Snappy Flappy Card Transposition!

In my virtual shows I started doing a card change with a flap card. I was isolating the card in a glass, then shaking the glass and the card changes to another card. I really like this, as it makes the change really impossible. The method is simple, it uses a flap card and the card it sitting at an angle. The weight of the card keeps the flap from flipping. Then simply shaking the glass allows the flap to flip for the change.

The other night I was watching a hockey game and playing around with using the flap card in the glass as a card transposition. Here’s what I came up with:

Here’s what the trick needs: It needs some scripting to call attention to just one of the cards. Mention that that jack of diamonds is in the glass, so that when it’s appears in your hand, they know something has happened. I think if you mention both cards, it gets confusing.

-Louie

Video Showcasing…

I’m home now from a booking conference I was at earlier in the week. One of the things that happens at these are video showcases. These are up to three minute videos that play usually in between the live act showcases. There were a couple of good video showcases and a lot of bad ones.

The number one thing about a video showcase is to use still images sparingly and use them with purpose. One of the showcases I watched was of a musician who does a roving act and he does a lot of audience engagement and pulls around a wagon that looks really cool. His video was all still images with him singing a song played over. It didn’t really give any context to what he does or how a buyer would use it.

The next worst thing is to play a video of you playing a gig. One person played a video him that had bits of several songs, but they were all at the same venue. It was visually boring. At least have several venues…and record them from the soundboard, they audio will turn out much nicer and easier to listen to.

Another thing is that news footage is great…but trim out all the stuff that’s not you! One act had a nice news clip, but they kept in the intro of the two newscasters bantering about the weather or whatever at the beginning, essentially wasting the buyers time for 15 seconds. Then they left in the extro of the two newscasters banters about what was coming up next, once again wasting the buyers time.

The final thing is you don’t need to use the full 3 minutes (or whatever the max is) for your video. If you can tell the buyers what you need in 75 seconds, great…you don’t need to bore them with redundant info for the remaining time. Trimming out the fat is key!

Those are some tips if you are putting together a video showcase or making a sizzle reel!

-Louie

Committing to the Cage…

When I was driving home from Abbott’s Magic Get Together, I stopped and visited a magician in Minnesota to talk about the vanishing birdcage. He was thinking of adding it to his show.

His fear was the cage hanging up on his sleeve. The thing with the cage vanish is that people think it’s easy, until they start to work with it and then realize how hard of a trick it is to do. The first thing you do is try to eliminate anything that will snag on your sleeve. The second thing you do is use proper technique for the vanish. That’s putting a lot of tension on the pull and making the “hand tunnel” correctly.

Here’s me vanishing the cage at the fair yesterday:

Once you’ve gotten the snags removed and the technique down, the last thing you have to do is commit to the vanish. When you make the cage disappear you don’t do it timidly, you vanish it like it’s going to go up your sleeve. Committing to the vanish is where I think a lot of people have trouble. They’re worried about it not going up the sleeve, so the don’t pull as hard as they should.

Dr. Strange Magic Show…

Last week I was at Disneyland and went over to the California Adventure park to see the Dr. Strange show. Essentially this was a 12 minute magic show. The magic trick were essentially used as “live special effects”, and not as magic tricks. I don’t think there’s anything wrong with doing them this way, it’s just a different mindset.

There were basically four tricks: Devils Hank, Ring to Flower, Zombie, and an Appearing Pole. This show was a great example of a themed magic show. Every trick was used with a purpose to further along the story. The Zombie was well motivated, but went way longer than it should have gone.

Here’s video I found online of the full show:

This show is also a good example of why when I do themed shows my role is more of a lecturer than a character that’s presenting a show. Performing as someone other than me doesn’t really interest me, and I’m not a good enough actor to do that.

Building For Others…

One of the things I love it helping other performers make their visions of tricks become a reality. A couple of months ago my friend Todd Gardner called me with an idea. Todd is a strongman and there’s a stunt they do called levering (you’ll see it in the video below). He wanted a prop to punctuate the stunt and to add a laugh.

