Pictures – Page 49 – MagicShow.Tips

Let Them Show You…

The amount of magicians that complain when people want to show them a magic trick is staggering. I don’t get it, why not let the person show you?
The person will be the star for a minute, and I think that’s where the problem is, most magicians have a ego that won’t let them step away and let someone else into the spotlight.

At a gig the other night a someone wanted to show me a trick and I say “yes”.

They did the trick with the glide where at the end the slap the cards out of your hand and one card is left in your hand and it’s the selected card. When I let her do it, she nailed it! That’s going to be one of the memories from the party for the dozen people that say it, and something they’ll talk about longer than my roving set.

I’m not saying you should 100% always let the person show you the trick. There are times when it’s inappropriate, like in the middle of a ticketed formal show. but if you’re roving or after a show, why not? It’s not going to hurt anything.

-Louie

Roving Magic…

There’s an old piece of advice that (usually older) magicians give newer magicians. That is, “you only need to know 8 tricks” and that you should know those tricks inside and out. While that advice may have be relevant over 100 years ago when it was originally given. I think the story was a kid said to Thurston that he knew over 100 tricks and Thurston replied, “I only know seven” or something like that.

Here’s the problem with that advice, look at every modern successful magician, they all know and do more than seven or eight tricks.

Now let’s apply that to the average magician. Yesterday I performed at a company party for people in healthcare. I was hired for an hour of roving magic, and normally I’ll do the same 5ish minute set over and over for the hour. However, this party spanned several hours and the worker came to it when they were free. When I was there the first 30 mins was busy, but the final 30 mins was just about 8 people (who had seen my set in the first 30 minutes of the party). If I only knew seven or eight tricks, I’d be screwed. However, I have a big toolbox of sleights and tricks, I was able to pull out some things I don’t normally do and to improvise.

In the picture above I’m doing Jack Carpenter’s Mysterious from the book Modus Operandi. This is a trick I’ve done since I was a teenager, but it’s not in my roving set because it uses a table, and some specific cards. When I do roving magic, my deck loses cards very quickly, so I can’t always guarantee that I have the needed cards.

The moral of the story is to fill your tool box, if all you have is a 3/8 inch wrench and a hammer in it, you’re in trouble if you need a phillips screwdriver!

-Louie

Firing Up the Studio…

Once again last night I was back in the office getting ready for some virtual shows. Everyone thought virtual magic shows would go away once in person shows started up again, however they are still here.

One thing I don’t like about how I do my shows is that it’s not very mobile. What I mean by that is that it wouldn’t be easy to travel with my current virtual show and set up if I wanted to do one while I was on the road.

That should be something that I work on, essentially a “briefcase show” but for virtual. The trick part shouldn’t be a problem, it’s the lights and stands that will be tricky to figure out how to pack small and light.

-Louie

The Artist’s Way – Completed!

I’ve now finished the 12 weeks of the book The Artist’s Way by Julia Cameron. This book was suggested to me by a performer friend over the summer. The book is laid out by week and while it’s a bit “hippie” for me, I stuck through it and I’m glad I did.

Let me start by saying, that I don’t think I’m this book’s target demographic. A lot of it feels like it’s trying to get people to step away from negative people who say you can’t do art for a job. I did that years ago, however it did encourage me to deal less with negative people and I’m a happier person because of that!

Did the book make me more creative?

Sort of. It’s given me some tools to get my ideas out a little bit faster, and while I play a lot, it’s encouraged me to play a lot more…and write a lot more.

I think anyone who commits to the book will get something out of it.

-Louie

Mish Mash Wallet

A few weeks ago I ordered a custom designed wallet that had playing cards on it (you can read about my card wallet here). I had totally forgotten about it, until it arrived yesterday. It was a fun surprise!

Here’s the wallet:

This wallet is essentially Harry Anderson’s MishMash card design, but set up like John Kennedy’s Mind Power Deck! I’m happy with how it turned out, however if I was going to make another one, there are a few small changes. Right now it’s a way to force one of 8 cards, then a fishing procedure to know the card.

I’ve got an idea to then have the card appear in your wallet, with no sleight of hand! I’m going to play with this idea later this week!

-Louie

Catch a Show…

As I’ve gotten older and deeper into my career, I’m learning to take more days off…more days when I could be earning a lot of money. A friend of mine who is a magician invited me to his company’s Christmas party and there was a magician there. It was James Donahue, who I know from the social media, and I’ve made a prop for him in the past, but never met in person.

It was great to see him work for actual people.

Something I always say is that if you want to really work an industry you need to be a consumer of that industry. What I mean by that is it really helps if you can see what your show looks like form the attendee’s perspective.

Every now and then, taking a night off and seeing someone else do what you would normally be paid to do is a great chance to learn a lot!

-Louie

Tooth Fairy Magic…

The other day I had a strange idea. I wanted to do a transposition between a tooth and a quarter. Using the toothfairy as presentation hook is a no brainer for this. The challenge was that I wanted one of them to be held in the spectator’s hand and obviously they are very different shapes.

The solution finally hit me, why not hand them a folding coin that was folded in thirds? This will have roughly the same shape as a tooth, and have some textures like a tooth. Once that was figured out, the rest of the mechanics were pretty simple. Here’s me trying it out:

It works! This was a great solution for strange problem.

– Louie

Bigfoot Sightings…

This summer I’m doing a few virtual shows that will be cryptid themed. I’m starting the brainstorming process and I remember seeing Bigfoot Finger Feet. These are little bigfoot feet that go on your fingers. They would work great with a virtual show because you can zoom in on them and make them play big on the screen.

The idea that I came up with that I liked was to have five cards (actually blank drink coasters) with the names of different bigfoot sighting locations. I could show each card and talk about and/or show video of the sighting. I would use the feet to walk over the cards as I talked about the sightings. Then they would pick one. I’d pour water over all of the cards “to make fresh mud for the tracks” and when I do that, bigfoot footprints would appear on the selected location’s card!

From a method standpoint there’s a lot of ways I could force the location. I could use: Quinta, Hotrod Force, Math Number Forces, etc. Then for the reveal, simply using a hydrophobic spray and an stencil would do the trick.

I think using the video element of the sightings adds a lot of production elements to the trick that wouldn’t be in a typical in person library show. The nice thing is the investment for this trick will be about $20 and with showing the short video clips, I can probably get 4-5 mins out of it.

-Louie

Correct Banquet Seating!!!

Last week at the conference I was at, I finally ran into the correct way to have seating in a banquet hall! Normally when there are round tables, the chairs are seated around the entire table.

The problem with this is if there’s a show or presentation, one to three people have their backs to the stage. Commons sense thinking for event planners is “people will just turn the chairs“. Unfortunately the reality is that most people don’t turn the chairs. They start watching with their bodies contorted in the chair to watch the show. This gets very uncomfortable and even if you engage them the entire time, it’s still hard for them to enjoy the show.

The simple solution to this is to ask people to turn their chairs. What always amazes me is that this never gets 100% compliance. You’ll get maybe 25%-75% of the people to turn their chairs.

The banquet room I was at last week had the chairs arranged like this:

All of the chairs are facing forward and there’s no chair at the front of the table. That’s how you get good value from whoever you hire for a show!

Let’s hope this trend continues (it won’t)

-Louie