magic show tips – Page 96

Max and Salli Hapner…

Last week I bought a vanishing birdcage on ebay (apparently I collect cages now?) from a seller that wasn’t a magician. I’ll talk a bit more about the cage in another post when I get a chance to do some research on it, but it’s a less common one. The seller included this Doug Henning autographed Playbill in the box that came with the cage:

I’m assuming the Max and Salli it’s signed to are Max and Salli Hapner. I’m not very familiar with their work, but remember seeing them on the cover of a couple of magic magazines, or mentioned in them. From my research this week, Max had a collection of Vanishing Birdcages, so it would make sense that the autograph coming with the cage would reinforce the idea that the autograph was to the Hapners.

It appears Max passed about 10 years ago, and I only found one video of him online, which is him doing The Multiplying Bottles for Stevens Magic Emporium:

One of the fun things about knowing some magic history is that I was immediately able to connect the name on the program to the magic act. One the cover of the Genii Magazine above they are doing their bubble appearance, which according some of the people I’ve talked to the last week was a really amazing trick!

Twice the Reaction!!

A trick that I love and that has been in my roving magic show forever is ProMystic’s MD Mini. I don’t use the trick how it comes when you order it from them, I use it inside a different shell, and recently moved it up into a Rubik’s Cube. You can read about in this blog post from a few weeks ago.

Last week I was performing in person shows at a school doing one show a day for four days for a middle school age audience. These were my first shows doing this trick in the Rubik’s Cube shell and it played great! In these shows I’m going the trick in a platform show, not close up. There was a huge surprise that happened, it got twice the response that I thought it was going to get!

I got two reactions out of the revelation. The first is when I tell the person the color they picked, they react and the audience reacts to that. THEN the person takes the lid off the box and shows the color they picked and that confirmation of the color got a response. That second response really shouldn’t have surprised me because the whole point of the box was to have that moment of showing the audience the selected color clearly.

I’m glad the Rubik’s Cube shell and box is working out, it’s really they way to do the trick for a larger audience. In the past I sold the trick (and it played well) based on the spectator from the audience’s reaction. The nice thing about doing it with the larger cube is I can do this on stage with no contact and socially distant from the person from the audience who could stand on the opposite side of the stage!

Empty Theaters…

Next week I’m performing at the Auburn Ave Theater and the other day I found out on the news there’s some changes about the show:

It’s kinda surreal to get texts about changes to my show from friends who saw a news article about it that used my picture!

Personally I don’t care if I’m performing for 25% or 50% capacity, I’m going to give the best show that I can under the conditions that I’m given. Sure it will be strange performing to a nearly empty venue with everyone spaced out, but we’ll have some fun regardless!

Hybrid Magic Shows…

This week I’m doing a series of hybrid in person / virtual shows for a small school that has about 20 kids in each show. Yesterday’s group upper elementary school age and the rest of the week will be middle school aged kids. Doing the show, I was very chatting with the kids and the kids were very chatty with me, however I held them and no one logged off the zoom as this was an optional event. The principal was impressed that I held them all and kept the kids engaged the whole time.

Now…going forward for the next school that contacts me for a hybrid show, I think if I know it’s going to be a hybrid event, I may try have my daughter run the Zoom part of it. The experience the kids at home got wasn’t the best. They had an iPad in the back of the room, so it was just a blurry wide show of me 30 feet from it. Having a camera that could move (pivot) and zoom in and out would be a huge advantage. They also had a large projector screen with the Zoom screen on it, I think I would ideally have that behind me, so then I could use that screen to my advantage and do some close up stuff.

All of that would be the ideal way to do it. Unfortunately, that’s probably not how it would actually play out. How it would probably actually play out is this:

I’d ask them to log me into their Zoom room and they’d say they couldn’t due to privacy reasons.
I’d ask to have the screen behind me and they’d say no because of how the room has to be laid out for social distancing
I’d ask to plug my camera into the computer they are using for Zoom and it would crash it because their computer doesn’t have enough power to run an external camera.

Knowing my ideal hybrid situation now will hopefully get me at least one of the three. Now that I know what to ask for, it’ll be easier to get something!

Catching Myself on TV…

The other night I was travelling with my family and flipping channels in the hotel room and saw myself on TV! It was very surprising to stumble upon myself on a rerun of Masters of Illusion.

The nice thing about these is whenever they air I get emails from people who have used me in the past saying they saw me on TV. This show has been a great way passively stay in front of people who want to book me!

