I’m excited to be a presenter at the 2022 KAX conference! KAX is for family performers and is geared towards all sorts of variety acts: magic, juggling, puppetry, storytelling, etc
This will be my second year as a speaker at KAX. Last year I did a talk about shadowgraphy. This year I’m going to be doing a talk that I’ve wanted to do for the fair industry, and that’s on how to improve your show.
The talk will cover how to watch your show, how to write notes for your show, and how to implement those notes. I honestly don’t think a lot of people know how to actively work on their show. It’s work, and it’s not fun work, but the payoff is huge and can yield results very quickly!
I was looking at the schedule and there’s a ton of great speakers! You can get more info and register at: https://www.kidabra.org
This summer I’m doing a few virtual shows that will be cryptid themed. I’m starting the brainstorming process and I remember seeing Bigfoot Finger Feet. These are little bigfoot feet that go on your fingers. They would work great with a virtual show because you can zoom in on them and make them play big on the screen.
The idea that I came up with that I liked was to have five cards (actually blank drink coasters) with the names of different bigfoot sighting locations. I could show each card and talk about and/or show video of the sighting. I would use the feet to walk over the cards as I talked about the sightings. Then they would pick one. I’d pour water over all of the cards “to make fresh mud for the tracks” and when I do that, bigfoot footprints would appear on the selected location’s card!
From a method standpoint there’s a lot of ways I could force the location. I could use: Quinta, Hotrod Force, Math Number Forces, etc. Then for the reveal, simply using a hydrophobic spray and an stencil would do the trick.
I think using the video element of the sightings adds a lot of production elements to the trick that wouldn’t be in a typical in person library show. The nice thing is the investment for this trick will be about $20 and with showing the short video clips, I can probably get 4-5 mins out of it.
The version I’m working on uses bigfoot images over the background of the Pacific Northwest. In the end the audience will end up on the same bigfoot image and all of the other ones will fade away.
With touch the screen type tricks, something that I’ve learned in virtual shows, you need something physical to end the trick. Something that adds another layer more that you just pushing play on a graphic, or reading some instructions. For me, the physical thing I’m using is a cast of a bigfoot foot print. On the back of it will be the location of where it was taken, which will match the location of the bigfoot that everyone ended up on.
The reveal of the location at the end is a bonus effect. You aren’t doing anything extra to get the final reveal. If anyone thought about it, and you knew everyone was going to end up on the same bigfoot image, then of course you would have known what that location would be. However, in the moment people don’t think like that.
Is this the bonus effect the strongest effect?
Probably not, but in the moment it does strengthen the touch the screen effect.
The other day I picked up Interactive by Danny Orleans and Mike O’Donnell as it’s on Sale for 25% off right now. Interactive is a “touch the screen” type trick, however it gets it right. There’s no counting or spelling, which ups the odds of you getting everyone to end up on the right place at the end of the trick.
I got the pro version as it comes with the some tutorials and templates to make you own custom versions. I think the pro version is the way to go, it saved me a ton of time making a custom version. Sure, I could have figured out how to make my own custom version from the basic version, but in time saved, it saved me money.
I’m doing a few library shows in 2022 that are cryptid themed, so I made a custom version of the trick using bigfoot. I’m hoping with the talk up, the trick and the extro that I can get about 3 minutes out of it. I see this as something that I can fairly easily customize for themed virtual events and live ones if they have projection. If you know me, you know I dislike doing tricks that are themed to events…however this is relatively painless and I’m not compromising (much) what I’m willing to do.
I thought I was done with the virtual shows, but last night I was back at it! Doing this show as a nice change of pace from the three shows a day I’m doing at a state fair all month.
This was a corporate gig that was for the employees and their families. This was a fun group! One thing I’ve noticed with virtual shows is the time really flies by, compared to a live show. I think that with an in person show, time travels soo much slower. I think it’s because I’ve done it in person soo much that I have to think less. With the virtual I’m constantly on my toes.
In my virtual show my daughter usually runs the production end of the show and in it I normally do a prediction that she helps me out with, but unfortunately she wasn’t available last night. So I had to had to do it all solo. Running the production part is easy, but doing the prediction was going to be a bit of a challenge. Normally the prediction we do is my “Wheel of dinner”. I was going to modify it to a “wheel of costumes” as the client wanted some Halloween themed tricks. The problem was how I was going to accomplish the trick. With the wheel there are 20 options and it doesn’t force. There are ways to force from the wheel, but I really like just spinning it. It feels random.
It hit me, a while ago I had bought Manifest by Danny Weiser, which is a prediction on a luggage tag and never used it. I hung the luggage tag in the background, and during the course of a trick, I asked someone what they were going to be for Halloween. Then at the end of the trick, I did the reveal of the prediction. It played really well. I like a prediction, where the prediction is not the routine, but a bonus…especially because I takes a lot of the heat off of the method!
The picture below is from back in 2017, I had an idea to use a foam hand for a trick.
The idea was inspired by a math based trick in a Jim Steinmeyer book. The problem I faced in the trick was giving clear instructions. I tabled the trick shortly after I started doing it in 2017. Then shortly before the pandemic hit in 2020, I reread in Gary Oulette‘s book of his columns in Genii magazine called Fulminations about the challenges David Copperfield had to get through when giving instructions for his “touch the TV screen” tricks. The instructions had to be clear, even for the biggest idiot.
