magic show tips – Page 64

The Vanishing Birdcage

Last week at the fair I was performing at, I decided to to carry my vanishing birdcage on my walk from the dressing room to the stage I was on. Whenever anyone asked me about it, I made it disappear!

@louiefoxx Taking my bird out for a walk between shows at the San Mateo County Fair! #sanmateocountyfair #countyfair #sanmateo @SanMateoCountyFair #magic #magician #birdtrick #louiefoxx #magictrick #parakeet ♬ Stolen Dance (Instrumental)

It was a fun thing to go to give fair goers a special moment…and something that made my daily commute to the stage a little more fun!

-Louie

Show Shopping…

When I fly to gigs there’s always a little bit of a shopping list of things that I need to get for my show.

It is inconvenient to have to try to find these things sometimes, however it’s better than packing them for travel. I can fly with all the thing above, as I only need the matchboxes, not the actual matches. However the boxes can sometimes trigger a search and I want to reduce that chances that someone will go through my gear.

The things like the paper plates and the wipes are just dead weight and nothing specialized. I’d rather simply buy them when I arrive than have them make my bags overweight.

One thing I don’t do is ask the booker to provide these and there’s a simple reason why I don’t. That’s because just because you ask for something specific doesn’t mean you’ll get exactly what you need. For example the bananas need to be yellow, so that they open easily. If they provide me a banana that’s too green it makes the trick not play as well as it’s a struggle to open it.

It adds a bit of time to my day, but for me totally worth it!

-Louie

How to Write an Introduction

Last week I was doing a stage hosting gig, and I’m amazed at how many acts don’t know the difference between an introduction and a bio. I was frequently handed introductions that were a half of page, or more!

Here’s an example of something I was handed to read:

I had to do some editing to the intro, and it was still a lot longer than it needed to be!

An introduction should be a few bullet points, the idea is to put a little bit of context into what people are about to see…not tell the whole story. You’re going to tell the full story onstage with whatever your act is.

A simple formula for writing an intro is three bullet points:

Where you’re from
Cool sounding accomplishment(s)
What you do

That is then followed by your name. It’s pretty simple. Sure there are reasons to do longer introductions, or more complex ones, however the majority of shows don’t need those.

Also giving tips on how to say uncommon names is super handy for the host/MC.

-Louie

Virtual Shows Are Still Happening…

Last week I think I did my final virtual show…well at least the last one with all the technical bells and whistles. This was lower tech, I didn’t use my ATEM mini, or any production software, just Zoom and a stream deck.

This was a fun show because I did it with Roberto the Magnificent and Dennis Forel at an airBnB while we were performing at a different event.

It’s been a year since a did a virtual show and it’s not worth keeping up with how to run the technology if I’m only doing one virtual show a year. However it’s easy to use Zoom as a camera switcher, and simply play music in the room instead of playing it through a virtual cable on my computer. It’s not as slick as using production software, but doable.

-Louie

Never Take a Seat…

When I travel I try to do shows for senior groups. This is a great way to fill a day when I get into a city the day before a bigger contract. I recently did one, and when I arrived the lady at the desk told me to have a seat in the lobby and someone will be there to get me soon.

Personally I never sit down, especially if it’s out of view of the person at the desk. I always stand near the desk.

The reason for not sitting is simple, I frequently get “forgotten” about when I sit out of view. I don’t know why, I guess whoever is supposed to get me gets side tracked, or whatever. When I stand in view, it’s a constant reminder that I’m still waiting. Usually after a few minutes if I’m still there, the person at the desk will follow up with whoever is supposed to get me. When I’m out of view and sitting, there person at the desk won’t know you’re still there and after about 5 mins I have to ask again. That’s time that I could be setting up.

-Louie
PS if you’re interested in performing at Senior Centers and Retirement Communities, check out my book How To Perform For Seniors!

Assistant’s Revenge Illusion

For some reason I’ve never really liked the Assistant’s Revenge Illusion. I think that from a method standpoint, it works exactly how anyone would think it does. If you’re not familiar with the trick, here’s what it looks like:

What the trick has going for it is that it has a nice surprise, where the audience is expecting the magician to escape, but it’s a substitution. I’m going to imagine it packs pretty flat and it plays big. I’m not knocking anyone that does the trick, I just think the trick is just “meh”.

Recently this one popped up for sale:

This pic is what got me thinking about why I don’t like the trick. The chains end up soo loose on usually the female “assistant” that there’s really no reason why the person couldn’t just slip out. If you watch the video above, you can see how loose they are at the end. I do understand that at the beginning they are tight, but that’s not the final image the audience is left with.

The trick would be greatly improved with some sort of handcuff type restraint, but I also think that would make the switch much slower.

-Louie

School Assembly set up

One thing I love it how other magicians have their props onstage. Not what the audience sees, but the magician’s view. A couple of weeks ago when I was doing my Incredible Idiom show, this is what the inside of my prop case looks like.

All of my props are easily grabbed and put away. There’s no fumbling, I’ve cut out all the dead time of bringing props into view.

I’m still amazed at how many magic shows I see where the performer ducks out of view behind their case looking for a prop. This is usually done by magicians who don’t have a firm set list, and simply chose the next trick on the fly and their show’s flow is different every time.

Having a set list will make your show better! You can see mine on the inside of the case!

-Louie

Protecting Your Magic Release

Something that always surprises me is that part of marketing a magic trick for most magicians isn’t registering a copyright for their pics, art, trailer and ad copy. Especially for the larger magic companies, where when you search for major releases on sites like AliExpress there are soo many knock offs or pirated copies.

For me part of the process once I get the final version of the art, instructions and ad copy is to register the copyright. This cost $65, so it’s inexpensive, and you don’t need an attorney to do it. Once you get that copyright registration number, it gives you a tool to stop pirated or knock off versions from being sold.

I just got my certificate for my Take Out Box trick in the mail the other day.

You can read about how I enforce my copyrights and trademark here:
http://www.magicshow.tips/evaporation/an-intellectual-property-case-study/

If you’re thinking about releasing a magic trick, make this part of your process.

-Louie

ChronoForce Pro

Last week I was in the Bay Area and swung by Misdirections Magic Shop to visit Joe. One of the things I picked up was ChronoForce Pro.

I haven’t put it on my phone yet, however I like the idea of using it to force the fractions of a second. I have an idea for it…I want to have a breath holding contest with person from the audience and ultimately the game tied down to the fraction of seconds. This would be revealed by a prediction that is revealed in stages.

I haven’t gotten to play with the app yet, so my opinion may change once I actually use it.

-Louie

Emergency Audio Solutions

A couple of months ago I wrote a blog post about a gig that I did that had a PA with only one input, where my show ideally would use three channels. Shortly after that gig I bought a small Maker Hart audio mixer that is designed for people to use on computers. I finally got a chance to try it out at a gig where they had a PA, but had a hand held mic and only one input.

The little mixer worked fine, it had a little bit of hiss, but I suspect I was probably the only one that noticed it. Given the choice of using my normal audio set up with a little hiss or using one (or two) less channels, I’ll take the hiss every time.

Sure I could get a better mixer, however this is an emergency mixer for me, as a mixer isn’t something that I normally provide for the venue. If they read my tech sheet, they’d know that I need three channels.

I’m going to give the Maker Hart Audio Mixer a solid rating as it does what I need it to do and doesn’t take up much space for something I hope I never need to use again…but know I will need in the future.

-Louie