On Saturday night I headlined a bar gig with a few comedians. The feature act was Morgan Colis and she had written a whole chunk of material about magicians because she was working with me. She went as far as to borrow a coat from her grandma for one of the jokes.
Things like that remind me that I’m not working as hard as I used to. Years ago when I was younger, I’d research all of the other acts I was working with, write venue, city, act specific jokes or bits for the gig. I don’t do that very often anymore, especially for a one off gig.
Working with younger acts (by younger I mean performers who are newer) reminds me that I need to work harder to keep up with the “kids”. There are many performers that phone it in the back half of their career, and it’s passable, then there are acts that keep working on their show.
I want to be one that keeps working on their show…
-Louie
Category: magic show tips
Prestige Mentalism Trick as an Opener
The show I did last month for school assemblies opened with a flash opener, that’s not really a trick, but something visual and exciting. Then the first actual magic trick in the show is the Prestige trick. This is a mentalism trick where you have 5 numbered cards with different things written on them and someone picks one and what’s written on the back of that number is your force.
Here’s what the trick looks like:
How I’m making the trick work for kids is that I’m building a pattern of the same thing on all of the cards, then shattering the pattern with the revelation of something different. This is basically how a joke is structured, you build an assumption (set up) and then you change that assumption (punchline). This is a structure that kids can understand and that’s why it works.
Another thing that makes this effective is how direct it is for the selection of the item, because the number is a free choice. There’s nothing complicated like with the PATEO force or that feels strange like with the hotrod force. The effect how I do it would lose impact if I had a process heavy force, and it definitely wouldn’t work in the opening spot in the show if I had to use a lot of procedure.
I really dig this trick, it works out great for me.
-Louie
Asking Questions…
One of the huge lesson I learned last month on the school assembly tour that I was on was how to get more our of the people who helped me onstage. Basically I just asked a lot of questions. The questions aren’t random, and I have preplanned joke responses for some answers, but I’m looking for thing that I can use to create a real live moment.
The other thing I learned is not to jump in too quickly with my response, especially if I already have a joke answer to what the kid says. You need to let the kid’s answer land with the audience, then hit your response. If you reply too quickly, the audience doesn’t have time to process, but I think it also feels less real and in the moment.
Take your time.
-Louie
Coin Flourish
I’ve always thought Charlie Frye‘s trick Frye’s Chips was a great little flourishy thing. I didn’t like that I was made as a poker chip and not a coin. A little while ago I found a coin that I could do the flourish with and finally put together the gimmick:
@louiefoxx Lazy day got me practicing dumb stuff! #balance #cointrick #magic #numistmatist #practice #closeupmagic ♬ I Can’t Stop (Ekali Tribute) – Flux Pavilion
After trying it out, I do like it with a coin much more than a poker chip!
-Louie
Key and Ring…
The trick “Stirring Silver” by Jay Sankey has always fascinated me. I can do the trick, but really only do it in impromptu situations when I need to bang out something quick. I’m not sure what I don’t like about it, I think that ring spends way too much time on the handle of the spoon in the first phase. I do understand that it needs to be there for how the trick works.
Here’s a version of it that I came up with and I posted a video of it on Tik Tok a bit ago:
@louiefoxx Magic trick while waiting for the store to open… #waiting #ring #key #sleightofhand #magictrick @therealjaysankey #magician #louiefoxx #closeupmagic ♬ original sound – Louie Foxx
The method is different from Jay’s routine, but the effect is visually the same. The challenge with a key is with the shaft soo much shorter than a spoon you have less room to hide things, which is why I had to go in a different direction with the method.
I think the trick came out well, but it’s something I’ll probably never do in my actual work.
-Louie
Learning on Tour
Today is the final day of the school assembly tour, and after 5 weeks I’ve learned a lot!
The big change was the last time I did this tour, I disliked when the kids sat on the bleacher and I was in the basketball court. I was used to having my back against a wall and the kids sitting on the floor, which is how most school assemblies in the Northwest seat the kids. The advantage of having the kids in the bleachers is that they can see more. The disadvantage is that I don’t have a backdrop, so smaller props can be harder to see. Luckily this year’s show doesn’t really use any small props that the audience needs to see.
I’m much more comfortable with using a handheld mic, and use it most of the time during the show, except a few spots where I need both hands. Using a handheld mic I think is visually superior to a headset as you can use the mic as a prop. I use it to accentuate a spot where I laugh, or cue the audience to a spot where they are supposed to respond.
