Escapes for the Circus

Next month my daughter graduates from College. She had an opportunity pop up to work in a circus this summer where she’ll be doing a 4-7 min act. She’s done solo stuff in my show and she has two different escape acts that she can do. The circus will be fairs and festivals, so she’ll be typically doing three shows a day. We’re working on adding a third escape act so that she can do a different act each show. That will solve the problem of repeating the same act all day. She can do that if she wants, but she’ll have options.

One of the important things is that all of the escapes feel different. They all have a different texture, it’s not just three comedy “in and out” escapes or first she escapes from rope, then the next show chain and the final show handcuffs.

I just finished up making all of the props that she didn’t have her own dedicated set for.

Now the next step is rehearsing it and writing some new jokes.

– Louie

Have Some Insurance!!

In my library show this summer (which is actually my school assembly show) I do a bit with handcuffs. The handcuffs are jump cuffs with and additional gimmick that I added.

If you don’t know, jump cuffs you can show that they work, but you can instantly get out of them. They’re 99.9% effective, but there’s still a .01% that something funky could happen. Because of this very small percentage of risk, I keep a set of handcuff keys in my case.

handcuff keys

In my routine, the cuffs aren’t part of the escape, they’re a surprise, but I need to get in and out of them quickly. No one knows they’re there until you see them, so the keys never need to be part of the routine like they would if I was escaping from the handcuff and they were the focal point of the routine.

The chances of me not being able to unlock them is insanely low, but keeping the set of keys is insurance. also the keys take up virtually no space in my case, so it’s not a big deal to haul them around.

This is a good example of what can go wrong in a trick and what would you do.

-Louie