I’m just wrapping up run of 8 days of shows using the Riser/Summers Baby Lindy Vanishing Birdcage. This is the first long run of shows that I’ve done using the cage. First of all, this cage has really no break in time, it’s good to go right out of the box and for me it’s the perfect amount of rigidity.
I use a Nielsen rubber canary in my cage, and currently the Riser/Summers cage comes with one, which is nice. I’ve noticed that there are two types of the canaries that Nielsen has put out over the years. One of them is a lighter yellow and one is a brighter yellow. The lighter yellow one is a thinner latex than the brighter yellow one. I prefer the lighter one inside of my cage as it collapses much flatter and if any of it is sticking out of the cage, it doesn’t really provide any resistance if it catches on my sleeve.
This cage works perfectly with my Take Up Reel, so I’m able to close the show with it. The other thing that’s great about this cage’s size is that I’m able to bend my elbow with it all the way up my sleeve, making the motions of my arm much more natural feeling (at least to me) after the vanish.
I’m having a great time with this cage and if you’re in the market for a cage, I recommend the Riser/Summers Baby Lindy Vanishing Birdcage! -Louie
I redesigned the pulley for the double action birdcage pull that I made yesterday. The main difference is that it’s slightly larger and the hole on the non pulley side has been moved 90 degrees.
Here’s a side by side comparison with the one that I made yesterday. The old one is on the left and the new design is on the right with the strings on it.
I foreseeing possibly making it wider with the ends flaring out, so that it doesn’t roll inside the jacket and twist the line. We’ll see if that actually ends up being a problem, or if tension alone will straighten out or keep the lines straight. I’ll play with it a bit and see what happens.
If you’re curious about this style of pull, I think I first read about it in Jim Steinmeyer‘s book The Magic of Alan Wakeling. In that book it’s used to vanish a fan, however I think using a pulley on a wrist to wrist pull is much older than Wakeling using it.
The vanishing bird cage that I won at the recent Potter and Potter auction showed up! The description said they thought it was from the 1930’s, I think it’s a little bit later than than, but it’s really hard to say.
The cage is 5 inches by 4 inches and 4 inches tall and made of brass. That makes this thing HEAVY! When you’re doing the vanishing bird cage, one of the things that you are fighting during the vanish is gravity. The weight of the cage doesn’t help you win that fight!
To put it in perspective, I have another cage of similar construction and dimensions.
The brass cage on the right is 337 grams or almost 3/4 of a pound! The cage on the left is 165 grams, that’s essentially half the weight of the brass cage. The cage on the left also collapses into a thinner profile. I suspect the brass cage was made as a DIY vanishing birdcage, and not something that was mass produced for sale to other magicians.
I’m glad to have added this to my collection, and gotten to compare it to something similar, but half the weight to really confirm my suspicion that weight does matter in a vanishing cage!
I was going through my vanishing birdcage collection the other day. It’s interesting the different styles and how the cage has evolved. Going from rigid, to floppy to semi rigid. There has definitely been an evolution in how the vanishing birdcages have been made.
I think the Thayer cage, which is more rectangular than a modern semi rigid cage is the best shape. A modern cage, it more square (still rectangular) than the Thayer vanishing birdcage. When collapsed, it has less bulk because of the shorter ends, which is good. However there might be some engineering challenge that the more rectangular shape presents when making it as a rigid cage.
I’d love to try to make a semi rigid cage with the proportions of a Thayer cage, but unfortunately the skills to make a vanishing bird cage are beyond me…
Last week I bought a vanishing birdcage on ebay (apparently I collect cages now?) from a seller that wasn’t a magician. I’ll talk a bit more about the cage in another post when I get a chance to do some research on it, but it’s a less common one. The seller included this Doug Henning autographed Playbill in the box that came with the cage:
I’m assuming the Max and Salli it’s signed to are Max and Salli Hapner. I’m not very familiar with their work, but remember seeing them on the cover of a couple of magic magazines, or mentioned in them. From my research this week, Max had a collection of Vanishing Birdcages, so it would make sense that the autograph coming with the cage would reinforce the idea that the autograph was to the Hapners.
It appears Max passed about 10 years ago, and I only found one video of him online, which is him doing The Multiplying Bottles for Stevens Magic Emporium:
One of the fun things about knowing some magic history is that I was immediately able to connect the name on the program to the magic act. One the cover of the Genii Magazine above they are doing their bubble appearance, which according some of the people I’ve talked to the last week was a really amazing trick!
The last year or so I’ve been working with the vanishing bird cage trick. I used to do it a long time ago, and at one point even did the Tommy Wonder version with the sleeves rolled up. The vanishing bird cage is one of those tricks that I keep revisiting. Currently it’s in the … Continue reading “”
The last year or so I’ve been working with the vanishing bird cage trick. I used to do it a long time ago, and at one point even did the Tommy Wonder version with the sleeves rolled up. The vanishing bird cage is one of those tricks that I keep revisiting.
Currently it’s in the show and I’ve been doing essentially Billy McComb’s Slow Motion Vanishing Bird Cage. The main difference is that I’m doing it fast, just under the cover of the sheer scarf. I think the scarf adds a little bit to the vanish. Yes, it takes away from the instant vanish, but also adds a bit of other options as to where the cage could have gone.
Last night I stumbled upon a video of Tommy Wonder doing his vanish with the scarf:
I like this better than when he does it uncovered.
One thing that the scarf does is that it gives the audience a moment to process what’s happened while you show the sheer scarf empty and let’s their brains get caught up.