Clean Show…

One thing that I think a lot of acts forget about is keeping your props looking clean. Sure you can wipe them down, but at some point they will just get worn down. I understand some props are irreplaceable or expensive to replace, but that needs to be part of the plan when you get them. Yes, I do understand that some props aren’t supposed to look new, and most props don’t have to look brand new.

I used to do lasso in my show a long time ago and I’m learned to do it again, so I bought a new lasso. Of course right after I get the new one, I found my old one. Here they are side by side:

The old one looks pretty filthy, and with something like a lasso, it’s hard to keep it looking brand new, but they are pretty cheap to replace at less than $30ish. The old one I used for many years, and there’s really no reason I can’t replace it every year.

Take a step back and look at your props and see what needs to be replaced or maybe just needs a fresh coat of paint!

-Louie

Baby Lindy Vanishing Bird Cage!

A while ago I order one of Daniel Summers’s Baby Lindy Vanishing Bird Cages. This is the Jim Riser Baby Lindy Vanishing Cage that’s built by Daniel. Jim Riser’s cages are sought after for magicians as he didn’t make a lot of them as he’s not currently making them, didn’t sell them to just anyone, you had to prove you could do the cage for him to sell you one. It’s great that Jim has authorized Summers to make them for him.

Mine showed up in the mail the other day:

Jim Riser Baby Lindy Vanishing Bird Cage by Daniel Summers

It comes with a pull, canary and carrying bag.

When collapsed it will fit through my wedding ring:

Jim Riser Baby Lindy Vanishing Bird Cage by Daniel Summers

I hooked it up to my Take Up Reel and in theory, I won’t need to change the pull length as it will take the corner to the same spot in my sleeve as the Owen Vanishing Bird Cage that I’m currently using.

After practicing with it, there’s a lot I like about it. It’s just the right amount of rigid, not too stiff and not too floppy. It’s smaller than I thought it would be, for some perspective, it’s slightly larger than a Milson Worth Silver Meteor Vanishing Cage. When the vanish is complete, the bottom goes past my elbow, so I have more use of my are than I do with the Owen cage.

As for what I don’t like about it, there’s really nothing I don’t like about it. If I had to come up with something, I guess it would be the price. I’m not complaining about the price, I understand what goes into making them, it’s just a big leap from the cost of an Owen cage. I do think the Summers/Riser cage is 100% worth it!

I really like this cage, and can’t wait to start to use it in my shows next week!
-Louie

100 Foot Chain Escape

I don’t really do escapes in my show, except for my Straight Suit routine. Years ago I did a 100 foot chain escape, and I recently did it again at a street show at a fair.

This routine really builds a huge crowd. The nice thing about it is that it’s easy to understand what’s happening if you just walk up. You see someone being wrapped up in a lot of chain, you know they are going to get out.

My routine starts with a wrist restraint and ends with me getting out of it that restraint. The reason for that is I have a lot more control of how long the routine lasts and what the ending looks like than with just the chain. Also the starting position with my wrists secured and held out in front of my body allows me to more naturally hold the chain up, if gravity starts to loosen it too quickly before the escape starts.

It’s been probably 5 years since I’ve done the chain escape and I think I may be done with it. I might have aged out out it…or more realistically I’m too fat to do it. I can still escape from the chain, but it’s not believable when someone over weight does physical escapes. If I drop about 20 pounds, I think it would work better in the show and I’d reconsider doing it.

-Louie

Amazing Jonathan Tribute Show

My first night hanging out at Magic Live, there was a free show that I could attend. This show was technically not part of Magic Live. It was a show that was honoring the Amazing Jonathan. It was produced and hosted by The Shocker and it was a ton of fun!

The show was billed as an edgy show. Some of the people performing did their acts and other people did what felt like custom things for this show (I can’t imagine why they would do it anywhere else).

One of the highlights for me was Chris Korn. He did a strange thing where he “switched places” with someone from the audience. I’m not going to say what the trick was, you had to be there, but I will say the trick really fell flat, however I loved it. Chris took a risk, and big one and had to commit 100% to the bit. I admire and respect that!

The show makes me want to be more fearless onstage!
-Louie

Magic Live 2022

Earlier this week I decided to crash Magic Live with some friends and hang out at the bar of the hotel. Normally I wouldn’t do this, I would register, however the magic convention was sold out, so that wasn’t an option.

magic live

It was a blast running into everyone in the bar! It was a fun meeting a lot of people I know through social media, but have never met in real life. This is one of the really important things about magic conventions right now, is that are taking relationships that exist virtually and making them real life!

