Magician Promo Pics…

The amount of magician’s promo pics that are cheezy, hack, or just plain bad is staggering. The goal of a promo pic is to get your personality out. I think a lot old school logic is that they need to know you’re a magician. You wouldn’t know that from David Copperfield’s pic on his billboard.

I know what you’re thinking…it’s David Copperfield, he doesn’t need that. You’re right, the billboard has some context, like his name.

Guess what? Your promo will also have some context, like your name and what you do.

You don’t have to be holding a fan of cards in your pic, they goal it to get a little bit of your personality out. Look at the headshots of the headliner’s on any comedy club’s website, you’ll see a lot of personality coming out in those pics.

Recently I had some pics taken and I was goofing around and this pic came out of the photo sesssion:

Is it the best pic to promote a magic show? Probably not.
Does it show much more personality than a me holding a fan of cards or having an ace in my sleeve? YES!

Try to show off yourself in your pics!

-Louie

Firing Up the Studio…

Once again last night I was back in the office getting ready for some virtual shows. Everyone thought virtual magic shows would go away once in person shows started up again, however they are still here.

One thing I don’t like about how I do my shows is that it’s not very mobile. What I mean by that is that it wouldn’t be easy to travel with my current virtual show and set up if I wanted to do one while I was on the road.

That should be something that I work on, essentially a “briefcase show” but for virtual. The trick part shouldn’t be a problem, it’s the lights and stands that will be tricky to figure out how to pack small and light.

-Louie

The Artist’s Way – Completed!

I’ve now finished the 12 weeks of the book The Artist’s Way by Julia Cameron. This book was suggested to me by a performer friend over the summer. The book is laid out by week and while it’s a bit “hippie” for me, I stuck through it and I’m glad I did.

Let me start by saying, that I don’t think I’m this book’s target demographic. A lot of it feels like it’s trying to get people to step away from negative people who say you can’t do art for a job. I did that years ago, however it did encourage me to deal less with negative people and I’m a happier person because of that!

Did the book make me more creative?

Sort of. It’s given me some tools to get my ideas out a little bit faster, and while I play a lot, it’s encouraged me to play a lot more…and write a lot more.

I think anyone who commits to the book will get something out of it.

-Louie

Mish Mash Wallet

A few weeks ago I ordered a custom designed wallet that had playing cards on it (you can read about my card wallet here). I had totally forgotten about it, until it arrived yesterday. It was a fun surprise!

Here’s the wallet:

This wallet is essentially Harry Anderson’s MishMash card design, but set up like John Kennedy’s Mind Power Deck! I’m happy with how it turned out, however if I was going to make another one, there are a few small changes. Right now it’s a way to force one of 8 cards, then a fishing procedure to know the card.

I’ve got an idea to then have the card appear in your wallet, with no sleight of hand! I’m going to play with this idea later this week!

-Louie

Catch a Show…

As I’ve gotten older and deeper into my career, I’m learning to take more days off…more days when I could be earning a lot of money. A friend of mine who is a magician invited me to his company’s Christmas party and there was a magician there. It was James Donahue, who I know from the social media, and I’ve made a prop for him in the past, but never met in person.

James Donahue - magician

It was great to see him work for actual people.

Something I always say is that if you want to really work an industry you need to be a consumer of that industry. What I mean by that is it really helps if you can see what your show looks like form the attendee’s perspective.

Every now and then, taking a night off and seeing someone else do what you would normally be paid to do is a great chance to learn a lot!

-Louie

Tooth Fairy Magic…

tooth fair magic trick

The other day I had a strange idea. I wanted to do a transposition between a tooth and a quarter. Using the toothfairy as presentation hook is a no brainer for this. The challenge was that I wanted one of them to be held in the spectator’s hand and obviously they are very different shapes.

The solution finally hit me, why not hand them a folding coin that was folded in thirds? This will have roughly the same shape as a tooth, and have some textures like a tooth. Once that was figured out, the rest of the mechanics were pretty simple. Here’s me trying it out:

It works! This was a great solution for strange problem.

– Louie

Bigfoot Sightings…

This summer I’m doing a few virtual shows that will be cryptid themed. I’m starting the brainstorming process and I remember seeing Bigfoot Finger Feet. These are little bigfoot feet that go on your fingers. They would work great with a virtual show because you can zoom in on them and make them play big on the screen.

The idea that I came up with that I liked was to have five cards (actually blank drink coasters) with the names of different bigfoot sighting locations. I could show each card and talk about and/or show video of the sighting. I would use the feet to walk over the cards as I talked about the sightings. Then they would pick one. I’d pour water over all of the cards “to make fresh mud for the tracks” and when I do that, bigfoot footprints would appear on the selected location’s card!

From a method standpoint there’s a lot of ways I could force the location. I could use: Quinta, Hotrod Force, Math Number Forces, etc. Then for the reveal, simply using a hydrophobic spray and an stencil would do the trick.

I think using the video element of the sightings adds a lot of production elements to the trick that wouldn’t be in a typical in person library show. The nice thing is the investment for this trick will be about $20 and with showing the short video clips, I can probably get 4-5 mins out of it.

-Louie

Correct Banquet Seating!!!

Last week at the conference I was at, I finally ran into the correct way to have seating in a banquet hall! Normally when there are round tables, the chairs are seated around the entire table.

The problem with this is if there’s a show or presentation, one to three people have their backs to the stage. Commons sense thinking for event planners is “people will just turn the chairs“. Unfortunately the reality is that most people don’t turn the chairs. They start watching with their bodies contorted in the chair to watch the show. This gets very uncomfortable and even if you engage them the entire time, it’s still hard for them to enjoy the show.

The simple solution to this is to ask people to turn their chairs. What always amazes me is that this never gets 100% compliance. You’ll get maybe 25%-75% of the people to turn their chairs.

The banquet room I was at last week had the chairs arranged like this:

All of the chairs are facing forward and there’s no chair at the front of the table. That’s how you get good value from whoever you hire for a show!

Let’s hope this trend continues (it won’t)

-Louie

Magic Jam – Texas

I just wrapped up a conference in San Antonio and in my usual style I got the magicians together to have a little magic jam.

The two guys in the middle I’ve hung out with many many times. The guy I’d never hung out with before is Josh Farley (holding the cards in the pic). Here’s his Penn and Teller appearance:

Josh is a fun guy to hang out with and BS magic. He’s got an interesting move with a double lift. If he’s ever in your town, go check out his show!
-Louie

Great Tricks Suck on Low Stages…

A couple of weeks ago I was at a booking conference and one of the acts did Bowl-A-Rama by Kevin James. If you aren’t familiar with the trick, it’s a bowling ball production from a sketch pad. Here’s what it looks like:

This is a great trick…usually. Here’s a picture of the guy I saw doing it:

Do you see the problem with doing it in this venue?

If you can’t spot the problem, here’s what it is: The stage is very low
The production of the bowling ball happened below the guy’s waist, which means most of the audience couldn’t see it. This was his opening effect and totally wasted on the audience.

I don’t fault the performer. He was flying in to do a showcase set and probably only packed his showcase set. Replacing the bit probably wasn’t an option for this specific bit.

One thing I try to do is watch shows from the back of the audience. Another way to do this is put a video camera in the back, but at eye level as if you were sitting in a chair. If you pay attention you will see what’s visible and what isn’t. For me, I try to avoid anything where the action happens below my waist.

-Louie