Author: Louie

Back on the Road…

When I was first starting out performing and I had a gig, that would literally eat up my whole day. From packing for it, to travel and performing, even for a local gig. Then as I got more confident in my show, it got much faster, I knew everything was in my case, and didn’t need to double check anything. I was also a lot more confident and had more experience as a performer, so that if a prop was missing or whatever, I could still make it happen.

I’m heading out to my first fair contract in about 18 months and it’s an out of town 10 day contract. Another challenge on top of not having performed at a fair in a year and a half is the scope of work I’m doing. I’m pretty much doing whatever they want me to do. I know I’m doing some stage shows, stage MCing and some roving. Once again, this wouldn’t have been an issue in 2019, but it’s a lot of stuff to figure out how to pack.

So why not do it how I did it a couple of summers ago?

Well, every summer I work on a lot of new material at fairs, so the packing of the show will be different than it was before. Also I’m not sure the level of contact, or social distancing that people will be comfortable with. One of my routines a couple summers ago was an 8 minute bit where someone fed me marshmallows, and that’s something I probably can’t do for a little while. Sure I could get someone on stage and ask them to do it, and they probably would…but I’m worried it would be “cringy” for people watching it. I don’t want that.

I’m going to spend a day stressing out on how I’m going to pack the show, then hopefully the next contract will be much easier!!!

In Person and Virtual Shows This Week…

This week I’ll be doing some virtual bits for the Kids’ Entertainer Fest! I think you still can register, and this is a solid line up.

During the day this week I’ll also be performing at the San Mateo County Fair in San Mateo, CA. If you’re in the area, swing by and say hi!

The Moisture Festival Podcast – Jet Black Pearl

The Moisture Festival Podcast is super excited about the amazing Jet Black Pearl joining us over the phone. Jet Black Pearl discusses with us how she came to the United States from the Netherlands and helps us with our Dutch. She also discusses how she begun playing accordion and the inspiration behind some of her hilarious songs.

Spoiler alert, she even plays us a few. Louie also brings up how much Matt raves about her as a performer. A fantastic interview with a gem of a entertainer. 

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More Key of Fate…

Yesterday I wrote about some changes to the Luca Volpe’s Key of Fate routine that I’m making. I figured I should write out the effect:

I show lock that’s locked to a little case and four keys in a cup and only one will open the lock. There are also three colored notebooks and three matching colored spots on the floor.

Three people from the audience are invited onstage to play a game. Whoever’s key opens the lock will win one of the prizes written on one of the pages of one of the notebooks. Each person grabs one key and one notebook, leaving a single key on the table for me. They are to stand on the spot on the floor that matches their notebook’s color.

You flip the pages of the notebook for the first person to see what prize they are playing for. They end up picking 500 Pesos, but unfortunately their key doesn’t open the lock. The first person returns to their seat.

The second person selects the ice cream sundae from their notebook as a prize, but their key doesn’t open the lock. The second person returns to their seat.

The final person, who is standing on the blue spot selects a prize, which is a banana. When they try to open the lock, it opens! Inside the case is their prize, a banana!!! They can keep the banana and return to their seat in the audience.

For the kicker, you show underside of the two spots from the people that didn’t win and there’s nothing under them. The spot of the person that won, has some paper taped to the bottom of their spot. It says, “Congratulations on winning the banana, sorry the other two people didn’t wind the ice cream sundae and the 500 Pesos!”

Ok, so that’s how the routine plays. I’m a huge fan of being able to describe what happens in the trick in a sentence. If I take those six paragraphs of how the routine plays and condense it into one sentence it would be:

The magician predicts the outcome of a game played with the audience.

That’s the effect, it’s a prediction of the outcome of a game.

Reimagining The Key of Fate…

This week I’m heading down to California to perform for 8 days at a fair. It’s been over a year since I’ve done a fair gig, and that’s my core market. I’m working on something new, that’s a variation of Luca Volpe’s Key of Fate routine. I’ve made some major changes to stream line it for how I perform. The big change is that I can’t have the audience write their prizes. For me, that takes too much time, and logistically doesn’t really work out.

In lieu of this, I’m going to use SvenPads to force the prizes. I bought three of notebook SvenPad‘s that look like this:

For the routine I needed three notebooks with different covers. I bought three notebooks and swapped out the covers.

The picture above shows the process of switching the cover. Below is the final product of the three covers:

I think that using these three notebooks to force the three prizes streamlines the process. We’ll see how it ends up playing…

Three Coin Con…

My whole life I’ve been fascinated by monte type effects. When I was a teenager I had a trick called Three Coin Con by Eddie Gibson. It was a shell game style routine that used three coins (one was a different color than the other two) and three identical covers. Here’s Paul Daniels doing it:

The trick is a bit of a fooler, it’s got some great magical moments along with the “monte” presentational hook.

