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The Moisture Festival – week 3

In Seattle we just wrapped up the third week of the Moisture Festival. This is a four week variety arts festival and has tons of amazing acts!

One of the great things about performing in festivals like this is that you get to work with some of the top acts in the world! Plus the audiences at the festival are also some of the best audiences in the world!

On this blog on the 1st and 15th of the month I publish The Moisture Festival Podcast where Matt Baker and I interview all of the performers and people the make the festival happen. There are tons of great insights in the interviews on the podcast.

I started this weekend at the festival and will be performing in it next weekend as well. If you’re ever in Seattle during the festival, this is something you need to check out!
-Louie

Cutting Up Jackpots…

One of the trends in the county/state fair market is the fair putting the performers up in a house like an Air BnB instead of a hotel. Usually this is a great thing, I haven’t been housed with anyone I don’t get along with…yet.

The camaraderie that’s built hanging out at night BS’ing over a few beers around the table is one of my favorite things. In the carnival world that call it “cutting up jackpots“

This is also where a lot of networking and creative brainstorming happens. I know some performers like a space to themselves, but they are missing out one of my favorite parts of working on the road!

-Louie

April Fools Gigs…

Yesterday I had a full day of driving around town performing at senior living facilities doing my show. They love booking in magic shows for April Fools Day, and you can do shows pretty much from 10 am to about 7 pm if you want to. The main limit is your set up, take down and travel time.

If you want more info on performing in the senior market, check out my book:
How to Perform For Seniors

Doing a lot of shows in a short amount of time is a great chance to work on things. I’m working on my Briefcase Magic Show, so not a single piece, but how to get the stuff to gel together as a show.

Everything pictured above (included the applause sign) fits into the case and sets up and packs away in less than 10 mins.

I was able to get 45 minutes out of those props at every show today! I’m working on adding a joke between each trick, that’s adding a time to the show without adding props. The goal is to have 2 minutes of jokes between each trick, that ends up being 12 minutes of the show.

Hopefully I can achieve that!

-Louie

Save Your Back…

For about 4 years I’ve used a Pelican 1615 Air as the main case for my show. I like 97% of the things about this case. The 3% I don’t like is that I think it could be a little bit bigger and still not be oversize for checked luggage.

My case has travelled all across North America, from Panama to Alaska and from Seattle to Florida. I noticed last week that the wheels were getting sluggish. I think the bearings were going bad. I got a set of replacement wheels and in 5 mins I was up and running again!

Moving your gear around is one of the things that will wear you out, and having good wheels that reduce effort is important! Keep up on the maintenance of your gear, your back will thank you!
-Louie

Watching Acts…

One of the great things about performing at fairs is you get to work with all sorts of acts. Not just various styles of acts, but act all from different points or their careers. Sometimes you’ll get a newer local act, and huge, international headliners and sometimes you’ll get an amazing act that’s retired, but lives in town and that’s the one gig a year they do…and everything in between.

When I’m at the fair, I try to watch everyone’s show. There’s so much to learn from the any act you watch.

I’ve written about this before, but I got reminded of why having a “high” show is important and why you need to keep all the action in your show (in most venues) above your belly button.
The importance of having some sort of music in the background (in most routines).
Why to keep backups of props that could break…because they will!
And finally to play every gig like it’s a sold out show…even if it’s raining and the bleachers are uncovered and virtually empty.

All four of these things are things that I already know, but it’s a good reminder to see them and having them moved to the front of my brain!
-Louie

Using Light to add Punctuation

While in Arizona last week I visited Organ Stop Pizza and I wrote a little bit about it yesterday. Today I’m writing about something else that I noticed with performance. In many of the songs the organist played, there was lighting changes:

The room was normally dark, and when he got towards ends of song and it had a big ending, he would lighten up the room for the finale, then darken it at the end. While these songs were songs that had more exciting endings, the lighting change end really signaled the crowd to clap and cheer louder.

This is a technique used in many theater shows, sometimes ending the trick with a blackout. I’m sure there’s a name for it in theater terms, I just don’t know it. However it’s a way to signal the end of a trick or routine that may have less off a definite and hard punctuation at the end.

The organist used the lighting very deliberately and very effectively. Personally I’m a pretty basic lighting guy, and that’s probably because I came out of stand up comedy rooms, and not theaters. However it’s something I would like to explore more.

