Russian Shell Game – Tutorial…

I’m trying to get ahead of orders and have a few more things in stock. Yesterday I needed to make a new mold for my Russian Shell Game trick. I figured I show you what goes into it. I had already made the bottom part of the mold, so here’s how the second half was made.

I put left the shells in the mold and gave it a coat of mold release, otherwise the silicone would stick, and I’d just have a block of silicone with some shells inside that I couldn’t get out.

russian shell game by louie foxx


Then I measured out the silicone and mixed it up:

russian shell game by louie foxx

That gets poured into the existing mold:

russian shell game by louie foxx

Once it poured, I need to wait until it’s fully cured:

russian shell game by louie foxx

And violia! I’ve got the second part of my mold!

russian shell game by louie foxx

Now I take the resin, color it and mix it up, and that goes into the mold:

russian shell game by louie foxx

I put the top on the mold and let that cure until it’s finished hardening:

russian shell game by louie foxx

Once it’s done, I pop that out and I have the almost finished shells. They still need to be sanded. This is a quick way to produce the sets of these shells.

russian shell game by louie foxx

And here’s what the finished product does:

I hope this little walk through of what it takes to make some of my magic props will give you a little insight into the work that goes into prop building!
-Louie

Don’t Tell Me…

Lately I’ve been popping into virtual open mics and there’s something that drives me crazy. It’s when performers say, “If you were here I’d have you ____” and usually fill in the blank with something like, “shuffle the cards” or whatever. It’s been almost two years since we’ve moved to virtual, you don’t need to say that. If you haven’t figured out how to do the trick without someone in the room yet, virtual performing may not be for you.

HOWEVER, I do think there is a place to mention that “if it was an in person show, I’d have you _____” and that’s to cover a method. More specifically to rule out a method. A good example of this in an in person show is when Kreskin does the linking finger rings and he exposes the gimmick and says he doesn’t use that.

In a virtual show context, you could say, “If you were here I’d have you shuffle the cards, but you’re not, so I’ll shuffle them…” then you do a false shuffle. The key would be to put a little bit of distance between the false shuffle and a crazy revelation that would only be possible with a deck that was in a special order. Doing a false shuffle and then doing something like Any Card At Any Number would probably be fine without putting in any time misdirection.

To sum it up, don’t tell the audience how you would do things if conditions were different…they aren’t attending an in person show and they know that.

-Louie

Below the Camera…

One of the things about doing virtual magic shows is that I think the audience has no idea of what is going on behind the scenes. Here’s what people see of the set of my virtual show:

Then there’s what’s really going on just below the camera’s view:

Normally my set up is what’s just below my working tabletop, however the show from a couple days ago I had to over prepare as I was told I wouldn’t be able to interact with the audience.

It’s crazy how quickly we all had to learn and figure out these virtual shows. Early on in March or April 2020 people were still trying to do their stage shows (unaltered) on Zoom and I think pretty much everyone has figured out there’s a better way to do it!

-Louie

Not Completely Isolated…

Well, it all turned out alright! Yesterday I had a virtual magic show for a group where initially I was told I wouldn’t be able to see or hear the audience and couldn’t use the chat function for the show…but they wanted and interactive show.

You can read yesterday’s post about it here

I was prepared to treat the show like a live, prerecorded virtual show. However, I was pleasantly surprised when the show started that I was able to do some limited video/audio interaction with the kids!

I went into the show thinking of the old saying, “hope for the best, but prepare for the worst”.

Being willing to take on a challenge helps me grow as a performer. Next time I’m offered a show with conditions like what I was told for this one, I’ll be more prepared as I’ve already thought about it and done a lot of the work!

-Louie

Isolated, Interactive show…

Today’s show is going to be a stressful show. It’s a virtual show that’s for a group that wants and interactive show…but I won’t be able to see or hear the audience and chat won’t be enabled on Zoom. When I was talking to the booker, I clarified that they want an interactive show, but I can’t interact with the people in the audience and they confirmed that was the situation.

