Triggers…

A couple of days ago I posted a video of a coin production and vanish I had played with a little while ago. Then a day later I posted a video of a short routine idea with that coin production. Those videos were works in progress, and it’s still a work in progress, however I’m working on solving one of the problems, which is probably one of the biggest problems. That is triggering the coin appearance or vanish.

Essentially I needed to design a triggering system for the coin. Here’s what I came up with:

I designed it and it’s 3d printing right now. I’ll assemble it later today and hopefully it will work without any major redesigns!

Copentro Like Routine?

After playing with the coin trick from yesterday’s blog post, it hit me that I could do something similar to Bob Kline’s Copentro trick. If you’re not familiar with the trick you can see it here:

Essentially the difference is that Copentro has a base for the cup and then typically a stand the holds the coins to allow them to vanish. Using the coin vanish / production from yesterday (plus something else), I can now do the Copentro trick eliminating the base and stand.

Here’s a proof of concept video (nowhere near a final version):

The routine and the moves still need some practice, but I think it has the potential to be a solid little routine.

An Old Idea…

A couple years ago I was playing with using black 2.0 paint to make a coin appear. The problem with it was that it really didn’t work in an in-person context for the show. Well, in the current world of virtual shows, I can control performing conditions in the room I’m in, so I’ve started playing with it before.

Here’s a test video:

Personally I like the production more than the vanish. I like how there’s a “pop” to the coin when it appears. Now I need to figure out what to do with it and how it will be used.

Vanishing Birdcage For Younger Kids…

Not too long ago I was doing a virtual show for a summer camp. They wanted me to do one live show and that show would then be shown to the other classes. That’s fine, however they gave me the youngest group first. Normally I’d recommend doing one of the older groups first, but given the current state of shows, I can’t be too picky.

Once I knew I was going to be performing for the youngest kids, I figured I’d play a bit more. I’ve been wanting to figure out how to present the Vanishing Birdcage for younger kids, and looked at this as a chance to work on that. I really didn’t have anything preplanned, aside from the vanish.

I put the whole thing together as I did it. The hand towel I normally use to wipe my sweat, and just grabbed it and produced the bird from it. Then playing with asking what it ate, and manipulating it a bit like a spring puppet. I’m glad I got just over 3 minutes out of it, without really planning anything.

Hopefully if I sit down and do some writing I’ll be able to get 4 mins out of it! It’s fun to be using my Take Up Reel in shows right now!

It’s Not Strange…

One of the most important things you can do right now is watch other performer’s virtual shows. You can learn a ton about doing these shows by watching them. You may see stuff you dislike and it’s a reminder for you not to do it and you may see things you like and you can try to recreate those elements.

The other day I watched a performer’s first public virtual show. One of the things he did was talk about how “weird” watching a show virtually is. From the performer’s view, it’s very strange and not like what we’re used to. From the audience point of view, it’s not that strange as they are used to consuming entertainment through their computers or TV.

Personally I firmly believe in addressing the elephant in the room, however at this point it’s only strange for the performer. Unless you have a joke, trick or point of view, in my opinion, it’s now best to skip it. In March and April I think mentioning it was appropriate, but now we’ve all had zoom meetings, zoom school, we’re all familiar with it.

Also going forward, if you’re a performer and you’re not an expert on using Zoom, you need to be. Kids have been using it for school for three months, PTA meetings have been happening over it for the same amount to time. You can’t be fumbling though it anymore.

Handling the Worst Case Scenario…

One of the things that I’m doing to stay creative is hosting a live, virtual variety show. I co-host it with a friend of mine and we have to write about 10 mins of new material each show. That’s helping keep me sharp, however the shows can be stressful, a lot can go wrong!

At our show last week, right after we introduced an act, our internet dropped. It completely cut off. That put us in a strange spot, as we do the show over zoom, so the act was still going. We ended up running the rest of the show using my cellphone as a hotspot. This was less than idea. However while we were getting that set up, we had to deal with what to do the the act that was performing.