-Louie

Suspension of Disbelief…

When I was in Arizona last week I went to Organ Stop Pizza in Mesa, AZ. This is pizza place that has a guy play a giant Wurlitzer organ.

One the the things that I found interesting was the people around me commented about all of the songs he knows. He takes requests and they are pretty varied in genre. What the people didn’t notice was that he had device to his left just out of view that he was using for the songs he didn’t already know.

This is an interesting suspension of disbelief, which is different from when you see Peter Pan and ignore the wires that make him fly. This a suspension of disbelief closer to doing magic. The audience wanted him to have a huge catalog of music in his head, so that’s what they believed, despite all of his typing.

In magic you want the audience to believe you can do the trick…not necessarily by “magic” but you can do the trick successfully. Once you convivence them that you can you can take a lot of risks and they will unconsciously suspend disbelief and be onboard with things.

Juan Tamariz talks about this in The Magic Rainbow. Basically he says that once they audience is onboard with him, he can do things that would be easily explained. He does them after he’s proven himself, and the audience suspends disbelief that he’s simply using a trick prop.

I was watching the organist arrange his set list of requests. He has a couple of songs he knows, then plays a one he doesn’t know, then a medley of 3-5 songs and I think one or two of these he doesn’t know well, but can bookend with known songs and finally he plays a couple songs he knows well. It’s a great plan, it’s also the Juan Tamariz formula.

-Louie

Briefcase Show in action!

Last week was the first outing of the Briefcase show and it went pretty well. The whole show including the stands fit inside of the Pelican Briefcase. Here’s the show set up at the fair I was performing at last week:

The show uses a lot of three dimensional props, which is intentional. I think that a lot briefcase shows select material based on the prop being flat. Obviously that is a concern. But things like the applause sign, which is hollow can have things packed inside of it.

The whole show was done with me solo on stage, except for the second to last effect, which is a game show routine that uses three kids. I have a method for that routine that I haven’t tried yet, but probably should try so I know if it works or not.

I’m happy with how it’s turned out, and hoping to somehow figure out how to expand it to a 40-45 minute show, which would be ideal.

-Louie

First Outdoor Gig of 2022

I just wrapped up performing at my first fair of 2022 and this fair has reminded me that to be successful performing at a fair you need a lot more than a good act. You need to be flexible as there are soo many unexpected variables.

The fair I was at has soo many challenges. One of the biggest ones was that it way very windy. By windy, I mean it would blow my table over. I’ve had to deal with that before sometimes the solution is simply to unscrew the top off my table and set it on the floor.

The stage was mostly in the Arizona sun all day, which bakes your props. I do a trick with keys and by the time I got to that routine they were physically uncomfortable to touch. The solution was to put strings on the end of the keys, so people could hold them by the string.

Then there was the blowing dust. Unfortunately there really wasn’t a solution to that. All that really can be done is to either pause until it stops or power through it.

Having performed at many fairs in the past, I’m aware of the challenges and while I’d prefer to not have the wind blow over my table, I’m equipped to handle them. Fairs will make you a better performer because you’ll have to deal with pretty much everything from weather, to people, to venue challenges. If you can figure out how to adapt, you can figure out how to work your show virtually anywhere.

-Louie

Carry On Magic Show…final?

It’s been a while, but I think I’ve finally got my carry on magic show finished. This is a 30 minute show that fits in a briefcase and could be carry on luggage on an airplane. The case on the stand will go to my right and the applause sign is to my left when onstage.

I think the applause sign is something that adds some physical dimension to the show, so everything in it isn’t a flat handheld prop. The nice thing is while the applause sign is a large prop, it’s hollow, so that I can put things inside of it for travel.

Inside of the case when it’s set up for the show has a lot of free space, so nothing is too cramped inside. I do think I need to find a better way to store the fork and spoon trick, as it takes up a lot of space on the ledge in my case. I think I may make some sort of holder that’s on the inside of the lid of the case.

When the case is packed up, there’s not a lot room to spare:

I’m thinking I’m going to eliminate the stand for the applause sign and put a mic stand mount under it. That way all I can ask the venue for a mic stand and use that. I guess worst case scenario is that if they didn’t have a mic stand, I could simply set the applause sign on a chair or stool.

I’m trying is show out this week at a five day gig that I’m driving to, so I have my normal show with me as well as a backup in case I need it!

-Louie