magic show tips – Page 42

Magic Jam!

The Magic Jam that I put together in Seattle on Tuesday was a blast! We had a good turn out of people I knew and magicians I didn’t know!

For me one of the takeaways is that it reminded me that there are soo many different styles of magic out there and there’s not really one right or wrong way to do it! Peoples styles are heavily influenced by where they perform, whether that’s just for their family and friends, busking, corporate shows or whatever. The venue dictates a lot of the material you do.

Thanks to everyone that came out to hang out!

-Louie

Balls in Hat Routine!

The last couple of weeks I started working on a Balls In Hat routine that I learned from Jimmy Talksalot. It starts with two in the hand and one in the pocket and ends with a nine balls coming out of your hat! It’s a really solid routine!

You can see parts of it in this reel from the fair I was performing at:

@louiefoxx Magic at the @sanmateocountyfair! #magic #sanmateocountyfair #sanmateo #closeupmagic #magician #bayarea #countyfair #louiefoxx #magictricks #cardtrick ♬ original sound – Louie Foxx

There’s a ton of great info and routines on Jimmy’s Substack. There’s free info as well as stuff for subscribers. It’s $8 a month to subscribe and totally worth it to read and watch all the content he has up there. The magic and essays are focused on street magic, but there’s a lot to be learned there if you don’t do street magic.

-Louie

Straitjacket and chains escape

For a few gigs this summer I’m going to be doing the straitjacket wrapped in 50+ feet of chain escape. One thing I started doing about a 8 years ago when I first started playing with the straitjacket and chains was take off the crotch strap.

Here’s before and after pictures of the straight jacket:

I realized that no one knows the crotch strap is missing if it’s not there. I discovered this when I was visiting the Oregon State Museum of Mental Health about 10 years ago. There was a straitjacket on display and it didn’t have a crotch strap and the information placard said that they weren’t used as a restraint, but to keep people from unconsciously doing self harm, Like thru scratching themselves.

Most people rely on the crotch strap as the main point of humor in their routine. I decided I didn’t want to do any crotch strap jokes, so there’s no loss there. Sure my routine may be funnier, but it’s not what I want to put out there as my art.

-Louie

My 2024 Summer Library Show

Each year I do a unique library show. Sometimes material gets cycled back into the show, but it must wait till the third year (two years off) to come back into the show.

Here’s this years set list:

If you look at the set list, there’s one spot where there’s three tricks. I could do: Dad jokes, mind reading or shell game. The variable there is if I can use a TV in the room, I do shell game. I there isn’t a TV that I can use, then I do either my Dad Jokes trick or Wayne Dobson’s Spectrumlist with the librarian doing the trick.

Here’s what this year’s case set up looks like:

This is a pretty quick set up for the show about 30 minutes right now, but it will be 15-20 minutes after a couple of shows. I have about 4 extra tricks that I’ve packed with this show to make sure I have enough material. After this week of library shows, the set list will be locked in and I’ll ditch the extra material…well, I’ll keep one extra bit.

-Louie

New Addition to Library Shows!

Last summer when doing library shows I noticed that probably 95% of the library shows that I did (indoors) had a TV screen in the room that I did my show in. So this year I planned a trick (actually two and a half tricks) that could use the TV as projection for close up magic.

There’s really not much to my set up, it’s an iphone with a camera app, an HDMI adapter and and HDMI cord. This very basic set up allow me to do the two full trick and one revelation with the screen.

In the beginning of the show during my warm up I do my ambitious card that uses projection. Then later in the show I do my Russian Shell Game routine and finally I use it for the reveal of my nest of boxes routine.

It’s working great and every library I’m doing (indoors) this summer has a TV in the room for me. I do have alternate material in case I can’t do use the TV for whatever reason. I’ve only done it once (so far), but it plays great for those routines and I’m glad I’m using something that’s already in the room!

-Louie

New Sound System

Earlier this month my decade old Sennheiser wireless mics died and I needed to replace them. I ordered the Sennheiser AVX system, but sent that back as it didn’t work for what I needed. The AVX has an auto gain level, which tries to keep your sound level. While in theory this is a good idea, it ends up ducking and messing with my voice too much to where I keep cutting out. I sent the AVX back for a refund.

I ended up ordering the Sennheiser G4, which is the current version of the Sennheiser G3’s that I had previously had.

This bonus is this set came with the “brick” which can be plugged into a handheld mic to turn it into a wireless handheld mic. I guess if I really wanted to buy another receiver, I could run my music through the brick.

There’s a reason why the Sennheiser G3/G4 are the standard for variety acts. They’re reliable, they’re easy to use and they’re durable!

-Louie

A Batch of Placeholder!

Yesterday I shipped out a batch of my new trick Placeholder to Hocus-Pocus.com!

Placeholder is a card trick where a selected card turns blank, you can watch a demo of it here:

I have a lot of fun with this trick! You can get it from Hocus-Pocus.com or from me at: https://www.magicshow.tips/placeholder/

-Louie

Virtual Show Production Gear

This week I sold off the last couple of pieces of virtual show equipment that I had. I’ve slowly been getting rid of stuff, like my foot pedals, and I finally sold my ATEM mini and my Stream Deck. Those two things were the two pieces of hardware that really made doing virtual shows easy (from a production standpoint). If I ever need them again, I can buy them, but I haven’t touched them in a year and I used them two times in the year before that.

I can still do live virtual shows, it’s just that the level of production won’t be what it was in 2021. Recently I gave a presentation to the Kids Entertainer Academy and the only piece of tech that I used was my projector to put my notes on the wall.

Virtual shows can still be done with just OBS running on my laptop and have a level of production, so if anyone wanted one, I could still do it.

-Louie

Trademarking Your Show

One thing that still amazes me is how often magicians complain about people stealing from each other but they don’t take the most basic steps to protect their ideas. The myth is that you can’t legally protect a magic trick, but the reality is that you can. It’s through a patent, the problem with patenting magic is that it’s an expensive and time consuming process.

There have been some very successful magicians who have patented magic tricks. Yigal Mesika patents a lot of his stuff and of course the D’lite is a good example of a magic trick that was very successful where a patent helped protect it.

I personally use copyrights to protect my instruction sheets, art and ad copy. So I’m able to remove people that are pirating those. Then I use a trademark to protect my name, so that even if someone changes my ad copy, they can’t use my name. I have started to trademark the names of my shows, this makes it harder for people to steal the concept of my that particular show.

The challenge with trademarks is that they still take time. The current one I’m working on has been in the system for over a year and hopefully will be approved soon as I just got the notification of publication for it. That means is passed all of the internal USPTO objections and now it just needs to be put out in the monthly publication for normal people to object to it.

If you’re worried about having your ideas stolen, check out copyright.gov and USPTO.gov, they will give you a lot of information about the differences in IP and the processes.

-Louie

Moving to a National Act

Years ago when I wanted to become a more “national” act, one of the things that I did was try to do something nationally newsworthy to send to agents twice a year. Twice a year turned into doing it quarterly and then monthly.

What exactly the definition of “nationally newsworthy” is, I’m not sure. Roughly it’s things that I can tell agents about and it raises my status from local Seattle magician to something bigger.

That’s where doing things like writing an article for a mainstream magazine comes in. It’s makes me an “expert” on magic, not just a local magician. Do things like this make the quality of my show better?

Nope.

Things like this raise the perception of the quality of my show. For getting work from a new agent or work at another level that’s something important!

-Louie