video projection – MagicShow.Tips

Wireless Video Projection

A while ago I started using video projection in my magic shows. My camera set up is pretty simple, I was doing it with an HDMI cord that went direct from the camera to TV or projector. This worked, but it’s not always possible to do because of where the input is located and how much cord I travel with.

Hollyland Mars 400s Pro II for magic show video projection

I recently bought a Hollyland Mars 400s Pro II, which is an wireless video transmitter. You plug the HDMI from the camera into the transmitter and the HDMI from the receiver to the TV or projector. Now if the HDMI input for the project is across the room, or in an AV room it’s not a problem. I don’t need to run cord or travel with more than a couple of short lengths of HDMI cord.

I’ve used this twice since I got them and both times the production guy at the event commented that Hollyland makes good stuff. In fact the second time I used them the venue was also using them!

So far, I’m a fan of them!

-Louie

Justin Willman’s Show

A few days ago a few of us Seattle magicians went out to see Justin Willman‘s show at the Moore Theatre. Justin does an amazing show that’s super smart how it’s done. From his opening effect that’s a “sucker” effect, but not really done like a traditional sucker effect. It really gets everyone in the audience on his side.

Justin’s show is a great example of how you don’t need a lot of props to fill a theater. Sure he does use video projection, however it doesn’t feel like he’s using the projection to make small things play big. His use of the projector enhances what he’s already doing. There were no close up tricks that needed the projector AND he only used it few times for close ups and they felt fun when he used it.

He did have the show on the projector behind him, and his is kinda the standard thing now. Micheal Carbonaro also does it that way as well. It just makes the show play better in the back.

One of the tricks that Justin does is a “roulette” with a borrowed cellphone and a hammer. The beauty of this trick is how it connects with the audience. Our lives are in our phones. At it’s core, the trick is a Key R Rect or 7 Keys to Baldplate, but after seeing this, why would anyone do it with keys. There’s literally no attachment with keys.

That’s where Justin shines, he’s great at finding relatable hooks for everything in the show. He’s also great at creating places for real interactions with people and then finding the comedy in those places.

If he’s playing in your area, this show is a great example of how to play a theater with a parlor size act!

-Louie

Show Introduction

When I perform at showcases, my agent has me use a preshow video. There’s a great reason for this, usually the MC sucks and the video sets the vibe for what they are about to see! I also use this for shows that have video as an option. It’s simple to keep it on a flash drive and give it to the tech crew where ever you’re performing.

Recently I was at a hockey game and realized that all sports do this.

It really hypes up the crowd. After watching the Seattle Kraken’s introduction production, it really highlighted how important this is. I was trying to imagine watching the game without it and how strange of transition from nothing to the game would be.

Go out and watch a sporting event and see how their preshow sets the mood for the game. There’s a lot that can be learned from sports that can be applied to your show. For example all of the transition music bits, and bits with people in the stands when there isn’t play happening.

Watch a game in person and imagine it without music. It’d be really strange and the energy level would constantly be going down. In my show I fill they gaps between routines with joke or music, which is essentially what happens at arenas, just on much bigger scale.

Go out and see a game and you’ll learn a lot!

-Louie

Free Magic Lecture…

Later today I’m doing a virtual magic lecture at 7:30pm eastern time. If you want the link to it, send me an email!

I really enjoy doing virtual lectures because I can use video elements for me doing the tricks in actual shows. This allows people to see me do the tricks that I teach in the actual setting they are intended to be used in. I’ve seen soo much good material die in a room full of magicians over the years. I think going forward, if I ever do in person lectures again, I will have a video element of the lecture.

Anyway, shoot me a note and swing by the lecture!

-Louie

Production Value…

Over the last year or so I’ve been wanting to add more production value to my show. One of the ways is using video elements, the added bonus to using video elements is that using them takes up virtually no space in your case, but can play extremely big! The challenge is that it’s hard … Continue reading “Production Value…”

This is a remote system for music and video. I haven’t used it in a show (yet), but really like how it works at home. I’ll be trying it out at a live show soon.

The hidden bonus with Media Star Pro is that it comes with software to run music, and video with. This software was pretty easy to use, and my first attempt at running something “complex” is going to be for a workshop I’m teaching in about a week. It’s going to have still images and video in the presentation and I’ll be suing the Media Star Pro to run that. We’ll see if I still like it after that!

Using Projection…

Lately I’ve been thinking of using video projection in my show. Not just using it enlarge smaller tricks, but to incorporate video into my show. Adding video elements can make a trick play a lot bigger without carrying additional props.

I have some ideas and have been thinking about how to work them in. Seeing Darren Brown’s show and how he used video to enhance a few things that he did really inspired me.

What I really loved was how he didn’t use a traditional screen for the video. It was projected on the wall behind him. This made it feel like my attention wasn’t divided between him and the screen. Both were in my field of vision, so it wasn’t like I had to choose between watching him or the screen.

Production Value

Working more and more in theaters, it has me paying attention to the things that really aren’t possible in non theater shows. I remember when sound became a thing for me, and that was a game changer in my show. Now being able to play with video projection, video and lighting is opening a whole … Continue reading “Production Value”

I really want to add a video element to the show, where I play a video at some point. I’m not sure what, I think I want to do something with my daughter where I talk to her on the screen. I think this would be fun, but it’ll take some work for it to not come off as cheesy. Currently I call my daughter in the show and that works well, but that has a “live” feeling, where with a video I’d be worried it would feel canned.

Having these options opens a world of possibilities for my show. Like being able to do a few smaller tricks for larger audiences. I’ve been doing my mismade bill routine, which isn’t for 500 + people, however it works with the projection screen and plays well.

Modern Manipulation Act

The other day I was taking a shower and it hit me that with the success of Shin Lim on America’s Got Talent the traditional “manipulation act has changed. It’s no longer split fans and billiard balls, it’s at a table, with a video camera and projection to a screen. The new stage manipulator won’t … Continue reading “Modern Manipulation Act”

The new stage manipulator won’t be loading up a jacket with doves, they’ll be loading up a table. I think this a step forward for magic. The last time I saw a manipulation act was on the Illusionists tour and he was good, but producing cards really felt dated. We’ve done this before, and the audience has seen it before.

While I personally don’t do a traditional stage manipulation act (I did do a manip act when I was younger), this still does affect me. Every magician needs to be aware of the changing times. If you choose to not keep up with the times, you need to be aware of that you aren’t.

Also being aware of the how magic is changing even if you choose to not change with it, keeps it in your head. From a creativity standpoint you may see something a year from now that will spark an idea for a modern manipulation act.