I think it worked out pretty well.

As far as a build, I sketched it out when we were on the phone. It’s not a really complex prop, it was just attached a bell to a headband. I 3D printed the connector and had it print around the headband.

one of the great things about building props for other people is that it helps me grow as a builder and creator!

-Louie

Trying the Inivisble Deck Plus…

A couple days ago I wrote about an idea I had for a method for the invisible deck, but had a kicker where the card had a different colored back and then the rest of the cards were blank. This was inspired by Vernet Magic’s 52 B’Wave card trick.

I’ve been doing it at the fair I’m performing at, and I took a quick video of the first time I did it:

There’s a couple things I need to work on. The load to the deck in my pocket is very clunky. Right now I’m trying to square up the card with the back of the deck. I don’t think I need to do that. I think I just need to get it fairly close the the deck, and then can align it as I’m pulling it from the pocket.

People seem to react to the three beats of the trick. I wish I could come up with a one deck way to do it with jumbo cards. As it is right now, if I was doing it in a big room, I’d need video projection for it to play big.

Multiplying Forks…

A few of the Seattle area magicians got together for a little magic jam before a baseball game. We were playing around with some forks and I realized you could do this with them:

This is essentially the multiplying banana move that’s done with sponge bananas, however I’m doing it with plastic forks. Normally you can’t fold a plastic fork in half, however I learned that the compostable forks you can, and they will pop back into their original straight shape.

I’m doing the thing more like Percy Abbott’s Perpetual Balls, than the banana effect. The main difference is the moment of the production. If I’m remembering right, in the banana effect you take away a banana and the next one is instantly there. With the Perpetual Balls there’s a pause before the production.

Out For Beers!

Last month when I was at the Abbott’s Magic Get Together, I was doing my trick Out For Beers. This combines a brand new gag card with a classic principle. Many of the magicians who I showed it to asked if I would sell it to them. I didn’t have any with me to sell, so I couldn’t. Because of that demand, I made up some sets for sale.

Here’s what it looks like:

out for beers magic trick

What I like about it, is you are using the gag to get into the trick. Where most of the tricks that use the Out to Lunch principle, the cards are the focus of the trick. They have no reason to be there aside from the trick. That’s what makes Out For Beers great, the trick is unexpected.

Here’s What You Get:
*Gimmicked card to show the full beer pitcher
*50 cards showing the empty pitcher
*Rubber band
*Instructions
*BONUS: 5 extra cards that show the full beer pitcher

Out For Beers $19

More Silver Extraction…

Yesterday I started messing around with the Silver Extraction coin trick. Traditionally how the trick goes, is you give them the coin that they hold in their fist. You then pull the silver (silver blob) through their hand and they are left with a clear coin. I think the pulling through the hand is fun, but I think this particular set of coins has a different effect possible.

here’s the idea:

I like the visual of the shaking and having the silver blob sliding around on top of the copper center of the coin. Method wise, I’m not sure it’s an improvement over just a shuttle pass. I’ll be trying out both methods today at the fair.

-Louie

Junk Bin Magic…

Many years ago I bought a trick in a bin of discount magic that was a change of a spoon to a fork. When I opened the package, I thought it was garbage, and as written in the instructions, it really was garbage. Then I started presenting this as a transposition between and fork and a spoon and it played much better. It’s a real fooler for audiences.

This trick has basically lived in my preshow for years, but never made it up into the main show. It was missing something. I ran the trick through a workshop group I’m in and they all thought it needed a surprise ended. They were pulling for a spork, which is funny, but I think it lacks visual contrast from a spoon or fork as an ending.

Here’s what I came up with yesterday:

I do like the surprise of the knife. Now the routine needs to be fleshed out a bit more and performed for an audience a bit and we’ll see if it goes anywhere…