RIP – Retire It Please

One thing that struck me was the amount of love for the Amazing Jonathan I’m seeing in FB posts.

amazing jonathan

It’s not the love for him that’s surprising, it’s the people who are doing it. There are a lot of people who I know have swiped gags from the Amazing Jonathan’s show and use them in their show, but are posting RIP’s on their social media. Are they really mourning his passing, or are they mourning the passing of their source free material.

These posts are like being sad when circuit city whet out of business, but not being sad because you were a customer, but because you used to shoplift laptops and it was easy to steal from. If you’re really sad he’s passed, you’d put the rest all of the gags stole from his show.

-Louie

Amazing Jonathan…

Last night I went to bed with the news that the Amazing Jonathan wasn’t doing well and woke up to the news that he had passed. I didn’t personally know him, but he had a huge influence on how I perform. His modern (for the 1990’s) style of performing didn’t use a lot of magic boxes, it was a lot of normal looking objects.

Unfortunately I never got to see him perform live, I just know his work from television. I did try to see him live once when I was about 19 at a local comedy club. The early show was an all ages show and the night I went it was sold out…the whole weekend was.

Jonathan has probably had more bits stolen than any other comedy magician. All of his gags are super strong and work as a stand alone bits. His work will live on as gags in other people’s show, I’m not sure how I feel about this. I guess after I’ve left this world, it’d be pretty cool if people doing my material, but while I’m alive I’d probably have a different view of this…
-Louie

Runner Up Twist

A while ago I wrote up the sequential twisting effect that uses what I think is an original count of mine that I’m calling the Runner Up Count. I finally made a quick video of it:

Here’s what I think the pros and cons are of it when compared to the original Twisting the Aces:

Pros:
– The sequential nature makes it easy to follow what has and has not flipped
-There’s no variation in the sequence, all the counts look the same.

Cons:
-starting with a double deal as the first count is difficult

Honestly I don’t know if every phase looking the same is a good or bad thing.
-Louie

Shell Game Collection…

We’re wrapping up our first move for the first time in 16 years, and it’s amazing what you accumulate over a decade and half. At our new place I set up my collection of three shell game sets, and I have more than I thought I had, and in the picture below there are no duplicates:

There are some interesting sets in the collection. For example I have three sets of Rivera Shells that are all made out of very different material. There are both sets of Karl Normal Shell Game which are bowls, the original run has a divot in the top, where the second run of them doesn’t.

The shell game set I own that’s not pictured is my main working set. I really should get a second set as a back up, and to have in the display.

-Louie

Area to Improve…

This morning I’m reflecting on the two senior shows I did over the last two days. Normally I wouldn’t put too much thought into them, however it’s been a while since I’ve done a full, in person show. I’ve been doing a lot of shorter bits lately, and that’s a different skill than 45-50 mins.

I think the areas I could improve would be to have a few more “non contact” tricks in this show. What I mean is have non contact options. There are a few spots where I needed to go into the audience, as I wasn’t allowed to bring people on stage. For procedural things, it’s not a huge deal. I’ve already added non contact options for things like “pick a card” an instead I have them name a card. It makes for some more interesting methods and makes me not be lazy.

There are some magic tricks that the person has do for the effect to really work. A good example is a I a Key R Rect / Seven Keys to Baldplate sort of trick and the impact is very much lessened when I turn the keys, versus having someone from the audience do that. The bigger problem is that the action happens in the audience, so it’s harder for people to see. The nice thing is that when it opens there’s a CLICK noise.

One solution I have though of for the Key R Rect trick is to have 3 people pick numbers from 1-4 and whoever picks the number I wrote down wins. I think it works, but in my head I feel it’s lacking something. It could just be that guessing a number doesn’t feel like a game to me. I do need to just go out and try it and see how it plays…

-Louie

Lip Reading…

Yesterday I did my second day of senior shows and it was a lot of fun. I think I may finally be figuring out how to make my coat hanger thru silk routine work. I just need to let the effect marinade and sit with the audience even longer. The trick is a very strong and visual trick, and I think brains just take a long time to process it.