You can watch my whole appearance above:

Now let’s chat about how magicians seem to feel about this show. Most magicians talk bad about it. The reality is that most of the magicians who talk bad about the show would take it in a heartbeat if they were offered. That same group of magicians don’t have what it takes from simply a material perspective to perform on this show.

The first thing to consider is that this show has been on TV for over 8 seasons, so it’s doing something right. The next and bigger thing to consider is that this show isn’t for magicians. What a magician wants to see on a TV magic show and what a non-magician wants to see is totally different.

Now let’s get to why this show is great, it’s fun to perform on TV. The whole experience is a good time. It’s great networking with other magicians at the studio and hotel. It’s gets my “art” out there for more people to see. On top of that there’s the marketing angle as a bonus!

IBM Convention!

I’m honored to take part in the 2021 International Brotherhood of Magicians convention this summer! I went to my first one when I was 18 years old in Minneapolis and got to see some amazing acts! The 2021 convention is going to be done virtually and they’ve got an amazing deal on the convention!

Hope to see you there!

Ideas Anytime…

Whenever I get an idea for a magic trick, I try to take some sort of action immediately. Sometimes this is simply writing down the idea, sometimes this is trying to actually work out the idea. Yesterday I was making breakfast for the family and was cracking an egg and had an idea for this:

It started with me thinking, “I wonder if you could do spellbound with an egg…” which is better than a coin for a couple of reasons. One, it’s a natural thing that people have seen (white and brown egg), most people have not seen a copper coin that’s the size of a half dollar or silver dollar…also most younger people haven’t really see or handles a half dollar or silver dollar. While those two coins are real objects, they are still unfamiliar objects, where an egg very commonplace. The second reason is that there’s a perception of eggs being fragile, thus harder to manipulate (or gimmick).

I’ll need to tweak it a little bit, but after trying it once, I think it’ll be a good trick!

Three Shell Game Review…

One of my favorite tricks and the opener to my virtual show is my Russian Shell Game routine. This is a three shell game routine with an ending that has 15 shells on the table. Someone just sent me a link to this review of the trick:

One little correction to something that he mentions in the review. The shells are not 3D printed, they are cast in resin. The original set that the mold was made from was 3D printed, but the set I use and sell is resin.

I love this routine, and still really enjoy performing it!

Best Levitation…

This came across my Facebook feed today, it’s probably the best stage levitation I’ve ever seen! Turn on the sound and watch the video:

There are several things that make this great. First of all it’s well performed. Next it starts with a very relatable premise, which isn’t floating, but flying and it does it in a very relatable way…fans. The fans give it “process” that’s missing in so many magic show levitations. Showing some sort of “process” is big in mentalism, but not soo much in magic. Also probably every at some point in time has floated something with a fan, or even been floated by a fan at one of the indoor skydiving place, so it gives people a point of reference.

One thing this doesn’t do is waste time with proving there are no wires. I’m aware that this isn’t performed in a magic show, so proving there are not wires isn’t the issue. It makes me wonder if the hoop is necessary in a magic show?

Returning to My First Virtual Gig!

Later this evening I’ll be performing a family night show for the first group I did a full, live virtual show for. I’m amazed that a year later I’m still doing these shows and the show has come a long way! I’ve added a bit more production, I’m using more audio effects, and have tricks that are better suited / created for the virtual viewer.

This is the promo video I made from that first show:

It’s also the promo video I still use to promote virtual shows. I probably should have updated it a months ago, but it’s gotten me a lot of work!

Some of the core of that show hasn’t changed, like the silk in peach and the gypsy thread, however a lot has been changed or added.

I used to do a coin sequence that ended with some jumbo coin manipulation. That’s gone, it’s been replaced with my coins under glass routine.

Right now the show opens with the three shell game, a year ago that was in my recorded preshow video.

The show used to open with my flea circus, which was great, however it’s now too much work to set up. Early on in the virtual show timeline, I had a studio in my buddy’s garage that I could leave the flea circus set up in. Unfortunately he moved and that studio is now 5 hours away and my virtual studio is now my office. There’s really not enough room to do it in the office.

I would close the show with a password prediction, but that has changed to the Wheel of Dinner.

I’ve learned soo much over the last year, it’s been a very educational time. Like any show, it’s evolved over the last year and I’ve evolved in how I perform in the show as well!