Using Light to add Punctuation

While in Arizona last week I visited Organ Stop Pizza and I wrote a little bit about it yesterday. Today I’m writing about something else that I noticed with performance. In many of the songs the organist played, there was lighting changes:

The room was normally dark, and when he got towards ends of song and it had a big ending, he would lighten up the room for the finale, then darken it at the end. While these songs were songs that had more exciting endings, the lighting change end really signaled the crowd to clap and cheer louder.

This is a technique used in many theater shows, sometimes ending the trick with a blackout. I’m sure there’s a name for it in theater terms, I just don’t know it. However it’s a way to signal the end of a trick or routine that may have less off a definite and hard punctuation at the end.

The organist used the lighting very deliberately and very effectively. Personally I’m a pretty basic lighting guy, and that’s probably because I came out of stand up comedy rooms, and not theaters. However it’s something I would like to explore more.

-Louie

Suspension of Disbelief…

When I was in Arizona last week I went to Organ Stop Pizza in Mesa, AZ. This is pizza place that has a guy play a giant Wurlitzer organ.

One the the things that I found interesting was the people around me commented about all of the songs he knows. He takes requests and they are pretty varied in genre. What the people didn’t notice was that he had device to his left just out of view that he was using for the songs he didn’t already know.

This is an interesting suspension of disbelief, which is different from when you see Peter Pan and ignore the wires that make him fly. This a suspension of disbelief closer to doing magic. The audience wanted him to have a huge catalog of music in his head, so that’s what they believed, despite all of his typing.

In magic you want the audience to believe you can do the trick…not necessarily by “magic” but you can do the trick successfully. Once you convivence them that you can you can take a lot of risks and they will unconsciously suspend disbelief and be onboard with things.

Juan Tamariz talks about this in The Magic Rainbow. Basically he says that once they audience is onboard with him, he can do things that would be easily explained. He does them after he’s proven himself, and the audience suspends disbelief that he’s simply using a trick prop.

I was watching the organist arrange his set list of requests. He has a couple of songs he knows, then plays a one he doesn’t know, then a medley of 3-5 songs and I think one or two of these he doesn’t know well, but can bookend with known songs and finally he plays a couple songs he knows well. It’s a great plan, it’s also the Juan Tamariz formula.

-Louie

Briefcase Show in action!

Last week was the first outing of the Briefcase show and it went pretty well. The whole show including the stands fit inside of the Pelican Briefcase. Here’s the show set up at the fair I was performing at last week:

briefcase magic show

The show uses a lot of three dimensional props, which is intentional. I think that a lot briefcase shows select material based on the prop being flat. Obviously that is a concern. But things like the applause sign, which is hollow can have things packed inside of it.

The whole show was done with me solo on stage, except for the second to last effect, which is a game show routine that uses three kids. I have a method for that routine that I haven’t tried yet, but probably should try so I know if it works or not.

I’m happy with how it’s turned out, and hoping to somehow figure out how to expand it to a 40-45 minute show, which would be ideal.

-Louie

First Outdoor Gig of 2022

stage magic show

I just wrapped up performing at my first fair of 2022 and this fair has reminded me that to be successful performing at a fair you need a lot more than a good act. You need to be flexible as there are soo many unexpected variables.

The fair I was at has soo many challenges. One of the biggest ones was that it way very windy. By windy, I mean it would blow my table over. I’ve had to deal with that before sometimes the solution is simply to unscrew the top off my table and set it on the floor.

The stage was mostly in the Arizona sun all day, which bakes your props. I do a trick with keys and by the time I got to that routine they were physically uncomfortable to touch. The solution was to put strings on the end of the keys, so people could hold them by the string.

Then there was the blowing dust. Unfortunately there really wasn’t a solution to that. All that really can be done is to either pause until it stops or power through it.

Having performed at many fairs in the past, I’m aware of the challenges and while I’d prefer to not have the wind blow over my table, I’m equipped to handle them. Fairs will make you a better performer because you’ll have to deal with pretty much everything from weather, to people, to venue challenges. If you can figure out how to adapt, you can figure out how to work your show virtually anywhere.

-Louie

Carry On Magic Show…final?

It’s been a while, but I think I’ve finally got my carry on magic show finished. This is a 30 minute show that fits in a briefcase and could be carry on luggage on an airplane. The case on the stand will go to my right and the applause sign is to my left when onstage.

I think the applause sign is something that adds some physical dimension to the show, so everything in it isn’t a flat handheld prop. The nice thing is while the applause sign is a large prop, it’s hollow, so that I can put things inside of it for travel.

