It brings me soo much joy to see other people use the tricks that I’ve released. Here’s Todd Bogue’s promo video and my Straight Suit makes an appearance!
Todd does the Straight Suit better than anyone (including me) and I’m honored that he uses it in his show!
Also his promo video is a good example of how using high def video and clear audio makes him look super professional!
A few days ago I had an agent ask me if I could make them a new version of my promotional sizzle reel. They wanted a version without any text. For context here’s the previous version with text:
The previous have two kinds of text, it has title cards and captions. The agent wanted neither of those. Luckily I kept the video editor project saved, so it wasn’t a huge deal to go back and cut out the text. I think in a sizzle reel, the text is a good transition piece and adds some context to things. However if the client wants one without text, I’ll make them one!
Here’s the new version:
Ultimately the goal is to get work and if someone wants something specific to sell my show, I’ll gladly make it for them!
Awhile ago I made an ungimmicked spirit hand for someone in Arkansas. They then added the gimmick to the hand and decorated it so that it looks old and cool and here’s what it looks like:
I was chatting with the guy who gimmicked the hand and he’s willing to make more. If you’ve been wanting a gimmicked spirit hand, shoot me a note and we can get you pricing options for one!
I’m excited to release my first card trick in a long time, this is called Placeholder!
Effect: You show a deck of cards that’s in new deck order. A card is selected, but kept in place in the deck of cards, so the whole deck stays in order. Now the spectator spreads the cards and their card is now blank card in its place in the deck that’s in new deck order!
One of the the things that this routine solves when using a special deck is how to get that deck in play without. In this routine the deck of cards is in order and stays in order throughout the trick, so you can openly take out the deck and there’s a reason why it’s not used for everything else and that it’s in order and you need to keep it that way.
Right now I’m having an introductory sale on Placeholder. It will retail for $20, however now through May 31, 2024 you can get it for only $15 with USA shipping included!
Way back in June I put together a quick little sequence with my Airpods. There’s nothing crazy here, it’s a sponge ball sequence and a matrix move. However it’s a solid impromptu sequence.
They are describing the trick as a modern ball vase, however they totally missed what makes the ball and vase great. In the ball and vase you can take the ball out of the vase, you can’t take the airpods out of the case. I altered my case by drilling some holes in it so that it can actually hold the Airpods.
Now I’m able to do the classic ball vase where I take out the Airpods, put them in my pocket, they reappear in the case, then vanish from the case and reappear in my pocket. Now it’s a ball vase. That’s not what I do with the trick, but with the simple addition of adding some holes to it so that it actually holds the Airpods makes the prop soo much more versatile!
Whenever I get a gimmick, I always try to think of how it could be better for me and what I want to do with it. Being able to start my routine with the Airpods in the case is HUGE!
Right before I headed to Arizona a couple of weeks ago I came across Pete Biro’s Nutty Surprise at a magic estate sale.
This is a routine where walnuts disappear from you hands and reappear in a covered glass. Then it ends with surprise production of a giant metal nut! Here’s Pete Biro doing it:
I took the set with my to the fair I was performing at and started playing around with it.
There are some moments in it that I really like and some things that I don’t. I’m not a huge fan of how the large metal nut is hidden. It’s not bad, but it work work for how I work. I also don’t like how the production was from the bag. I changed the load procedure to a body load and load the nut under the glass. I tried two ways of loading the nut, one with the glass covered and one uncovered. I thought the production from the uncovered glass would get a stronger reaction, but it didn’t. The revelation from under the glass while covered was stronger!
I have more ideas with this routine that I want to play with, and this is an interesting set of props that’s worth looking into!
When I was at Tokyo Disneyland one of their new attractions is the Beauty and the Beast ride. At one point in it the Beast turns into a human and it was one of the most magical things that I’ve seen in person with my eyes!
It’s super cool, however something like this would be unrealistic in 99.99999% of any magic shows as the staging/lighting it would take to do it wouldn’t travel well…or handle being moved very well. That said, I think the bar of what magic tricks can be is being raised by things that aren’t presented in magic shows. There’s soo much amazing stuff that’s just out there for the general public that it proves Arthur Clarke’s third law.
“Any sufficiently advanced technology is indistinguishable from magic”
We’re leaving the days of having a bad trick with a good presentation being acceptable, and entering a world where you need a good trick with a good presentation. Honestly, I would argue that we’ve been in that world for at least a decade and most magicians have just been unwilling to accept it!
What’s great is the visual of the bone is soo unexpected. The trick isn’t hard to do, you do need to palm the piece, but that’s really not a big deal. The props are well made, the packaging is fun (if that’s important to you).
It’s an OK media spot, not the best. They wanted 90 seconds, and I ran the card trick for the camera guy and producer and they wanted the whole routine, just done in 90-120 seconds. That made the spot rushed, I should have let most of the effects linger longer for displays of the card.
Then the camera work during the card trick missed a lot of things because it was tightening up when it should have been wider. All in all, it wasn’t a bad TV spot, but it wasn’t great.