The set I had as a kid has long been lost, and recently I’ve been searching for a set. Up until about a week ago, I could only find them in European coins, but I just found a set on ebay and very excited to start doing it again! I’ve got a 8 day run at a fair in about a week, hopefully with a bit of dedicated practice I can start doing it there!

Mixed Feelings…

Sometimes I see a magic trick and I don’t know how I feel about it. The routine below is one of them, I’ll let you watch it first:

First of all, let me say that I am not the demographic he’s going for, so factor that into my opinion of it.

Here’s what it has going for it, it’s 100% on message. All of the props are themed and it doesn’t veer away from the message. If I was booking for a large religious event, I would definitely consider this. It’s big and fills the stage.

What I personally don’t like is his almost animatronic performance of it. The clip may be taken out of context, so there may be a reason why he’s doing it like that. In my opinion there’s nothing real happening, he’s not trying to connect with me. It could be a movie on a screen, not a live performance. Once again, it’s out of context and maybe that’s what it’s for.

I love seeing things that make me think about what I like or don’t like in a performance. It makes me look at my show with a more critical eye.

Filling the Stage…

I love how people can look at the COVID restrictions and figure things out. A while ago I did a birthday party magic show in a small theater. The thing about this is that at the time, the show would have been against COVID restrictions to do in the family’s backyard. But if they did it indoors, in a theater, we could do the show. It doesn’t really make sense why this was OK, but outdoors wasn’t. I’m not going to get into that debate. When COVID first hit, I said I was going to follow whatever the local health code said, and this was allowed.

One switch I’ve made is I’m trying to have more props onstage at the beginning of the show. Normally it’s just my prop case and table. In 2019 I added the bowl on a stand to hold a ball of yarn and now in 2021 I’ve brought back my Applause Please trick (applause sign).

Visually that puts some stuff on the stage. While my show is still primarily hand held magic props, having something onstage for the audience to look at before the show makes it feel like something more. David Hira talks about this in his penguin magic lecture, I and really agree with him. Having something for the audience to look at and wonder what it does helps build excitement (in most instances).

Picking a Vanishing Birdcage

I’ve posting in the past that I’ve been thrust into role of expert with the Vanishing Birdcage. There are definitely people who know a lot more than me, but I’ve spent some time with several different style of cages and know a little bit about what helps make the trick successful.

One thing is having a decent quality cage. You don’t need to spend thousands of dollars on a cage, but you will have to spend a few buck. What you are looking for in a cage is something that’s smooth when collapsed. Tommy Wonder in his book mentions running a loop of string around the cage to look for snags and Billy McComb in his DVDs mentions rubbing it with a silk to look for snags. Since brick and mortar magic shops are becoming less and less common, something you can look for in an online picture is how streamlined it looks. Does it have a lot of bumps when collapsed? If you think it does, look for one that has less.

The cage that I use when collapsed is very streamlined and doesn’t have much bulk. It will easily fit through my wedding ring with the bird inside the cage! While having less bulk is important, the cage having less snag points is more important!

People always ask me what kind of vanishing birdcage do I use, and unfortunately I don’t know. It was given to me when I was a teenager by a magician because it had some broken bars. Some things to consider when picking is cage is how you are going to use it and how you need it to be on your body after the vanish. Blackstone Jr used that small Abbott’s cage because he needed to wear it for half of the show up his sleeve.

The main thing you are looking for is something that won’t get caught on your sleeve. Once you figure that out, you’re good to go!

Socially Distant Street shows…

Last weekend I was in Raleigh, NC and went for a walk. One of the things that I came across was a little street festival. It was a little bit of a return to getting back to normal. There was a street performer, and she was signer ad had a pretty decent sized crowd (also her PA was crazy loud!).

One of the interesting thing was how the crowd with now instructions, socially distanced themselves by group. This is a good sign for my summer performing at fairs. One of the things that I was worried about was how I was going to handle the crowds, and keep them socially distant. I was curious how much of that would be on me to do. It’s looking good that the audience will do it themselves. However, I think a lot of this will have to do with the local culture.

Whatever your personal beliefs on masks or social distancing, the reality is that if you want to work, you are going to have to follow whatever procedures the venue imposes. That may be nothing, or that may me a lot. Sure, as a magician whose job it is to entertain a crowd, you can’t force anyone to follow and rules or regulations. Just thinking about how you would manage a crowd now, will help you in the future if you ever need to.