Snake Wand Surprise – Comedy Magic Wand

Snake wand surprise

The magic show that I do for summer camps and libraries changes and material cycles in and out. I try to cycle material out and back in about every three years, especially for things that are memorable. One of those things is my Snake Wand Surprise. It’s something the kids remember, and doing it every year would lessen it’s impact. If the kids are anticipating the ending, it’s not as much fun.

Here’s what the routine looks like:

I’m making a batch of them right now so that I have ones for my show and some in stock for sale. One of the things that I do with my personal set is make three sets of “double snakes”. I take two snakes and sew them together and do this with a total of six snakes, giving me three snakes that are double long.

snake wand surprise

This makes clean up slightly faster as there are only 11 individual snakes to pick up instead of 14. I can repack the fourteen snakes into the wand in less than 2 minutes, so the time saving is negligible. It also gives the snakes more visual “texture” as they fly out.

Snake Wand Surprise

I don’t do this for the ones that I sell as many people like the individual snakes. This is something that’s really easy to do and you can hand sew them together really quickly if you wanted your set like that.

The batch of Snake Wand Surprises that I’m working on will be ready and available for sale later today. I’m trying to have a bunch ready for this summer as my travel schedule won’t allow me time to make them once my summer performing schedule gets busy in a about a week.

If you want a Snake Wand Surprise, put your order in NOW!

-Louie

Father’s Day Magic Trick!

I was playing with an interactive “touch the screen” style trick for father’s day. This is the type of trick where someone starts by touching a object, then spells/counts several times eventually ending up on an object that you know.

The cool thing that I noticed is that if you spell the three words HAPPY FATHERS DAY the math works out for each word for to make it easy.

To do this you’ll start with five objects. These could simply be little pieces of paper that say things about dads, or whatever. You will line these up. For simplicity, I’m going to just use the numbers 1-5.

1 – 2 – 3 – 4 – 5

Touch the one on the left. You are going to move one space per letter. You can move left or right, but only to the one next to it, you can jump spaces or from end to end. Spell HAPPY, moving one space per letter and keep touching that one.

You’re not on the one or the five, so I’ll eliminate those.

2 – 3 – 4

Now you’ll spell FATHERS moving one space for each letter.

You’re not on the four, so I’ll take that one away.

2 – 3

Now spell DAY, moving one space per letter.

You’re on the 2!

That’s a very simple interactive math trick you can do for father’s day!

-Louie

The Mobius Rising Card – Review

Last October I started working on a rising card routine for stage and it’s coming along. The routine is that two cards are selected, returned to the pack and the deck is put into a glass. The spectator holds the glass and the first card appears on the top of the deck in the glass, then the second card rises out of the deck.

One of the challenges is that when I’m out performing at fairs the traditional rising card weight method gimmicks doesn’t last long. I think the heat and dust are what make them less reliable after about a week. In my search for a better way to do it as I like the trick, I came across The Mobius Rising Card.

The Mobius Rising Card

This is essentially the same as the weight gimmick, with a few improvements…but I think that’s what has fixed the gimmick for how I work it. First the weight is heavier, which will help the cards to keep rising after there’s a bit of gunk in it. Then the “string” which pulls the card has been replaced by something else, and I think this is a BIG improvement as it distributes the weight better and allows the gimmick to be thinner. They are selling the trick on the gimmick being only six cards thick, and for my routine that’s not something I need. I’m not complaining that the gimmick is thin, but since this isn’t a close up routine I’m working on, it’s not something that’s a huge factor for me.

I’ve only used The Mobius Rising Card for a handful of gigs so far and I really like it over the classic construction of the weight version of the rising cards. It’s actually an improvement, and not just another way to make the weight work.

If you do the rising cards, and are looking for a more reliable version of the weight, I like this one!

-Louie

Another Visit to the Magic Garage!

