I think the idea of multiple shuffles has been done many times before, but I like the initial display that I do when I cut the pack into four packets. I think that visually drives home that they will be mixed face up into face down. It’s like Daryl’s Triumph Display, but used before the shuffle instead of after.
I’ve been playing with a production of three cards, but it really didn’t feel right. There’s hardly ever a reason to produce three cards. One, two and four make sense but three? I guess maybe if you’re trying to wrap up a multiple selection routine, but that would be it.
The solution hit me, have a card picked, then produce the remaining three of that value. Here’s what it looks like:
Set up: you have an ace at the bottom of the deck and the three other aces in the middle of the deck, with a pinky break below the top ace.
Working: Classic force the ace below the pinky break, and keep the break between the two aces in the middle of the deck. While they are looking at the card, use your left ring finger to pivot the card above the break 90 degrees, so it’s sticking out sideways. This is hidden by your right hand.
Set the selected card (ace) face up on the table with your left hand.
Your right hand does Derek Dingle’s Open Sesame move, with the index finger splitting the deck above the sideways cards and pivoting the card below it 90 degrees as your turn you hand over.
BOOM! You have just produced the three cards of the same value as a selected card in a flourishy way.
Over on TikTok I post vintage magic tricks and a recent one that I did was Nick Trost’s Gemini Cards. Also, if you’re not following me over there please do, I’m at: https://www.tiktok.com/@louiefoxx
Gemini Cards is an Out of This World style of card trick. Here’s what it looks like:
The trick is great, and a fooler. I was trying to think of what it could be done with that aren’t playing cards. Here are some ideas:
Cards with pictures of: -Red/Black socks -Cats and dogs
However I don’t want to use things that are pictures drawn on playing cards. So other objects that are “card like” in their natural state.
Here are some ideas: -paint swatches -number flash cards: evens and odds match each other -photographs (maybe of my dog and cat) -postcards: I have custom made “postcards from home” that I use for a torn and restored postcard routine. I could use those and postcards from exotic places.
I think that the Gemini Cards definitely has potential, just not sure how to use it!
For years I’ve been playing with flippy thing that I read in the book Underground Man by Lou Gallo. Here’s what it looks like:
Recently I’ve put in some dedicated time to get it pretty consistent. Then the next thing is to figure out what to do with the move. Lou Gallo uses it as part of a two card production. A while ago I came up with a four ace production that uses it, and I’ll write that up sometime.
I like this routine, it’s not harder than a traditional Triumph…once you learn to do the flip over move. I’ve been out doing this a lot recently and just wrote it up and it’ll be in the December Vanish Magazine!
One of the classic magic tricks is making a person float. Aside from doing it as a stage illusion, there’s no practical way to do it for smaller shows that’s as good. Like anything you have to make tradeoffs when you change the method. In this case the method includes the stage.
One of the popular ones looks like this:
I’ve written about this before, but the picture above recently passed through my Instagram feed. I think one of the things that I don’t like about it wrapping up the person in the cloth. It just doesn’t look right. Look at the area circled in red below:
Is there a solution to keeping the cloth uniform below the floating person?
Maybe if the cloth with just draped over the person, and left dangling?
Nathan Burton has a decent solution and leaves the board in view:
I like this a little bit better, it’s like he’s making the board float with someone on it. That could lead to a presentation idea with the line, “your seat bottom wil act as a floatation device“. That could be a fun comedy angle for a levitation.
I don’t know the solution to a practical levitation that’s done with the audience closer. And like I mentioned earlier, there are always trade offs when you make a stage illusion smaller and add an untrained assistant from the audience.
Sometimes there are magic tricks where the instructions are the least effective way to do the trick. Then you realize they are dumbed down to make them easy to do. One trick is The MisMade Card by Daryl.
Here’s how the trick looks when done how the instructions say:
I did make one change, there’s a discrepancy in the instructions. You can’t do the trick as written. When you tear a card into 4 pieces, you cannot make it form the same pattern as the final mismade cards. The two backs visible will have the borders on the inside. I added a switch of the quarters that show backs.
However the whole, put the card in a sleeve, then wrap it in paper is soo much process and weakens the trick. A better method would be to tear the card in quarters, do the JC Wagner torn and restored card switch and unfold it show the card is restored. It’s a much more direct trick AND you can actually do it.
I do understand why making the trick easy makes it a lot more marketable as a lot of people don’t want to learn a sleight of hand move to do a trick. One of the things I do whenever I get a new trick and start to learn it, is try to figure out a more direct way to do it!
Since I make a Take Up Reel, I’ve become a pseudo expert about reels in general. One of the challenges with reel is that because they can be expensive, it’s hard to know if one is right for you. Today I’m going to show you how to make a simple locking reel. This reel isn’t something that I would use for a show, it has a big flaw, but it’s something you could use as a “proof of concept” to know if you should invest in a better quality locking reel.
Step one: Buy a reel that you can unscrew. This will typically be a “key reel” and not a “badge reel”.
Step two: unscrew it and take it apart.
Step three: Drill a hole in the cover of it and holes on the spindle that match up with the reel.
Step Four: Reassemble the reel.
Step Five: Bend a paperclip to make the “lock”
Step Six: Tape the paper clip in place
Step Seven: Put sponge under the paper clip
Step Eight: Test it!
The design flaw with this reel is the paper clip. Ideally you want a spring steel, however since this is a proof of concept reel, and not something you should use in a show the sponge under the paper clip will work.
There you go, it’s a locking reel that you can make for under about $15!
Right now is booking season for the summer of 2025 and I’m going a lot of booking conferences and trade shows. My absolute favorite trick to do at these is my Out For Beers trick.
This trick leaves buyers with an item that has been magically altered, that they can show people. More importantly, they trick still works when they bring people over to me who know what will happen in the trick!
This routine starts with a gag and ends with a trick where picture of a full pitcher of beer empties itself!
Out for Beers is $19 and includes free shipping in the USA!
If you order Out for Beers anytime in November 2024, I’ll throw in and extra 25 of the empty beer cards! You don’t need to do anything to get these added to your order, they’ll automatically be included!
For five or six years I’ve been working on a Silk Thru Coat Hanger routine. I’ve figured out the sequence, however one of the weak links to the routine is the reel. I like it and it allows for some very visual things to happen, however I think that sometimes the string is too easy to see.
Here’s an old video to give you a idea of some of the stuff I was doing:
The cool part of the routine was the silk going from the triangle to the hook of the coat hanger.
I put this routine on the back burner for a bit, but recently started playing with it again. I’m looking more into ring off rope techniques and found this one:
The routine above has a similar flow to what I was doing with the reel, so that makes for an easier transition to a rope and hanger routine. I did figure out a way to make the rope go from the triangle to the hook of the coat hanger using the method in the above trick.
One of the challenges is the ergonomics of holding a ring work better than an coat hanger for this routine. It could simply be a practice thing to learn to do the move on a flat surface. We’ll see…