Got out to a magic convention!
-Louie

Let Them Perform…

Very frequently magicians will post in social media groups that they don’t understand why people want to show them magic tricks. I’ve got no problem with that, and unless it’s at a totally inappropriate time, like in the middle of a formal show, it let them.

I think the reason for this is that magicians have ego problems and they can’t let the spotlight on someone else. Usually it’s a trick like the 21 card trick and it won’t remotely step on anything you’re doing. You can get some great moments out of it, like immediately forcing the card they failed to find if the trick doesn’t work. The key to doing something like that, is acting like it just happened, so it doesn’t look like you’re one upping the person.

I’ve seen some crazy things that I never expecting, like a old guy that did a perfect tabled faro shuffle with my old beat up deck of cards! I then spent the next half an hour with him teaching me the basics of how to do it. Or this guy:

That guy also taught me the basics of ripping a deck of cards in half, and with the help of my friend Todd Gardner who is a strong man I can now rip a deck of cards in half!

Your job is to be an ambassador for the event you’re working, and with that in mind I almost always say YES when someone offers to do a trick!

-Louie

Impromptu show

When I’m out performing, I try to be aware of ways that I can help solve problems. Last week at the fair I was at, as I was walking across the fairgrounds before the fair opened, I noticed they had huge lines of kids outside the gate waiting to get in. There were just standing there, so I grabbed some props and went over and did a quick show for them.

hoop and glass juggling trick

This was simply me noticing a place where I could use my skills to help out. Doing this wasn’t in my contract and no one would have noticed if I didn’t do it, and I don’t know (or care) if anyone in administration noticed that I did do it. It was simply a way for me to use my skills to make some people smile. That’s why I got into performing, and it’s also how I know I still love what I do!
-Louie

Repairing Props…

One of the things that a lot of magicians use are magic tricks that use electronics. They are fun and you can do a lot of really impossible things with them, but the hard part is finding an “out” if the electronics fail. And they will fail at some point if you are out there working.

color vision box magic mentalism trick

In my show I use a Rubik’s Cube that a special something inside and if that ever fails, in most routines you’re really screwed. Awhile ago I 3D printed a box for it, so if it does fail, I can use the box like the old color vision box. The color vision trick is a pretty good trick on it’s own, so having that as my back up method isn’t the worst out in the world.

I’ve been using the 3d printed box for a little over a year and wore it out!

I think a combination of me working outside a lot in the heat and it just getting banged around during travel shortened the box’s life. Luckily with 3d printing, it’s a very quick and easy fix. I just hit a couple of buttons and I had a new one with virtually no effort on my part!

Free Snax!

A few days ago I performed in a variety show hosted by Snax. Snax is a rabbit who does stand up, here’s a video of them on The Gong Show:

Snax makes a good host, and it had a great mix of acts:

The only ones not picture are me and the burlesque act.

One of the things I love about performing in variety shows is all the different art forms and what every brings to the stage. I think seeing and working with all sorts of different acts helps make you more well rounded as a performer.

For example the two stand ups worked very slowly, where I attack the stage. I think that’s something I need to play with more, being a little more gentle. I’m getting older and attacking the stage may be something I’m aging out of.

-Louie

Get with the times…

One thing in magic we need to move beyond is the yellow face imagery. Recently in a magic collectors group someone posted they had gotten the prop below:

For some context, this isn’t an original prop, it’s a reproduction that was made sometime in about the last 20 years. They were reproduced by Magic Makers, and since then several other companies have put them out.

I mentioned the imagery was offensive to me and one magician told me to “get a life“. Clearly they don’t understand the history of this imagery. It was used in the late 1800’s to mid 1900’s to portray Asians as sub human. You can learn more about the history behind how the imagery was used here:
http://j387mediahistory.weebly.com/anti-japanese-propaganda-in-wwii.html

If you look at whole design of the prop it’s not just the face, but that he’s in jail!

I will say that I have less of an issue with the original as a collectible prop, as while I’m not a fan of it, it was “socially acceptable” at the point it was made. That doesn’t make it right, and it has no place in a show and no place as a retail item that’s currently being made.

Get with the times…

-Louie