stage magic – Page 16 – MagicShow.Tips

Magic Show Review

It’s always great to see what other magicians think of my show. A magician (who I had never met before) was at one of my shows last week. He texted about my show to another performer who I did know and that performer shared a screen of of the text.

It’s always great when magicians like my show. While they’re not my target audience, they are a group that I try to have something in the show for. My show is fairly non-standard, or at least if something is sorta standard, it has a twist on it. I don’t do this specifically for magician audiences, it’s for me. I honestly couldn’t do an “off the shelf” magic show. It’s the difference between a cover band and a band that does originals. A cover band will have much easier early success, but there’s a limit to the level of success they will have. However a band that does originals will have a harder time at first, but the potential level of success is much higher.

Doing standards IS a part of the learning process. You do need to know standard techniques. I did linking rings for a long time, and if you handed me a set I bet I could still flawlessly do my old routine.

-Louie

Showing Process for Mentalism

When I went to a Gerry McCambridge workshop a few years ago, he talked about how it was important for a mentalist to show the process of how they’re reading a mind. A common process shown by mentalists is reading someone’s body language. In the mentalism I do that’s not presented as a coincidence, I try to show a process that’s believable.

I’ve been playing with unbelievable processes. One idea I had was for someone who it thinking of a work, they whisper it into their fist, then the need to get that idea into my head…so they slap me in the face!

That was just an idea, but it lead to a couple other ideas that were more workable. The idea I think I’m going to go with is to have someone think of a word. Then I hand them a paper roll and they are going to swing it like a baseball bat at my belly in a way that feels like their word.

I think there’s a ton of comedy potential that can happen around how the hit me. They can’t hurt me with the paper roll as it just collapses if they swing it hard.

Then after I verbally reveal the word, I can unroll the paper tube and it says the word they are thinking of!

I think this routine has potential.

-Louie

A Tip for Mentalists

A while ago I worked with a mentalist and they did a “psychometry” sort of routine where they matched things with the object’s owner. To do that the objects were put in bags then mixed up before the mentalist returned them to the proper owner. This mentalist (and many others that I’ve seen) put glasses on to do the part where they needed to read the marks and removed them after they read the marks.

DON’T DO THAT!

Sure probably 90% of audiences won’t notice that or make the connection, however many do. It’s like casually looking at an Apple Watch to get information, people notice. A friend of mine who isn’t a magician, but books big events had a mentalist and I asked how they were. My friends response was, “they looked at their watch a lot” and that told me all I needed to know.

Audiences do notice these things. Can you come up with a different way of making the prop?
Sew beads into it’s marked by feel?
Or use something that’s easier to see?
Can you wear glasses your whole show?

Think outside of the prop you bought that will work better with your eyesight!

-Louie

Magic Monday in Seattle!

I was up in Seattle on Monday last week, so went and performed at Magic Monday! This show happens on the second Monday of the month and has been running for something like 25 years!

Before the show I met up with Chris Beason for a quick drink at Teddy’s. This bar was one of the places where Cliff Gustafson used to perform when I was a teenager (and not old enough to get in to see him)

The performers were Jim, Evan, Payne and me.

Sorry Jim, somehow I didn’t get a picture of you.

It’s not just the show, a lot of magic happens, like Ruben doing some close up magic for the audience after the show.

I look at this show like a magic open mic. It’s a place to try new stuff for a great audience! It’s also like a magic club meeting as we all get together in the pub downstairs and hang out after the show.

If you’re ever in Seattle on the second monday of the month you should come out to the show!

-Louie

Fixing a Vanishing Birdcage!

A while ago I got a text from a friend who found a vanishing birdcage that was for sale. It was in really rough shape, it was missing a bar, had another bar that was loose and two of the corner bars needed to be fixed.

I bought the cage with an experiment with my bird cage guy to see if he could repair it. It came back and it looks like a totally different cage!