Using a handheld mic also helps create a certain image, it makes me look more like a stand up comic than “magician”. My warm up is doing “crowd work” where I talk to people and try to find jokes with what they say. It’s a lot of fun, but not easy, especially for kids. How I frame is while we’re waiting for the last class that’s 5 mins late to arrive, I tell them we won’t have time for questions, so they can ask them now while we’re waiting to start. Really the show has started, and I do the questions started at the show’s scheduled start time. Usually one of the early questions I’ll get asked is if I’m a comedian. That means the image I’m trying to portray is working. When I get asked that, part my response is that doing stand up come for kids isn’t a thing. What cracks me up is I then do 5-8 minutes of stand up for the kids!
I’ll probably have more reflections on things that I’ve learned on the 20+ hour drive home over the next couple of days…
-Louie
Take Up Reel Question
A question I recently got asked about my Take Up Reel for the vanishing bird cage is how much can you move around with it on. My answers is that it gives you pretty much full range of motion.
For the last month I’ve been performing 2-3 shows a day and my 45 minutes show ends with the vanishing birdcage. I’m pretty physical in the show, and in the middle of the show I do some trick roping with the take up reel on my left wrist with the pull set to the long position.
Right after the trick roping routine, I could reach over, grab the cage and vanish it. I don’t as the cage is about 15 mins later in the show, but in that picture the working end of the take up reel is in my right sleeve.
For me and how I perform, using a take up reel allows me to do the vanishing birdcage. It’d be impossible using just a wrist to wrist pull.
-Louie
Apples and Oranges
One trick that I’m doing in the school assembly is based on Jim Steinmeyer’s Apples and Oranges routine in his book Conjuring. Jim’s trick is the Piano Card Trick, but using apples and oranges, which makes it play on stage. Essentially the trick is an orange disappears from one side of the stage and reappears on the other.
I took Jim’s idea and rewrote the script and changed the props so that it works for the show I was doing. In the first few weeks of doing the show, I felt like the kids holding the nets of fruit were really only there as human props and I needed to give them opportunities to shine. I started by asking them some questions, then giving one of them a line and creating an impossible challenge for the other kid. This made the routine soo much more engaging that it was before.
Also I should add that the trick is good! When the orange ends up on the other side of the stage, the teachers seem more amazed than the kids! That’s an important point about this show and all kids shows, the magic needs to be good. There were (and still are) soo many magic tricks that from an effect standpoint aren’t good that are marketed to children’s performers. This is part of what creates the stereotype that kids magic is cheesy. If you up your game with good tricks, it’s helps take you out of that cheesy magician box.
-Louie
Chop Cup Routine
One magic trick that I’m fascinated by is the Cup and Ball trick. Most of these are “Chop Cup” routines as that reduces a lot of sleight of hand. Unfortunately many of these routines are very similar and use the gimmick in the exact same way. My Cee Lo routine uses the gimmick as a holdout, and not to replace sleight of hand and it’s a great, working cup and ball(s)/chop cup routine.
I’ve had an idea in a notebook for while and finally got around to figuring it out and posted it on Tik Tok. Also if you’re on Tik Tok, give me a follow @LouieFoxx
Here’s the routine:
@louiefoxx Magic trick from my hotel room! #magic #dollarbill #twentydollars #magictrick #dollarbillchallenge #closeupmagic #surpriseending #chopcup #magician ♬ original sound – Louie Foxx
What’s interesting about it is that it doesn’t have the traditional chop cup move where you shake the ball in the cup. It also has a final load not being a physically larger version of the ball, but the bill changing to a larger denomination bill. I don’t know if that ending is better than producing a bigger item…
It was fun to get another idea out of a notebook!
-Louie
Sponge Tennis Balls…fixing lines
When I was putting together my tennis ball routine for this school assembly tour, I started using Sponge Tennis Balls by Daba Magic. I like these more than the Alan Wong Sponge Tennis Balls as the Daba ones pop open much faster.
After using them for 2-3 shows a day on this tour, I found one thing that I don’t like about the Daba Sponge Tennis Balls. The white line on them is tape or something like that, where on all the other sponge tennis balls I’ve tried, they are painted on. After about a week the tape lines started getting loose, and this week they started falling off.
Here’s what the lines should look like:
And here’s what they looked like this week:
Honestly, I wasn’t surprised that this would happen to them. I didn’t think that tape was good way to make the lines. I went to the store and bought some paint and redid the lines:
It only took a few minutes to paint the lines onto the sponge tennis balls, and this should hold up for a lot longer than the tape lines.
-Louie