Another thing I’m learning is how much people use their eyes to listen. When we listen we also do a lot of lip reading. When someone is masked, it’s harder to understand them because we can’t lip read. This makes a ton of sense looking into the past. For example my wife uses the captions when she watches movies on a smaller screen like her phone. It makes it easier for her to “hear”. Because of this I’m talking a lot more slowly and deliberately in my shows.

-Louie

Senior Gigs…

It’s been a while since I’ve done a show at a retirement center. The main reason has been due to COVID restrictions from many of the corporation that own these facilities impose. I’m not saying I’m against the restrictions, I’m all for protecting seniors and I wouldn’t want anyone to get severely sick or die because I was asymptomatic and brought COVID into the facility.

OK, with all of that said, I did a senior show yesterday and it was a blast! Everyone was out to have a good time, and they were into the show! One thing that I added to my show that I never really did in my senior show was the vanishing birdcage. I closed my show with it and they couldn’t stop talking about it. One resident wouldn’t shut up about the trick (I’m not complaining!), he went to everyone after the show in the halls and would say, “That was a great show, but that bird trick was amazing!” I think I’m going to keep the birdcage in the senior show!

How to perform for seniors book

If you want more info on performing at senior facilities, I wrote a book about it called How To Perform For Seniors. This book takes you through booking, material selection, and full of tips and advice for actually doing the gig! If the senior market is something that interests you, you should check out the book!

– Louie

Amazing Magicians in Seattle…

In Seattle we’re a few weeks away from the Moisture Festival. This is the largest variety arts festival in the USA (possibly the world). I’ve been involved in this festival as a performer for 8ish years and then for the last year as one of the hosts of The Moisture Festival Podcast.

I was just looking a the schedule of performers and for magic fans, there’s a lot of amazing magicians coming to the festival. In 2022 the Moisture Festival has:

Avner The Eccentric
Mike Caveney
Tina Lenert
Skilldini
Steve Owens
Jamy Ian Swiss
Just Felice
Joey Pipia
Magical Mystical Michael
Master Payne
Louie Foxx

If you’re in the Northwest, it’s worth a trip to come out to a show, or weekend of shows. Tickets are on sale now and available at:
https://moisturefestival.org


Think An Ink…

This morning I was doing my daily writing and came up with cool idea for a trick…one that I have no method for. Here’s the idea:

You have a pen, you unscrew is and take out the ink cartridge, which is see thru and it’s full of black ink. The pen is reassembled. Then someone says a color and the pen writes in that color. This is done several times.

This is essentially Think a Drink where a tea kettle pours various drinks that the audience calls out, but done with a pen. I think the problem with the trick would be that the it’s a trick that would easily be explained by the audience as “color changing ink”. Even if that wasn’t your method, you’d have a hard time convincing an audience it’s that, or paper that changes the ink’s color.

A method could be a borrowed pen and using a stack of business cards set up for the out to lunch principle. The borrowed pen eliminates the possibility of color changing ink. Letting them keep the card and where they could write on it with the same pen and have it not change color would also eliminate or at least reduce the explanation of special paper.

If using the out to lunch principle, you’d need a way to make the colors called feel random. This could be a force, multiple outs or a combination of the two.

Feel free to play with this idea and if you come up with a cool method, let me know!
-Louie

Run Away With the Sideshow…

I just saw that World of Wonders is starting to take applications from performers to work with them this summer:

I had a blast performing with them last summer for 10 days. The people are cool and the show format is a lot of fun! You do a 3ish minute act twice in the show and you do the show three times a day.

For the 10 days I performed with World of Wonders I took a something I hadn’t done in a few years to relearn to do it and something from my current show. When doing just two acts instead of a whole show, I was really able to focus on making those two tricks better. I ended having a lot of callbacks from the first act in the second act.

If this sort of thing interests you, you should definitely email them!
-Louie