Last weekend, the Portland Magic Jam happened. This is a fun, local magic convention in Portland, OR, with around 75 attendees. For me, this was a working convention, not just for fun. I was the MC for the Friday evening show. My show set list for the show:
When you’re MC, these things are always in a state of flux, and they will change, and they sure did! The show went from four acts to two! That drastically changes what I need to do. I had a recurring gag that works when they see me 4 times, but not when they only see me twice.
In addition to the Friday night show, I also had a dealer booth.
I was selling the magic products that I make, along with some of the magic stuff I’ve accumulated over the years. Having a dealer table really makes for long days at a magic convention; you really don’t get any time off, unless you want to skip lectures or shows.
The first day of the Portland Magic Jam started with the registration and dealer room being open. Then, a bit later David Kaye did a pre-lecture about what to look for in the show he was going to do the next day, which then would be followed by a post show breakdown of what we just saw.
I think that’s a great format if you’re going to do a show and then talk about it. One thing that I noticed is how much David knows about comedy. He’s a kid show guy, but all of the principles he talked about are for any age group!
Next was John Shyrock who also did a show/lecture. He did a 20 min close up show and then talked about it.
John does some really strong magic, and there’s a lot to learn from his use of music (even in a close up show). He brings a lot of bigger theatrical techniques to close up magic!
Then it was the evening show which was just three acts. I was the MC and did a spot along with Paul Draper and Richard Turner.
It’s had to do an MC spot on a small stage with no curtain, where a lot of equipment is being moved around. The spot I did was kind of a hybrid MC filling time and a scheduled spot.
The closing spot was Richard Turner doing close up tabled card magic.
To be 100% honest, I’m not sure how I felt about Richard Turner’s show. The card magic is great, but to me (this is my opinion), he really came off as a dirty old man the way he interacted with the two people onstage. The card magic was amazing, but his patter is from a different era, that’s not a modern style, especially for a town like Portland.
After the show, it was hang out time!
The late-night stuff is where all of the fun, weird, amazing magic happens! Also with this convention taking place at an airport hotel, there were some people who missed a connection at the airport and ended seeing some crazy magic tricks! I think it made their delay much more fun!
Awhile ago I aquired a Joseph Silk Gun. This is a pistol that you put a silk ontop of and the silk disappears.
Here’s what it looks like in action:
The vanish looks like trick photography! Unfortunately, there’s really nowhere that I would use a gun in a performance. Maybe if you did some sort of vignette, but that’s about it.
I’m going to try to find time to make a video of it with a Crystal Cube prop. Both the vanish and production would be instant!
It’s been a while since I’ve made any chop cups, and yesterday I made a batch of dice cup chop cups. I made these to take to the Portland Magic Jam this weekend.
Internally, there’s not much to it, it’s a magnet in a cup. I 3D print a magnet puck, and cover it with the same material that lines the cup.
Then I make a set of chopped dice, so one is regular, and the other has a magnet load.
I’m going to package these with an 8 Ball for the final load and sell them as a set. If I have any left after the Portland Magic Jam, I’ll offer them for sale here.
A few days ago I hopped a train down to Eugene Oregon to see Jack Grady‘s show at a comedy club with my buddy Matt Baker (the juggler, not the magician). I think I had seen a video or two of his, but didn’t know much about him.
Jack’s big on the social media and his thing is “ass magic” where he puts things into his butt crack and then magic happens. That’s a quick background about what I knew about him.
This show is a great example of how a strong character can carry a show. The magic is just “meh” for the most part, but the performing persona carries the show. One thing that my buddy caught, that I didn’t, was in the fish hook roulette trick, it felt like he actually could mess up the trick. Since I was familiar with the trick and method, that thought never entered my mind.
The show’s roughness was a feature! It felt like it could really go wrong at any point. I have a feeling he hasn’t been touring with the show very long. I also think that in a few years, if he’s actively working on the show, that his show would be GREAT!
The show doesn’t over use the “ass magic”, but there were a couple of spots where it could be used that it’s currently not.
If Jack is coming to your area, the show is worth going to!
Magicians frequently say that the modern style of vanishing birdcage doesn’t look like a cage. They really don’t, however cages that look like them do exists. I cme across them every now and then, here’s one:
and here’s another:
In real life, there really isn’t a birdcage that’s handheld anymore. Modern birdcages for pets are giant. No one really uses a handheld cage anymore. -Louie
Tomorrow I’m in a show called Sunday Scaries…sort of in the show. What happens in the show is that someone tells their paranormal story, and it’s acted out by an improv troupe. I have two paranormal stories, one is about a ghost that I took a picture of (I didn’t see it in front of me, just in the picture), and the other is the UFO that I took video of (I don’t think it’s an alien spacecraft, but it’s definitely unidentified).
I’m there to tell my story, but I’m going to have a few jokes written, so I have some laughs in my back pocket. When doing any sort of interview, I think it’s important to think about it and plan a couple of things. Be prepared, even if you don’t use what you’ve thought of.
For this, I don’t think I’m there to be throwing out punchlines; I’m there to tell my story and let the improv group get the laughs, but I’ll have a few laughs ready to go.
Are we at the point where this is modern card magic:
I’m trying to decide whether I’m a grumpy old man afraid of change, or if something like this is a step in the wrong direction. Sure, you can do a cool trick with this deck, but is this what card magic needs?
Are we at a point where someone asks you to show them a card trick and you can’t because your deck isn’t charged?
Nick Trost was a BEAST! He was a pioneer of modern card magic. I’m rereading The Card Magic of Nick Trost. One of the things that I’m doing is learning the original routine and then trying to update or add something to each routine. I’m only four tricks into the book, which has 122 effects!!!
The second trick in the book is the 7 Card Count and after Nick’s original routine there’s a Rollins-Hamman-Longe variation of it. The first trick is good, but this version is better!
I did come up with a variation on the original, but also a variation on the variation! If you have the book, it’s the exact same set up and routine, except these are the card, and the final display is slightly different.
The card second to the left has a picture of a stop sign, but it could just be a blank card that says “stop”.
What this setup does is change it so each card that’s eliminated reappears in the packet. Also, I like the 1-2-3 of each color to sell the premise of only using three cards of each color.
Right before the final display, you’ll have three face up black cards, and you’d normally put them on the bottom, in this case put them face down on top. Next, pull the three red cards one at a time off the bottom and deal them face up on the table. Then deal the top three cards (black) face up onto the table, and that will leave you with the final (stop) card face down in your hand. Say, “This never works, we might as well stop now” and then reveal the final card!
The only downside is this trick is no longer impromptu.
One of the tricks that I’m working on for a tour in April needs an opaque, tall, tulip-style ice cream cup. I spent hours searching thrift stores online and didn’t quite find anything I liked…well I did, but I also didn’t want to buy 36 of them! I finally gave up on trying to find one that already exists and decided to design my own. The nice thing about this is that I get something that is what I want, instead of the potential limitations of gimmicking something that is already made.
Here’s what the trick looks like in my garage:
The ice cream scoop is something that Dan Harlan sells called The Scoop and he even posted this on his social media:
Screenshot
The cup is my design, and here’s what is it:
Obviously, you don’t need to use The Scoop with it; it would work great with a loop ball or just sleight of hand with a ball. Anything you can fake put into it would turn to the streamers.
Ok, so why did I make a full glass, when I don’t show it empty at the start and could just put confetti in it?
Simple, clean up.
There’s no cleanup with streamers; no one needs to sweep or vacuum them up.
For me, this is the perfect solution for the second half of turning ice cream into something exciting!
-Louie PS: If you want one of these, contact me for pricing!
