Always be Practicing!

While I was at the airport recently, I looked out the window and say one of the aircraft marshaller’s juggling the marshalling batons:

This guy is using his downtime at work to practice and get good at a skill!
Practicing in your downtime with other tasks in a great way to pick up new skills! I learned to do rubik’s cube and a lot yo yo tricks in the time between when I finish setting up my show and my show’s start time. Sometimes it’s just 15 mins, or whatever. That’s time I could be scrolling through Instagram, or learning something new!

-Louie

Adding Effects to Sizzle Reel

I’m playing with adding some visual effects to sizzle reels, or social media videos. Here’s two versions of a sizzle reel, one without effects and one with some visual effects.

Here’s the one without:

And here’s the one with:

The goal is to not use the visual effects simply because I can, but to hopefully use them to enhance what you’re watching. I don’t want to be like soo many of the videos in the early days of consumer level video editing where every transition was a a huge deal, with star wipes or whatever.

Let me know which you think is better!

-Louie

Happy Thanksgiving!

Every year I post this trick on Thanksgiving. It’s a good example of adding a theme to a trick that already exists.

The base routine was something that I had read in a Jim Steinmeyer book. For holidays, look at what you already do and look for logical connections then make the trick!

-Louie

The Rocket Card Fountain

I’m still working on my Rising Card routine. At the end of it I’m doing a bit where I push the out jogged card back into the deck and it rises up again. I do that several times, but the bit is lacking an ending. It’s the same joke over and over again.

I’m thinking that maybe after it gets pushed down and pops up a few times, I set the glass into my case, THEN all the cards come shooting out of the glass.

I started playing with it in the green room at the fair a couple of weeks ago. I didn’t really try it at any shows at the fair as I don’t want to deal with the clean up of cards everywhere at the stage I’m at.

Here’s what the ideas will look like:

I’m using The Rocket card fountain. I really like this, it’s pretty quiet and so far is very reliable. I can’t wait to actually try it in the show!

-Louie

Small Changes

In my Drawing in Ball of Yarn routine, there’s a middle phase that’s a mismade bill. I’ve been having trouble with the the mismade bill part. The bill part was essentially my 13 sided bill routine that I do close up. Here’s what that looks like:

The mismade bill phase was too long for it’s spot in the show and I dropped it for a few weeks. Then I added it back in with a little change, I’m using a Quadraflex style mismade will that has the four quarters.

The routine for the mismade bill part of the routine is simple. I say, “I’ll fold your dollar four times.” then I do that and ask the kid, “do you know what that does…it turns it into four…” as I’m slowly unfolding it. For the last 30+ shows the kid has always replied, “dollars”. Then I say, “four dollars?! Have you seen the budget for this show? It turns it into four quarters!” Then I reveal the mismade bill.

I think this works a lot better because I keep dealing with the number four and it foreshadows what the audience is about to see and then at the reveal, it tells them what they are seeing.

I’m glad I put the mismade bill phase back into the routine and tried a different approach!

-Louie

Magic on the News in Fresno

Here’s an OK news appearance I did last week while performing at The Big Fresno Fair:

It’s an alright appearance, nothing crazy amazing. It’s a decent spot, but could have been much better. I was told I’d have about 3 minutes, but then that changed to two minutes and then at the last minute it changed to 90 seconds.

The change of the length totally threw my plan out the window. That’s why I typically will show up to news spots with material to fill 30 seconds, 90 seconds and three minutes. I try to plan something special and fun for the set length I’m told I’m doing, but that doesn’t always happen! That’s why it’s important to have a lot of material on you when you show up. There are some exceptions, like when you do in studio stuff you’ll normally know exactly how much time you have…but they’ll forget to tell you about a quick little “bump” you’ll be in and need a visual 5 second trick you can do.

Being prepared is the key to these news spots!

-Louie

Shot Glass Production

I’ve been playing a lot with a shot glass production lately. There’s not much to it, or pretty much any shot glass production. Basically you sneak it into where ever you want to produce it and uncover the shot glass and show it to the audience.

The real challenge is having an airtight seal on your shot glass cover that can still be easily removed. Here’s the idea that I’ve been doing:

@louiefoxx How to cool off instantly! #tequila #drink #magic #tequilashots #nebraska #louiefoxx #magictrick #backstage ♬ original sound – Louie Foxx

One of the lesser challenges is what to do with the cover after you’ve removed it from the shot glass. For probably 80% of productions from things like an egg bag, you can simply leave it in the bag. However for a production from something like your shoe, you need to get rid of the cover.

My solution is simple, hide it in plain sight!

This is something that’s working out for me, however I still consider it in the testing phase for me.

-Louie

Three Card Prince

There are some tricks that I’ve always wanted to do and Harry Anderson’s Three Card Prince/Monarch is one of them. It probably comes from me getting the book Wise Guy when I was a teenager and just getting serious into magic.

You can watch the routine here:

There were two version of this put out. The Three Card Monarch and The Three Card Prince. The difference was size, the prince was the smaller size, however both haven’t been made in years.

I recently came across a used set…a very used set.

This set was gross, it very discolored from use. I bought it and hoped I could clean it up. I took a Magic Eraser and started to clean them up. Here’s a before and after of the face of one of the cards:

They now look gently used instead of beat to crap! I’m excited to learn the routine and try it out in a show. I don’t know if it will work in the show, but even if I only do it once, it’ll be good to have done it and gotten it out of my system!

-Louie

Coin Transposition Routine

I’m still tweaking my routine with the Craig Petty’s Apparition Coin set. I was trying to eliminate the phases that use the coin purse. I ended up with a three phase routine, however it lacked the punch of the four phase routine that had the coin purse. Once I put the coin purse back in, it immediately was getting better reactions.

Here’s what the routine looks like:

I think the first phase is like a “flash opener” to a stage act. It’s a great visual moment, and sets people up for the transpositions that they are about to see. I’m glad I tested it both ways and have found the best way to do the routine!

-Louie

Four Nightmares DX – Rope Routine

One of the tricks that I’ve always wanted in my show is a rope trick but I’ve have trouble making them work in my show. I think part of why rope tricks don’t fit is partially my performing style and part trying to find the framework for the trick. I have trouble finding the “why” I’m sharing a rope trick with the audience.

Recently I was playing with Daryl’s Rope Routine and while it’s a great routine for Daryl, it really doesn’t fit me AND one it has a Professor’s Nightmare phase. While I think that Professor’s Nightmare is a good trick, it’s way too overdone and I don’t want visuals that are common in my show. Unfortunately not doing the Professor’s Nightmare phase in Daryl’s Rope Routine cuts the routine in half and the routine lacks something…which is a second half!

A couple of years ago I remember Ken Scott doing a rope routine called Four Nightmares DX at a virtual magic convention. There’s a video of Ken doing it on his website, and here’s the video of it that I could find on YouTube:

What I like about this routine is that it can be done solo onstage, so you don’t need to bring someone onstage to help you like in most cut and restored rope routines. It’s also has a lot of effects that are pretty visual and fairly different. Lots of effects using the knot, but they are different effects with the knots!

My fear with this trick is that its’ something that I will end up liking, but then it will become unavailable. Also keeping the rope clean and white. If I end up liking this routine, I’ll have to learn to make my own gimmicked rope.

-Louie