Last week when I was performing at a comedy club, I had a drop during the Hoop and Cup. When it happened, a kid from the audience said something. Here’s what happened:
When someone says something in the show, I try to lean into it. It’s a real moment and something that makes that show unique. Many magicians would shut the kid down with a hack line like, “I checked, and you don’t have a speaking part in the show,” or whatever. Personally, I hate lines like that, and I think 99% of shows could benefit by embracing real, spontaneous things that happen. Yes, there are times you need to shut it down because it’s going now where, however, you usually should explore it first.
I made it to the White Rabbit Theater for a third time last week to check out close up magic by Phoenix Phenomenal in the bar. I went down with Mickey O and Bri to watch the show.
Phoenix does some great magic, and as a younger person doing 4 close up shows a night at the bar will get him a ton of real world flight time under his belt!
That’s one of the keys to performing, stage time. In comedy they say “Stage time is more precious that gold”. In magic, many people don’t see the value in stage time, and more advice you hear is “charge a lot of money” versus “get on stage and get good”.
Oh, I’m not saying Phoenix was bad, so please don’t read it that way. He’s great, he’s just younger. He doesn’t have the miles on him that someone who’s been doing it longer has. I wish I had a nightly bar gig when I was his age, I would have gotten way better sooner!
A magician posted these pictures of himself performing as a Chinese person.
Here’s my response to the picture, which I replied to in a private magician’s group, and not on his public, personal FB page:
I really dislike that magicians still think this is an acceptable way to perform. Performing in “yellow face” has a long history in magic and one that needs to end.
Here’s Jack Chanin (I think, and if I’m wrong, let me know) performing in Yellowface (yellowmask?):
These “characters” are outdated stereotypes. Part of the history of yellowface was to portray the Chinese as monsters and to give them frightening physical features. The long mustaches and fingernails, the bright yellow skin color were to make Chinese people look less human.
Why would any performer who knew its history want to continue doing that?
In my opinion, it’s lazy creativity. In both pictures above, the performer is using the Chinese sticks prop; however, that trick isn’t from China! Instead of putting the energy into creating a unique routine, the performer does something that they’ve seen done before. The thinking is that if someone else has done it, then that’s the way to do it.
I’ve personally walked out of several shows when a performer did stereotype material. There is an exception to this, does the performer have a point of view with what they are doing. Is it social commentary, relating an actual experience, or something like that? In all of the exceptions to this that I have seen, the person never put on a costume.
The moral of the story is don’t do stuff like this.
In a couple of months, the Portland Magic Jam is happening. I’m not able to go to many magic conventions due to my performing schedule, but this one I’m currently available for! I just registered for it!
They’ve got a great mix of performers/lecturers for this convention. If you’re in the Portland OR area, or looking for a reason to visit, this is a convention worth checking out!
There are a lot of misconceptions about performing for seniors at retirement communities. One questionable piece of advice is to use big band music. That kind of music is the music that the parents of the people currently in retirement homes listened to. Simple math will show that if someone is 80 now, that means when they were in their 20s, music like the Rolling Stones was popular.
Here’s the music playing in the dining room at a senior gig. Ignore the piano, that’s a resident playing it at the other end of the room.
When the retirement community doesn’t play music from the resident’s childhood, that should tell you something. The community won’t play music they don’t like.
In January, I have two magic lectures: one was last week, and the other is in just over a week. I usually don’t do many of these, as my performing schedule is busiest during the summer, when the magic conventions happen.
I had a blast at the one last week for the Portland Society of Magicians. Here’s a peek at what the 90 minute lecture looks like in 60 seconds:
If your local magic club would like a lecture, feel free to contact me and we can try to make it happen!