When I’m in the bay area, or near it I always try to visit the Magic Garage! It’s always the great to visit and chat with Will Chandler and he also makes an amazing Old Fashioned!

What’s fun about the Magic Garage is that it’s got magicians who hang out there who do all sorts of magic. From close up to parlor to illusions and magicians of every skill level!

I love hanging out here and chatting magic! It’s one of my favorite spots that I pop into!

-Louie

That’s Not An Introduction!

When I work as an MC, I ask for 1-3 bullet points that I can say about an act/show. That’s really all that you need in an introduction. The reason I ask for bullet points is that I can filter it through my voice.

Here’s an introduction that I was given recently:

introduction

That’s not an MC introduction, it’s the introduction that you group leader should be giving on mic, but not for the MC. Also it’s written in the first person from the band’s point of view, so I had to live update it as I read it. The other thing with LONG pre printed introductions is that I’m getting older an my eyes aren’t as good at they used to be. I can’t reasonably rewrite this in a larger size that’s easier for me to read. Where a simple paragraph would have been much easier and I could have rewritten it so that it was easier for me to read.

So for most MC’s that I know, we prefer bullet points, not a page of text. Figure out your three bullet points so that you’re ready the next time you need to give an introduction to an MC.

-Louie

New Reels For My Collection!

One of the things in magic that I collect are reels. Specifically locking reels, not so much plain reels like the Paul Diamond Reel or a P&L Fingertip Reel. I have those, but don’t actively hunt them down.

Recently Mike Caveney sent out an email and one of the things he was selling were some reels. It was a set to two reels, and I jumped on it!

I’m more interested in the locking reel on the left than the reel on the right. These reels were used more to reposition the cage after the vanish that for the actual vanish of a birdcage. I hope it looks a cool in person as it does in the pic!

-Louie

Frisco Fred

Yesterday I made it to Pier 39 in San Francisco and caught the tail end of Fred Anderson’s show.

street performer

He ended with card to mouth and what really stood out to me was how slowly he worked. It made me remember that I really need to slow down when I’m performing street style shows.

There’s always a ton you can learn by watching other performers, and I’m glad I got to see a little bit of Fred’s show (and hang out for a bit after).

-Louie

Jeki Yoo’s Vanishing Birdcage!

Here’s a great version of the Vanishing Birdcage by Jeki Yoo.

The cool thing about this is that he’s wearing what he normally wears for all of his videos. The downside is this method isn’t practical for a normal stage show presentation. In my opinion any different method for the cage is great, no matter how practical or impractical it is for different venues. The normal stage version of the Vanishing Birdcage is already a very impractical trick due to the set up when compared to pretty much any standard magic trick, so it’s hard to say any method isn’t “practical”.

-Louie

Coins Thru Glass

Many, many years ago I saw a video of Daniel Cros doing Coins Thru Glass. You can watch it here. Basically the effect is the coins go thru the bottom of the glass into another glass one at a time, then the final coin uses a spectator’s hand. I never really like the ending of the trick and the switching from a glass to a hand.

Last night in my hotel room I was playing with the trick but added a hat to it. That gave a slightly different frame to the trick and allowed me to have a “kicker” ending that still followed the frame work of the first coins to go thru the glass.

Here’s what I came up with:

While not great, if I put a little bit more time into figuring out the blocking, the trick would flow a lot better and look a lot less like I just thought of it and don’t know where the props should go.

It’s a fun little thing to work thru, but I don’t know if I’ll put much more time into it as I don’t think I’ll ever do it.

-Louie

Portland SAM Meeting

Last week I was in town for the Portland Society of American Magicians magic club meeting. It was a light turn out with only about 8 people there, but it was fun.

For me, I always love seeing the different styles of magic that people bring to a magic club. It’s not always their polished routines, but things that they are working on or things that they have and want to share. Personally, I’m more interested in things that you don’t do in your show, but interest you more than your A material. That’s the fun of magic clubs!

-Louie