I found the trailer for the upcoming season of Masters of Illusion and you get to see a trick I invented at the 27 second mark:
One of the great things about creating original material, not just presentations is that when you are pitching acts to a TV show you don’t have to worry if something has been done before. This applies to more than just TV, it’s a huge advantage for variety shows as well. You don’t need to fight over who gets to do what trick.
Original content is king!
The last couple of days I created and refined a coin routine. Here are the two routines and the conditions:
Initially the conditions were:
I will say that I initially fudged the face must be framed because I put the coin in my pocket, however there’s still action by my face as that’s where my right hand stays holding a coin.
After coming up the first version, I added a couple more conditions:
With the second set of conditions, I’m thinking about actually using the routine. In the second version, I’m playing the the camera for the two times the coin disappears from one hand and reappears in the other, but it will still work live. The set up quickly condition is huge, I need to be able to reach into my case, grab the coins and be good to go.
Then there’s a small challenge with the condition of my hands not leaving the frame. I have the stupid penny to keep hidden after it changes into the two silver dollars. It sounds simple, but was a pain to figure out how…until I came up with a very simple and obvious solution to holding out the penny for almost the whole routine.
The next step would be to start to work on a verbal routine, or at least intro, to get more than 30ish seconds out of the routine.
The coin routine that I started yesterday started with a penny turning into two silver dollars. One silver dollar repeated traveled from the pocket to the hand and for a finish one of the silver dollars turned clear. It’s a decent routine, however after playing with it, I added a couple more conditions (I’ll write about the conditions tomorrow) and here’s what the routine changed into:
The first big difference is the routine is about 17 seconds shorter. I took the coin going from the pocket to the hand, that I felt was pretty redundant after I did it more than twice. It doesn’t feel as impossible with a coin as it does with a ball. It’s interesting that the routine started with a billiard ball manipulation premise, however moved away from that.
The ending with both coins turning clear makes more sense than just one of them doing and the final display of one in each hand is better.
A bit ago I noticed some coins on my desk, and figured I’d start playing with putting together a quick coin routine. To start the routine I gave myself a few conditions that it had to adhere to and I’ll get to those in a future blog post. Here’s what I put together:
When I started playing with the coins one thing that I quickly realized is that I could almost do a billiard ball manipulation routine with them. Once you have the initial change from a penny to two silver dollars, the routine is essentially Percy Abbott’s Perpetual Ball routine.
Next up the routine needed an ending. I don’t think that producing 4 or 5 silver dollars would have the same impact as producing 5 billiard balls. Luckily a clear coin caught my eye and I threw that into the mix. I think it gives it an ending.
Recently word started going around that Norm Nielsen had passed. I wonder how much about him younger magicians know, aside from wrongfully assuming he invented the latex bottle. Here’s him doing the act:
I remember Tina Lenert telling us about how much work it took to make the violin bow at the end of the act, then about a year later seeing the act in person. The little details make a huge difference. If the violin just came out, it’s good. When it comes out and bows, it’s great!
Over the years I got to chat with Norm a couple of times one the phone, but never really knew him. He was always generous with his time and I’m thankful of that. I think at that what makes people miss him when he’s gone is not that he was an amazing act, but a cool person. What are you doing to be a cool person?
A few days ago I posted about a gimmicked envelope that was designed for use during a virtual show. At it’s core it’s an named card to envelope. Here’s the basic routine:
In the video above I do the routine with a gag card in the envelope. Personally I think the gag card makes the trick a little bit dirtier. This helps it avoid the Too Perfect Theory. My thinking was that the 52 on 1 card puts more time between the load and the reveal.
This will be published in Vanish Magazine soon.
One thing that I’ve been working on is learning to cast things in resin. I’ve been doing little projects for people to give me things to do to learn with. One thing someone asked me to do was make the coin for the Silver Extraction magic trick, but with a Silver dollar instead of the half dollar that it’s traditionally made with.
If you’re not familiar with the trick, here’s a dealer demo of it:
The trouble I was having was getting the coin made in resin without too many air bubbles. After a lot of work and learning, I’ve gotten a workable clear resin coin:
I think if I make another one, I will remake the mold with my newfound knowledge and that will give me an even better result. When I’m learning something new, I love working on projects for friends, as it helps me learn to do thing and try them in ways I wouldn’t normally.
Recently someone in a magic group posted a video of them doing a 12 minute “flash” act, which is essentially a series of tricks. The opening trick they did was show a torch a long time, then it turned into a cane. This is a marketed trick called “torch to cane” and you can watch a demo of it below:
Here’s the thing with the trick, you are taking something very interesting which is fire and turning it into something very uninteresting which is a cane. I think you’d be better off showing a torch and then doing fire eating (which is interesting) than turning it into a cane. The magician’s style of cane has been out of style pretty much my whole lifetime, so no one instantly know what it is.
A better idea would be turning fire into an animal.
The above video isn’t how I’d do it, but a dove is way more interesting than a cane. Fire is cool to look at, so make something appear that’s cool to look at. Maybe touch it to your palm, and your palm catches on fire, you toss the fire to the audience and it turns into a throw coil! That’s way more exciting than a torch to cane. Also if you think an appearing cane is really fooling anyone, think again. At best is a B- of a trick. Sure, it has it’s place in the right act, but it’s not a huge mystery.
When you are doing a transformation from one item to the other, the final item must be as interesting as the first. Torch to cane…nope. Cane to lit torch…YES!!!!
Right now there’s a lot of interest in interactive magic tricks, where someone can follow along from their home, and the magic happens to them. There a principle that I was first introduced to in the trick Fingertip Mentalism from the book Nothing But Mystery by Jim Steinmeyer. Then I found the book Body Mentalism by Juan Pablo explains and explores the principle much more in depth.
Here’s a video I recently made using the principle:
Personally I like the idea of having people post a pic in the comments much more interactive than simply revealing where they are. Also I find a lot of humor in them posting their middle finger, but in my soul, I’m still a 12 year old boy.
Once you know how to do the math, it’s something that you can do anytime. What I like about it is the principle isn’t limited to “do as I do” type tricks. It’s handy to know things like this, it allows you to do some impromptu magic when you have nothing!
Every now and then there are tricks that you can’t get out of your head. One of them for me is the Vanishing Bird Cage. I’ve revisited it several times over the years, and in the past hit stumbling blocks with it. The birdcage is probably one of the most difficult tricks I’ve worked on. There so much you need to overcome, it’s not as simple as the old magic catalog ad makes it seem.
One of the issues that’s easy to overcome is the issue of doing the birdcage later in your show. This was solved by Billy McComb with the use of a Take Up Reel. It was popularized by Tommy Wonder in Volume 2 of the Books of Wonder. By popularized, I mean people became aware of it. After that book came out, there were still not many people used one, simply because of price and availability. If you could find one or get someone to make you one they’d cost you somewhere in the ballpark of $1,000 or more!
One day I was driving and an idea hit me for a way to produce the second lock of a Take Up Reel on my 3d Printer, I pulled over and drew it on the back of an envelope. After using it and having some other people use it and gotten their feedback, I’ve finally decided to offer them to other magicians.
Here’s the promo:
When something’s in your head, if you keep chipping away at it, eventually you’ll come up with a solution!
Click here for more info on my Take Up Reel or order one!
