator doesn’t “win” and I haven’t figured out a way to make that happen. In David Williamson’s version they do win and it’s great!
Effect: You show a bottle and tell a story about a friend paying you back for a beer. You say, “he paid me back with venmo, but as a joke he said it was for an eggplant.” You put the beer bottle into a paper bag. You snap your fingers and bring out an egg plant! You then crumple the bag and toss it over your shoulder to show it’s empty.
That’s it. It’s a simple plot with an easy presentation hook. It is also a non-standard routine for the vanishing bottle.