There are essentially two options at this point:

  1. Decline the gig
  2. Take the money and do it

I decided to take the show as a challenge to see what I could come up with. I’m treating this show like a live prerecorded virtual show. What I mean by that is it’s the content I would put into a prerecorded virtual show, however I’m doing it live. This opens up some possibilities, like I could roll dice for a random number or spin a wheel to get a random item. While those methods of selection aren’t as strong as having someone from the audience select the item, it gives me options that aren’t there with a prerecorded virtual show.

I have one trick that’s a “touch the screen” style of trick which is a custom version of Interactive that I made that uses Bigfoot sightings. I do have some tricks where the audience has a job at home, but what they do doesn’t really affect me or the outcome of the trick. One of these is the shellgame, which is good because they can play along at home by picking the shells. I’m using my Russian Shell Game for the show as it’s got a fun ending.

We’ll see how it goes…

-Louie

Free Magic Lecture…

Later today I’m doing a virtual magic lecture at 7:30pm eastern time. If you want the link to it, send me an email!

I really enjoy doing virtual lectures because I can use video elements for me doing the tricks in actual shows. This allows people to see me do the tricks that I teach in the actual setting they are intended to be used in. I’ve seen soo much good material die in a room full of magicians over the years. I think going forward, if I ever do in person lectures again, I will have a video element of the lecture.

Anyway, shoot me a note and swing by the lecture!

-Louie

Informal Virtual Performing…

I’m trying to be more proactive about performing when I don’t have shows on the schedule. The last couple of weeks I’ve popped into some virtual magic open mics. When I do these open mics my set up is a lot simpler than when I do a more formal show.

The nice thing about performing in my kitchen is that I can put Post It Notes on the fridge to remind me of lines or things to do.

When I do more formal shows with the virtual studio set up, I have notes taped to my lights and camera. This is a great way to remember new lines, or names of people to thank. For in-person shows I put notes behind monitor speakers or inside my case.

Trying new material is something I live for, so it’s nice to have little things I can do to make it easier!
-Louie

Spoon and Fork Transposition

Every now and then I end up with a trick that I like, but it doesn’t have a place in the show. These tricks end up in the preshow section of my show until I either come up with a routine for them, or give up on trying to figure out a way to fit them in show. The spoon and fork transposition is something that’s a great trick, but stayed in the preshow part of the show for years.

I finally fleshed out the routine a little bit, so it was more than a quick trick. It’ s a two phase routine, with an ending. Recently I tried it at a virtual magic open mic and it went well:

One thing I didn’t think about was the “hips gag”, I don’t think it played virtually. One of the problems was I was sitting, which I really should have realized before I started. Sometimes little things slip, that end up being a much larger problem that you’d think they would be. At least I now know for future gigs!

-Louie

Trying Take Out…

One of the cool things about virtual performing is that if you have something you want to try, there are a ton of opportunities to do it…and you don’t need to leave you house! Yesterday I popped into Kevin Peel’s Open Mic Magic Show on Zoom. The nice thing about this show is that it’s UK based, so showtime is noon in Seattle!

I was looking to try out the Take Out Production Box for an audience, here’s the first attempt at doing the trick:

I think it works, I do need to do some writing to come up with something to say, or some jokes. For a video I like the “travel hack” premise, however for a live show, I think it may need some more meat. I could be wrong…

-Louie

Firing Up the Studio…

Once again last night I was back in the office getting ready for some virtual shows. Everyone thought virtual magic shows would go away once in person shows started up again, however they are still here.

One thing I don’t like about how I do my shows is that it’s not very mobile. What I mean by that is that it wouldn’t be easy to travel with my current virtual show and set up if I wanted to do one while I was on the road.

That should be something that I work on, essentially a “briefcase show” but for virtual. The trick part shouldn’t be a problem, it’s the lights and stands that will be tricky to figure out how to pack small and light.

-Louie