A few months ago I bought a cool looking vintage spirit hand and planned to use it to make a mold to make my own spirit hand.
I didn’t have any pigment for my resin, so my hand came out looking like a zombie hand! The original one would have come with a gimmicked board to make it move. I gimmicked mine so that is doesn’t need the board.
My segment on Masters of Illusion aired last night, but I didn’t get to see it until this morning as we don’t have cable anymore. It was a good segment and that got me about 2 1/2 minutes of airtime, which is great!
If you missed it, here it is:
The normal routine runs 6-8 minutes, so there’s a lot of stuff that got cut out of the routine to tighten it up for TV.
Here’s a bit of the story behind this routine:
Way back in 2019 I went to Holbrook AZ to perform my magic show at the Navajo County Fair. My bags were overweight, so I left my cards at home, thinking I could get them in Holbrook. When I got there I couldn’t find playing cards anywhere in town! I wandered the stores looking for something “card like” that I could use instead of cards. A box of crackers caught my eye. Over the week I developed a card trick that used crackers instead of cards!
You can also search the tag: Cracker on this blog for more info about the routine.
It’s official, I’ll be on The CW’s Masters of Illusion on Saturday July 16th! Here’s the teaser video of what I’ll be doing:
This is the cracker card trick that I starting doing in 2019 (I think). I was performing in Arizona at a fair and didn’t take any cards with me, thinking I could buy them in the town I was performing in. Unfortunately it was a smaller town and I couldn’t find anywhere that sold cards in town and the closest city was over an hour away!
At that time I did a card stab style trick, so I tried to figure out what other object I could substitute for cards and essentially the same jokes and routine structure. I decided on Ritz Crackers and worked out a routine for it. Over the course of the week I was performing the routine started to take shape. It’s different from the original routine enough, that they could be done in back to back shows, the only prop they share is the drop cloth.
I always love it when something created out of necessity becomes something bigger than what it was a placeholder for!
This video of a magic trick came across my social media feed:
It’s not a deep mystery, but I’ve watched it maybe 6 or 7 times and it makes me smile every time!
I’m not sure how or why you’d use it in a show, but I love that someone came up with it, wrote it up in a book and many years later someone else made one! -Louie
A few weeks ago I posted about how I’ve started doing the ambitious card effect with the cards spread across the table (read it here). I’ve added a third phase:
The ending with it in the card box is a great third phase.
I have changed the second phase a little bit since I made the video above. I’m putting the selected card second from the top of the deck. What I noticed was happening most of the time was at the second phase, people would very quickly point to the top card. When they do that, I show it’s not there and remove that card. Then I proceed as in the video and it’s getting a great reaction. If the don’t immediately point to the top card, I do the reveal with a double lift and that sets me up for the third phase.
I’ve also made a change to the third phase. I’m setting the card on the table (after the switch) and having them put it into the deck.
I just stumbled across a video of the trick Ink Hole and I really like it!
Here’s what the trick has going for it:
it’s not a card trick. Yes, I know there are plenty of tricks similar to this with a card and hole. My thinking is the less tricks that I do that don’t use cards, the better. I’m not anti card trick, however for texture in the show, if I can avoid a card, I do!
It’s very visual and in a strange way!
it happens in front of your body and not on a table.
What I don’t like about it is that there is (as far as I can tell) a requirement that you wear a black shirt. This isn’t a deal breaker, but it is definitely a consideration.
I’m on the fence about getting it, it’s more the wardrobe condition that’s keeping me from ordering it.
Even if I don’t get it, I still think it’s a really cool effect!
I think I was scrolling through facebook and I came across this video on the props that another magician uses for strolling at a fair:
There’s a lot of stuff in this that I disagree with, but the first thing is what he says he wears. He says his costume (whatever you wear while performing is a costume) is a t shirt and cargo shorts. I’m someone who is pretty dressed down compared to most magicians, but I don’t think I would perform in a Tshirt and shorts.
The other thing that I don’t agree with is how much material the he’s taking. I should say that I don’t agree with it “for me”. You really don’t need that many props, you’re doing roving, not a formal 22 minute magic castle close up set.
Here’s the props for my roving set:
That’s a 20 minute set if I wanted to do it as a long chunk, however I normally wouldn’t do it that way. Normally I’d do it as a 5-10 minute set. There’s a lot of variety in what you see there. Obviously there’s a lot that I can do with the deck of cards, then there’s the linking pins and finally the wallet. The wallet is a card to wallet, but inside it I have my Splitting Image trick, and a bunch of business cards that I can do mentalism with.
That’s the core set, then if I’m working on something new, I will add that to my those props. The whole works will fit into my two front pockets. Just because you have a ton of pocket space, it doesn’t mean you need to fill them with tricks!
For some reason I’ve always wanted a Chair To Suitcase. This is simply a chair that folds up into suitcase and was popularized in the USA by Horace Goldin in the 1930’s. I’m not sure why I want one, or what they heck I’d do with it. Recently I had a chance to buy one and now I own one.
Here it is as a chair:
And here it is as a suitcase:
This particular one will hold my weight if I sit on it, but I really don’t think it necessary. I think if I used it, it’s be something that held my props, like a makeshift table. For something like a cabaret show or when doing a short set it may be useable. I have a feeling it’s something that will just kick around for a while and I’ll either figure out a use for it, or eventually sell it.
A long time ago I was chatting with Nick Lewin and we were talking about the Ambitious Card. He said it was the “greatest card trick ever” and I agree with him! With the base effect, you put a card in the middle and it’s instantly on top. Very easy to follow. I do think that most modern versions are really multiple revelations of a selected card, as it’s more than the card simply jumping to the top.
A couple of weeks ago I started doing the ambitious card from a spread. Here’s what it looks like:
When I do it there are two phases, the first I push the card in and in the second they do. That gives it a sense of build. I like getting to play a little bit with having them move their finger along the spread of cards.
I’m liking doing it this way when I have a table. It doesn’t play the same with the cards spread in my hand. I think it’s because with the cards in my hand, it feels less impossible.