Inside of the case when it’s set up for the show has a lot of free space, so nothing is too cramped inside. I do think I need to find a better way to store the fork and spoon trick, as it takes up a lot of space on the ledge in my case. I think I may make some sort of holder that’s on the inside of the lid of the case.

When the case is packed up, there’s not a lot room to spare:

I’m thinking I’m going to eliminate the stand for the applause sign and put a mic stand mount under it. That way all I can ask the venue for a mic stand and use that. I guess worst case scenario is that if they didn’t have a mic stand, I could simply set the applause sign on a chair or stool.

I’m trying is show out this week at a five day gig that I’m driving to, so I have my normal show with me as well as a backup in case I need it!

-Louie

Hitting the Road from the Past…

I’m getting ready to head out for the beginning of my “Fair” season of 2022. My first one for this year is also the first one that I had cancel on me in 2020 and it also ended up cancelling in 2021. I recently did an interview with a reporter and did a quick search for the article. It doesn’t look like it’s been published yet, however I did find this one from right before the 2020 fair:

magic show
magic show

I like how the article does get a little bit of my “flavor” in there about going to ghost towns. It really doesn’t do a lot to put butts in seats, the show description lacks a lot of sizzle. I think it may not have been the writers fault, I may have not told them about the show in a super exciting way.

Reading this makes me remember how important it is for me to convey specific things and emotions from the show. Also, the line about me debuting a trick, I need to sell that a lot more. It’s lacking a ton of sizzle.

The season is just getting started, and I’ll have more chances to work on it!
-Louie

FISM Membership…

FISM membership

This summer I’m planning on attending FISM. I bought my ticket in 2018, so been waiting four years for this to happen. I realized my FISM card had expired, so I renewed it.

The card is less than $15 if you belong to another magic organization like the International Brotherhood of Magicians…and it’s even cheaper if you just want a digital card. It’s an easy way to support a magic organization, and it’s a fun, unusual thing to keep in way wallet.

If you got a FISM card when they started selling registrations for FISM to get the cheaper rate, you should check your expiration date, it’s probably expired.


-Louie

Vintage Magic…

The estate sale that I picked up magic from last week had a lot of magic from the 1930’s. It’s really interesting how magic changes over time and the trends seem to stick for a long time. The 1930’s was the era of everything being nickel / chrome plated!

Not too long after this era, we entered the brightly colored boxes with Asian characters on them. Currently we’re in the time of “everyday props” or props that pretend to be everyday items. However there is some movement to using props that don’t resemble everyday items as a “special” moment in the show.

There are soo many crazy methods to these tricks and soo many of them are over engineered by today’s standards on how to accomplish things. For example this table was used to make glass disappear!

The crazy thing is that the glass isn’t that big, it’s maybe 8-10 ounces! There are better ways to do it…but they’re a little bit harder and not as fun to play with!
-Louie

My Life in Magic – Howard Thurston…

Sometimes the universe hands you a project you never knew you’d be working on. Last week I got a tip about an estate sale that had some magic stuff in it. The magician was named Carroll Wood, and was active in the first half of the 1930’s and was a founding member of IBM ring 59 (Seattle Magic Club). I’ll write another post about Carroll in the future.

One of the things I found for sale was the book My Life of Magic by Howard Thurston. I’ve never read this book so I picked it up.

my life in magic by howard thurston

I just picked up the book to read and noticed something inside the book:

Howard thurston autograph

It was signed by Howard Thurston!

This is really cool to me, when I was a kid starting in magic in the 1990’s learning from old library books, there was soo much written about him. The Rising Cards, the Five Card Vanish, the Floating Ball…soo much stuff that really got my imagination going. This was long before YouTube and all I had was pics in books and my imagination.

In the research I did about Carroll Wood and I found out exactly when this book was signed by Thurston, and it’s an interesting story that I’ll write about in the future!

-Louie

Working on Comedy Magic…

A while ago my friend Monty Reed mentioned he was working on some comedy magic, and I suggested we go to an open Mic. Our schedules finally worked out and we went to one last night:

Monty reed and Louie Foxx

This was Monty’s first comedy open mic, and there are some “rules” that people need to know. It’s always easier to go with someone who has done them before, they can kinda show you the ropes.

There’s nothing crazy you need to learn, however if the concept of “The Light” is new to you, it’s important to know. The light is usually a literal light of some sort, so a flashlight, or phone, but can be something as simple as a someone waving to you or sitting in a chair. It’s a signal that you’re running out of your allotted time onstage. Usually they “light” you when you have one minute left. When you’re new or working on new material, it’s hard to tell how much time you have done and the light is really helpful…if you know what it means!

-Louie