Luckily the acts we book are all pros, and have dealt with having to fill time before. While one of us was setting up the phone as a hotspot, the other was calling the act that was performing live. We explained the situation, and he did more material while we moved internet connections.

We had the worst case scenario, losing internet happen. This wasn’t just a slow connection, the hard wired internet was gone! It was very stressful! Having acts that are pros, really helped it flow and not be a total train wreck.

The Darkest Corner…

A few months ago Master Payne turned me onto a book called The Darkest Corner by Ben Hart. I wasn’t familiar with Ben, but Payne told me the book has some unusual magic trick and some unusual methods in it.

I ordered the book right way and have been doing one trick in it at my shows (virtual and in person) this summer. That trick is his Silk in Peach, where the effect is a signed silk reappears inside of a peach. It took some playing to come up with a fun routine, and I think it’s a perfect trick for in-person, no contact, socially distant magic shows.

My solution to having something signed when you can’t get 6 feet from someone and they can’t touch any props is that I ask them to name an animal. I then draw the animal on the silk and write their name. Pretty simple. The production from the peach is visually amazing and that quickly made this trick the “meat” of my summer show.

Look into the book, it’s great!

Bad Magic…

Howard Hamburg D Lecture notes

A while ago I picked up a used copy of Howard Hamburg’s D Lecture notes. One of the things the mentions in it was that Dai Vernon didn’t like was kicker endings. Vernon’s thinking was here’s the trick I’m showing you, and now here’s something completely different that doesn’t make sense…ta-dah!

Now let’s fast forward to a magic video that was posted in a facebook magic group recently. Watch this:

Did he get your card?

He didn’t find mine.

Now let me tell you what’s wrong with the video of the trick:

First of all, he didn’t find my card! If you tell me to pick a card and don’t find it, I don’t care what else happens, it’s going feel unresolved.

Next, the switch out of the pocket is sloppy. It may work in a in-person context where you are talking to people, but not in a video with zero presentation.

Finally the reveal of the fan of cards changing is just bad magic. When the hand holding 4 cards drops out of frame multiple times and for an extended period of time right before you reveal the change, it’s just not good magic.

Add these up and it’s a bad presentation of a trick.

This trick needs a presentation that’s not a promise that will be unfulfilled (unless you get lucky). Also, t he performer needs to be aware that their need to keep their props in frame. It doesn’t matter if you don’t need to drop out of frame or not, it detracts from the magic. Or if you do need to move out of frame, try to hide it and don’t to it immediately before the reveal.

Now go out and do good magic.

Elements of a Virtual Guest Spot

Yesterday’s blog post had video of me performing the Three Shell Game as a guest on a live stream. What the camera sees is pretty simple, however what’s actually going on behind the scenes is bit more complex.

There’s more going on that just putting a table in front of a camera. In the next picture I’ve circled some of the things that goes into my online appearances:

Here’s what I’m using:

  • Purple: iPhone as a camera
  • Orange: Microphone
  • Yellow: iPad to show the person I’m interacting with
  • Green: Laptop which is running my production software
  • Blue: Table that’s not visible on camera to hold props
  • Red: Working table that will be on camera

I honestly wish doing a live stream bit from home was as simple as opening my laptop and using its built in mic and camera. Instead I need to essentially set up a studio and take it down afterwards. There is a noticeable difference in quality when done this way.

Working On It…

One of the hardest things about creating magic right now is that due to restrictions I can’t really audience test things. I’ve written about my endings to the three shell game on this blog before and one that I’ve started doing post-COVID is the solid shell game.

One way to break things in are on live streams. My buddy was doing a live stream a few night ago and needed a guest, so I popped in, hung out and worked on some material.

Here’s the shell game from that live stream:

It’s coming along, just being able to do for something and not the wall at home makes a big difference! If you’ve got stuff you’re working on, go out and be a guest on someone’s live stream. It’s a much better space that doing your own live stream show, and there’s a lot less expectation for you to carry the show.