Then the pandemic hit and I started playing with some tricks that used counting on a hand, and went out and remade my foam hand. I never used the foam hand in a show, because in a virtual show my hand plays big.
Right now I’m cleaning up and downsizing the props I have, and I came across the giant foam hand. It’s sort of gimmicked, or at least altered so that I can bend the fingers down and they stay down. In a couple of days I head to Arizona for a month long gig and I think I’m going to take the hand with me and try to figure out the routine.
One thing I think it lacked was an ending. It needs a good way to reveal that they are all touching the same finger. When I made the last foam hand, I also bought a foam hand that just has the pointer finger up. The challenge was how to reveal this. I was playing with it and essentially found a pull the giant hand off my hand to reveal my hand is holding a giant foam hand with just the index finger up!
Now I have a moment to punctuate the reveal of everyone on the same finger.
It’s still got a challenge. Am I going to do the trick looking at the audience or not? Traditionally in this type of trick you don’t look at the audience, however I’m not sure I want to do that. You lose a lot of control by not looking AND you can’t keep an eye on people doing the procedure.
I think I can solve this by having my instructions fixed. By “fixed” I mean something that I can’t change. It could be a recording, like in the Banana Bandana style of trick. I really don’t like performing to a recorded track, it takes away a lot of what makes a live show fun. I think I may make a flap card, that has a five on one side. You turn it over and it has a three on the back side. Then when you turn it over again, the five has changed to a one. That gives the audience something interesting during the boring counting procedure. I also think going from five to three to one, makes the counting easier as it’s getting simpler each time.
I’ll have some playing to do, but luckily I’ll have a monthlong venue to try them out!
The virtual magic show that I did a couple days ago went well. It had been a while since I had done them, so the show wasn’t as tight as it could be. Also I didn’t really have time to run the show a few times, so I had forgotten a few bits. Overall it was a decent show.
With the COVID delta variant out there, I think there’s going to be a lot more people looking for virtual shows than there were a few months ago. I just booked another virtual show that will take place in October. I’m flying home for this show to do it from my virtual studio.
One of the things that initially was cool about virtual shows was that in theory you could do them from anywhere in the world for an audience anywhere in the world. The reality is that many hotels don’t have good internet, and the room isn’t necessarily a good background. That doesn’t mean it can’t be done, but it’s an additional challenge. You may need to book a room at a nicer hotel, or book a conference room. Sometimes those costs can make it cheaper to just fly home and do the gig.
What I need to do is put together a virtual show that can be done with basically just my laptop camera (or small webcam). All of the props would need to be hand held near my face, with no action taking place on the table. This would then work for most situations and could easily be packed.
A couple of weeks ago I got a call from a library that had all of their in person shows cancel to the COVID delta variant and needed a virtual show. That had me fly home last night to do a virtual show today. It’s been a couple of months since I’ve done a virtual show, so I’m a bit nervous. I did a couple of checks of things a few days ago and the audio wasn’t working correctly.
Now that I’m home, it’s a little bit easier to work on things as I’m back in my normal space to perform in. I could have done the show from a hotel room, but having my usual area will be helpful as I know where everything is and I’ve done it a bunch from here.
Another advantage when doing the show from home is that I have my daughter here to help me. I’ve always found having the extra person in the room to try to fix any problems is a huge help!
I think that more virtual shows are going to be popping back up on my schedule in the near future…
My final scheduled virtual magic show was yesterday at 9:30am…and it was for a group of middle school aged kids. I’m going to say that middle school age isn’t the ideal demographic for 9:30am. They had fun, and so did I!
This show had some problems which are why virtual shows stressed me out. The big one was my internet dropped about 2 mins from the start of the show. I was back in the zoom before the show started. it’s one of those things that had it happened 5 mins later, it would have been a bigger issue. Zoom also wasn’t recognizing my mic, so I had to use my laptop’s mic. That also wasn’t a huge deal, but it just adds to the stress of these gigs.
I ran this show solo, normally I have my daughter run the production on the show. It was fun, but I’m glad to be back to performing in person.
I had a great time learning to perform in a virtual venue, and I really loved creating magic for virtual shows. I’m not saying I will never do another virtual show, there are just no more on my calendar.
Today is the the day that I perform my final virtual magic show! I’m pretty excited that I’m back to doing in person shows, however going forward I will still do virtual shows if requested. In the last year and a half, I think I’ve figured it out at a workable level. My virtual show was decent, not crazy amazing, but passable.
The HUGE thing that I’m not going to miss going forward is setting up my studio. I don’t have a dedicated space to do virtual shows, so I had to build and tear down the studio every time I did the show. That made the effort to do the virtual show close to what it would be to drive to an in person show.
The other big headache is technology. I think that’s the thing that was the most stressful about these shows. The internet has mysterious dropped out during shows, or gotten laggy while I was performing. That part that’s completely out of my hands, but affects the perception of how good the show is caused me a lot of stress!
I’m hoping today’s show virtual show is uneventful!