Not only were the bars replaced/fixed he also cleaned the cage. The cage was pretty loose when I got it and he tightened it up a little bit so it’s less like handling a jellyfish!

I’m glad I tried this and it’s good to know that there can be a second life to some of these old broken cages!

-Louie

Best Spoons and Forks for Metal Bending!

Frequently, I see people ask in social media groups “what are the best spoons/forks for metal bending?” The answers are all over the place, from ones specifically being sold at magic shops to Walmart. For me, you can’t the the Costco spoons and forks!

The cheap ones less than 31 cents per fork and less than 27 cents per spoon. They’re soft and ready to go out of the package. The normal Costco doesn’t normally stock these but the Business Costco does! A normal Costco membership will get you into the business Costco and walking around you might find other things you need for your show that the normal Costco doesn’t have.

I don’t know if Costco sells them online, but you should be able to search based on the info in the pictures above.

Happy spoon/fork bending!

-Louie

Library Magic Show

A couple of weeks ago I did a magic show at a library and their marketing department recorded my show and made a little promo reel about the show.

I think it came out pretty well! It’s always a nice surprise when I the venue does something like this. It may end up being something I send out to other libraries in the future.

-Louie

Magnet Ankle Switch

I have a prop that I altered to run off of an ankle switch. I made a simple holder for the straps to hold the magnet and the switch. These are the tops of an old pair of socks that I cut off.

I simply folded them in half upwards to make a little pocket. Then I sewed them to make the pocket hold the magnet or button. Simple solution, however if I keep the prop running this way, I’m going to make a better version.

-Louie

Challenging Stage

This is a cool looking stage, but a hard one to work on. In the picture you can’t see the depth of the stage behind the proscenium arch. It’s about 8 feet deep to the video wall with name on it, then the stage sticks out about 20 feet or so in front of the proscenium arch.

The challenge is sight lines for the audience, no matter where you stand, there are people that can’t see your face. The drawing below might help visualize what’s happening:

No matter where you are, either the side of the arch is blocking or people are behind you. That’s just the seats on the floor, there’s spots above that are almost on the same wall as the arch!

This makes showing things really difficult and time consuming as you have to show everything to the extreme right and left sides.

Challenges aside, this is a really fun room to work! I’m glad I got to do seven shows there, and was able to dial in the show to just work worked in the room. It would have been a shame if I only did one show there and that was it. This is also a good reason to travel with back up material, two of the routines that I planned to do in the room weren’t ideal for this space.

-Louie

My Summer Library Show

Now that I’ve had a chance to do the summer library show a bunch, it’s gotten tweaked and changed. It’s now in its (mostly) final form, at least the trick list is. I’ll keep adding gags, etc to the show, but the set list is solid.

Here’s what the show looks like from the front.

I only use the table cover when they give me a giant table and don’t have something smaller for my prop box to sit on.

I use a rope for my front row, but move the rope a few minutes into the show. I’ve learned over time, that noting will keep the one or two kids that are going to cross the line from doing that. As I say, “scooters gonna scoot” and nothing short of a fence will stop that.

Here’s what the show looks like from the back:

Early on, I didn’t like the Milson Worth Silk Cabby in the show. It’s too much of a magicy prop for me. The prop’s use is justified in the show. The effect is a small scarf turns into a 20 foot streamer. There’s a lot of silliness/clowning that can be done with a silk cabby, and it’s a great prob (it just doesn’t fit my normal show aesthetic). What fixed the routine is that I added a hotdog production from the streamer at the end and that’s what made the routine click! It when from my least favorite routine to one of my favorites to do!

Here are the props that are on me during the show:

The PopSchticle by Whit Hayden is a prop of opportunity, and not something written into the show. I don’t use it often, but look for places where I can “organically” add it, like when I ask a kid a simple question and they tell me a long story that’s unrelated to the question. It’s a great prop for things like that!

So that’s what my library/summer camp show looks like.

-Louie