I'm on the road from July 12th to August 17th.
No physical item orders will be shipped until I return on August 18th.
Digital products will still be emailed during this time
-Louie Foxx Dismiss
The “need a penny” tray that I’ve been playing with for a little while has been getting good reactions. It was time to tweak the design to make it look better and slightly more deceptive. The new one (on the right) is next to the old one:
The two main changes that I made was that I beveled the edges of the tray and I printed the bottom portion in black. Here’s a few more views of it:
The beveled edged and black bottom make it look soo much thinner. This is a great example of why you should learn about all types of magic. Essentially I took some stage illusion principles and applied them to a close up magic prop to make it more deceptive. I guess reading Rand Woodbury’s Illusionworks book when I was a teenager finally paid off!
A couple of decades ago I was at Bob Fitch‘s first performance workshop up in Canada. One of the people there was Bob Sheets. One night at dinner I got to see Bob Sheets do his classic force and he told me his thinking behind that. Sheet’s classic force is the basis of the one that I do. I’ve added some bits to it, like turning cards face up and offering the cards one at a time.
Here’s the second half of my multiple classic force routine:
If you don’t know how to do the classic force, you really should learn it. It’s a solid skill to have in your tool box. I initially started learning it when I was a teenager from the book Forcing a Card in the Classical Manner by Paul Gertner. I think he’s got an updated version of it out, but that’s the one that was my first real introduction to the Classic Force.
Nick Trost’s Geo-Metrick interesting trick, it’s essentially a packet version of Paul Curry’s Out of This World, using ESP cards. The packet is only 20 cards, ten are of one ESP symbol and the other 10 are of another ESP symbol. You and the spectator each get five of each symbol, they are mixed and you deal out ten of them face down in a row. The spectator then deals their ten cards face up on top each of your face down cards. When you flip over the pairs of cards they all match!
For me, this trick isn’t strong enough to justify carrying around a packet of 20 cards just for that trick. However this method would work with just red and black playing cards, so that would make it something you could do with any deck of cards. It’s a good thing to have in my head for an impromptu situation, but I’ll never do it with the ESP cards. I should say that if I came up with a great way to theme the trick for a gig, it’s something I would do.
For example, if I was performing at a pet adoption event, instead of wavy lines and as square, I used pictures of families and pets. Each family was matched to a pet! That makes sense and it’d be an easy way to add a custom trick for the event.
Here’s a trick from the book Ginosko. It’s called Blackjack for Brother John and it’s a packet trick that has a story that has a very 1980’s packet trick feel to it. That’s not a bad thing, but it feels like something Nick Trost or Emerson and West would have put out with novelty cards.
It’s a great story packet trick, and you only need four cards to do it with. That makes it impromptu, just pull the cards from the pack and you’re good to go. I would probably palm them out and remove the cards from my pocket, as you start by showing four of the same jack.
This is an idea for a presentation to frame a magic trick. The premise is that you’re going to help the audience be better viewers of magic tricks. To educate them, you are going to teach them the 5 P’s that ever magic trick has.
1: Preamble: This is where you introduce the props. 2: Premise: This we were you set up the effect. 3: Prestidigitation: This is the magic moment 4: Proof: This is where you show the magic has happened 5: Payoff: This is the Tah-Dah moment.
Depending on the trick , you may only need four of them and not all five. For example a card appearing on to of the deck would only need four. However a card under glass would have all five. Number four would be the card appearing under the glass, and number five would be turning the card over to show it’s the selected card.
This is kind of a generic presentation that you could plug many different tricks into.
Last month I was at an AirBnB. I was sharing the house with a bunch of the other performers at the Ohio State Fair. Behind the painting on the walls we found strange “Alien Postcards” from October of 2016
The first one was behind the paint of an apple, then we started searching the AirBnb and found the second one inside of a picture of Groucho!
OK, so that’s what happened in real life, now how do I turn it into a bit for my show?
I started by telling the story.
I’m staying at an AirBnB with some amazing performing, acrobats, jugglers…and a mime. He’s not even performing here. But that guy never shuts up.
One night I was looking behind the paintings and found some “alien postcards”. When I mentioned it to my wife on the phone she said, “why were you looking behind the paintings”, not “what’s an alien postcard.
I was looking for my keys.
Here are the postcards. On the front they say, “Materials deployed for reflective and connective purposes”. On the back this one says, “Thank you for signaling that you are anticipating my transmission”.
The other says, “Thank you for sending the signal that you are invested in receiving this signal…You’re going to die…JK, LOL LOL…but seriously, we’re watching…no parties!”
So now I’m searching the AirBnB for cameras, and you know what I found? My KEYS!
That’s the story. I’ve embellished it a little bit added some punchlines. The nice thing about being in a house with other performers is that we could workshop the story a little bit.
The next step is going to be figuring out what to do with this. Is it a little stand alone bit, or is it a segue to something else. Like a trick with a key and/or postcards?
One idea is to have borrow a key, cover it up with a handkerchief and have that held by someone in the audience. Then 5 postcards are shown, each has a place where I’ve found my keys. These could be funny places, like in pie, or whatever. One is selected, and the key disappears and ends up inside of the postcard.
When I was performing at a 12 day gig, I was playing with Nick Trost’s 1-2-3-4 Trick. I liked the sequence, but thought the ending was just “Meh”. Here’s what the original trick looks like:
The routine starts with a gag, where I ask to borrow 10 pennies from a person in the audience. When they don’t have them, I take out the tray and it get’s a laugh.
I’m just doing a pretty basic routine where three coins are removed and disappear. Then the coins reappear in someone’s hand. It’s a strong routine and plays well. I’m glad I’ve started playing with it!
Recently I wrapped up a twelve day run at a fair. I was doing 30 minute stage magic shows. Here’s what my case and tabletop set up looks like:
The show set list is pretty simple:
ACAAN Rope Trick Cup Trick Drawing Routine Tape Measure Prediction Marshmallow, blindfold, or whip and safety pin routines Hoop and Cup
The second to the end position is a variable spot in the set let. It could be one of three routines based on time, how much of the audience are repeat, and general vibe I’m feeling. That variable is great when there are people who just saw the show, you can have a slightly different show for them!
I’m a huge fan of antique magic, and I think when the current young generation of magicians gets old the antique magic trade will have greatly diminish. The kids coming up in magic over the last decade or so are growing up with downloads, so they aren’t connected as emotionally connected physical props.
I recently found a Merv Taylor Glass Penetration at an auction in Indiana and was the winning bidder!
Looking for auction houses that have some magic stuff is one of my hobbies when I’ve got time between shows. The auction house was only a couple of hours away from where I was performing in Ohio! This was a great find to add to my collection!
